Scaramouche (Milhaud) (English Wikipedia)

Maher 2016, p. 105. Maher, Erin K. (2016). Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity (PhD thesis). University of North Carolina. doi:10.17615/e1bz-3a74.
Palmer 1972, p. 862. Palmer, Christopher (1972). "Milhaud at 80". The Musical Times. 113 (1555): 861–863. doi:10.2307/957364. ISSN 0027-4666. JSTOR 957364.
Seong 2019, p. 79. Seong, Hyejeong (2019). Latin American Influences on Selected Piano Pieces by Louis Moreau Gottschalk and Darius Milhaud (PhD thesis). West Virginia University. doi:10.33915/etd.7429.
McFarland 2009, pp. 155–156. McFarland, Mark (August 2009). "Dave Brubeck and Polytonal Jazz". Jazz Perspectives. 3 (2): 153–176. doi:10.1080/17494060903152396. ISSN 1749-4060. S2CID 191524027.
Seong 2019, pp. 80–82. Seong, Hyejeong (2019). Latin American Influences on Selected Piano Pieces by Louis Moreau Gottschalk and Darius Milhaud (PhD thesis). West Virginia University. doi:10.33915/etd.7429.
Seong 2019, p. 82. Seong, Hyejeong (2019). Latin American Influences on Selected Piano Pieces by Louis Moreau Gottschalk and Darius Milhaud (PhD thesis). West Virginia University. doi:10.33915/etd.7429.
Walker, Robert Matthew (1992). "Milhaud and America. In the Month of Milhaud's Centenary of Birth, His Fruitful Years of Wartime Enile in America Are Recalled". The Musical Times. 133 (1795): 443–444. doi:10.2307/1002369. ISSN 0027-4666. JSTOR 1002369.
Maher 2016, p. 118. Maher, Erin K. (2016). Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity (PhD thesis). University of North Carolina. doi:10.17615/e1bz-3a74.
Simeone 2000, p. 551. Simeone, Nigel (2000). "Messiaen and the Concerts de la Pléiade: 'A Kind of Clandestine Revenge against the Occupation'". Music & Letters. 81 (4): 551–584. doi:10.1093/ml/81.4.551. ISSN 0027-4224. JSTOR 854539.
Milhaud & Breitrose 1970, p. 56. Milhaud, Darius; Breitrose, Henry (1970). "Conversation with Milhaud". Music Educators Journal. 56 (7): 55–56. doi:10.2307/3392748. ISSN 0027-4321. JSTOR 3392748. S2CID 143737158.

dx.doi.org

McFarland 2009, pp. 155–156. McFarland, Mark (August 2009). "Dave Brubeck and Polytonal Jazz". Jazz Perspectives. 3 (2): 153–176. doi:10.1080/17494060903152396. ISSN 1749-4060. S2CID 191524027.

gramophone.co.uk

"Video exclusive: Jess Gillam plays 'Brazileira' from Milhaud's Scaramouche". Gramophone. Retrieved 28 February 2023.
"Milhaud plays and conducts Milhaud". Gramophone. Retrieved 17 March 2023.
"Milhaud Jazz Works". Gramophone. Retrieved 14 March 2023.

interlude.hk

Buja, Maureen (16 February 2022). "Darius Milhaud's Flying Doctor Scaramouche". Interlude. Retrieved 1 March 2023.

jstor.org

Palmer 1972, p. 862. Palmer, Christopher (1972). "Milhaud at 80". The Musical Times. 113 (1555): 861–863. doi:10.2307/957364. ISSN 0027-4666. JSTOR 957364.
Robison 1967, p. 27. Robison, Forrest (1967). "the two-piano music of Darius Milhaud". American Music Teacher. 16 (5): 26–43. ISSN 0003-0112. JSTOR 43537130.
Walker, Robert Matthew (1992). "Milhaud and America. In the Month of Milhaud's Centenary of Birth, His Fruitful Years of Wartime Enile in America Are Recalled". The Musical Times. 133 (1795): 443–444. doi:10.2307/1002369. ISSN 0027-4666. JSTOR 1002369.
Simeone 2000, p. 551. Simeone, Nigel (2000). "Messiaen and the Concerts de la Pléiade: 'A Kind of Clandestine Revenge against the Occupation'". Music & Letters. 81 (4): 551–584. doi:10.1093/ml/81.4.551. ISSN 0027-4224. JSTOR 854539.
Milhaud & Breitrose 1970, p. 56. Milhaud, Darius; Breitrose, Henry (1970). "Conversation with Milhaud". Music Educators Journal. 56 (7): 55–56. doi:10.2307/3392748. ISSN 0027-4321. JSTOR 3392748. S2CID 143737158.

kammermusikfuehrer.de

"Scaramouche, op. 165b (Paris 1937) | Kammermusikführer - Villa Musica Rheinland-Pfalz". www.kammermusikfuehrer.de. Retrieved 1 March 2023.

klassiekemuziek.tv

"Milhaud - Scaramouche". Klassiekemuziek.tv (in Dutch). 29 August 2015. Retrieved 28 February 2023.

loc.gov

blogs.loc.gov

Appold, Juliette (6 August 2020). "Darius Milhaud and the Americas | NLS Music Notes". The Library of Congress. Retrieved 28 February 2023.

lynn.edu

spiral.lynn.edu

"Program notes: From the Studio of Lisa Leonard". Lynn University. 2019.

mprnews.org

Amacher, Julie (22 May 2007). "Meyer conquers the clarinet's highs and lows". MPR News. Retrieved 14 March 2023.

muziekweb.nl

Hot sax - Jürgen Demmler - Muziekweb, retrieved 14 March 2023

nytimes.com

Henahan, Donal (24 May 1975). "Music: Boehm Quintette". The New York Times. ISSN 0362-4331. Retrieved 28 February 2023.
"Milhaud's Major Works". The New York Times. 25 June 1974. ISSN 0362-4331. Retrieved 28 February 2023.

philharmoniedeparis.fr

pad.philharmoniedeparis.fr

Milhaud, Darius. "Scaramouche". pad.philharmoniedeparis.fr (in French). Retrieved 1 March 2023.

radiofrance.fr

"Darius Milhaud : Scaramouche". France Musique (in French). 28 January 2021. Retrieved 28 February 2023.

semanticscholar.org

api.semanticscholar.org

McFarland 2009, pp. 155–156. McFarland, Mark (August 2009). "Dave Brubeck and Polytonal Jazz". Jazz Perspectives. 3 (2): 153–176. doi:10.1080/17494060903152396. ISSN 1749-4060. S2CID 191524027.
Milhaud & Breitrose 1970, p. 56. Milhaud, Darius; Breitrose, Henry (1970). "Conversation with Milhaud". Music Educators Journal. 56 (7): 55–56. doi:10.2307/3392748. ISSN 0027-4321. JSTOR 3392748. S2CID 143737158.

studylib.net

James 1997, p. 4. James, Matthew (8 August 1997). "A Most Savory Cocktail: Milhaud's Scaramouche as an Assemblage of Compositional Techniques". Ohio University.
James 1997, p. 5. James, Matthew (8 August 1997). "A Most Savory Cocktail: Milhaud's Scaramouche as an Assemblage of Compositional Techniques". Ohio University.
James 1997, p. 2. James, Matthew (8 August 1997). "A Most Savory Cocktail: Milhaud's Scaramouche as an Assemblage of Compositional Techniques". Ohio University.
James 1997, p. 1. James, Matthew (8 August 1997). "A Most Savory Cocktail: Milhaud's Scaramouche as an Assemblage of Compositional Techniques". Ohio University.

telegraph.co.uk

Hewett, Ivan (9 September 2018). "Last Night of the Proms, review: warm nostalgia buries Brexit tensions". The Telegraph. ISSN 0307-1235. Retrieved 9 March 2023.

theguardian.com

Willson, Flora (9 September 2018). "Last Night of the Proms review – carnival silliness but music and messages lack real bite". The Guardian. ISSN 0261-3077. Retrieved 9 March 2023.

thetimes.co.uk

Brown, Geoff (26 April 2019). "Jess Gillam: Rise / Amy Dickson: In Circles review". The Times. ISSN 0140-0460. Retrieved 14 March 2023.

wikipedia.org

fr.wikipedia.org

Cousin, Roger (4 June 1937). "Le Spectacle du Théâtre Scaramouche". Excelsior [fr]. Retrieved 17 March 2023.

worldcat.org

search.worldcat.org

Van Regenmorter 2009, p. 57. Van Regenmorter, Paula (2009). Brazilian music for saxophone : a survey of solo and small chamber works. UMI Dissertation Services. pp. 57–61. OCLC 642833637.
Palmer 1972, p. 862. Palmer, Christopher (1972). "Milhaud at 80". The Musical Times. 113 (1555): 861–863. doi:10.2307/957364. ISSN 0027-4666. JSTOR 957364.
Van Regenmorter 2009, p. 58. Van Regenmorter, Paula (2009). Brazilian music for saxophone : a survey of solo and small chamber works. UMI Dissertation Services. pp. 57–61. OCLC 642833637.
McFarland 2009, pp. 155–156. McFarland, Mark (August 2009). "Dave Brubeck and Polytonal Jazz". Jazz Perspectives. 3 (2): 153–176. doi:10.1080/17494060903152396. ISSN 1749-4060. S2CID 191524027.
Robison 1967, p. 27. Robison, Forrest (1967). "the two-piano music of Darius Milhaud". American Music Teacher. 16 (5): 26–43. ISSN 0003-0112. JSTOR 43537130.
Van Regenmorter 2009, pp. 58–59. Van Regenmorter, Paula (2009). Brazilian music for saxophone : a survey of solo and small chamber works. UMI Dissertation Services. pp. 57–61. OCLC 642833637.
Van Regenmorter 2009, p. 59. Van Regenmorter, Paula (2009). Brazilian music for saxophone : a survey of solo and small chamber works. UMI Dissertation Services. pp. 57–61. OCLC 642833637.
Elizabeth, Van Dessel, Joan (2006). Reexamining the standard clarinet repertoire : a selective annotated bibliography of transcriptions for the solo clarinet and clarinet and piano (PhD thesis). Florida State University. p. 50. OCLC 155851889.{{cite thesis}}: CS1 maint: multiple names: authors list (link)
Snavely, John Albert (2006). Benny Goodman's commissioning of new works and their significance for twentieth-century clarinetists. UMI Dissertation Services. pp. 41–45. OCLC 271702412.
Smith, Mary Margaret (2010). The swing era clarinetists and their contributions to twentieth-century clarinet repertoire. Ohio State University. p. 21. OCLC 696628359.
Walker, Robert Matthew (1992). "Milhaud and America. In the Month of Milhaud's Centenary of Birth, His Fruitful Years of Wartime Enile in America Are Recalled". The Musical Times. 133 (1795): 443–444. doi:10.2307/1002369. ISSN 0027-4666. JSTOR 1002369.
Henahan, Donal (24 May 1975). "Music: Boehm Quintette". The New York Times. ISSN 0362-4331. Retrieved 28 February 2023.
Simeone 2000, p. 551. Simeone, Nigel (2000). "Messiaen and the Concerts de la Pléiade: 'A Kind of Clandestine Revenge against the Occupation'". Music & Letters. 81 (4): 551–584. doi:10.1093/ml/81.4.551. ISSN 0027-4224. JSTOR 854539.
Willson, Flora (9 September 2018). "Last Night of the Proms review – carnival silliness but music and messages lack real bite". The Guardian. ISSN 0261-3077. Retrieved 9 March 2023.
Hewett, Ivan (9 September 2018). "Last Night of the Proms, review: warm nostalgia buries Brexit tensions". The Telegraph. ISSN 0307-1235. Retrieved 9 March 2023.
Fandetti, Michael. French and American saxophone music : teachers, disciples, and the significance of Paris. p. 2. OCLC 952728005.
Milhaud & Breitrose 1970, p. 56. Milhaud, Darius; Breitrose, Henry (1970). "Conversation with Milhaud". Music Educators Journal. 56 (7): 55–56. doi:10.2307/3392748. ISSN 0027-4321. JSTOR 3392748. S2CID 143737158.
"Milhaud's Major Works". The New York Times. 25 June 1974. ISSN 0362-4331. Retrieved 28 February 2023.
Brown, Geoff (26 April 2019). "Jess Gillam: Rise / Amy Dickson: In Circles review". The Times. ISSN 0140-0460. Retrieved 14 March 2023.

worldcat.org

Van Regenmorter 2009, p. 57. Van Regenmorter, Paula (2009). Brazilian music for saxophone : a survey of solo and small chamber works. UMI Dissertation Services. pp. 57–61. OCLC 642833637.
Van Regenmorter 2009, p. 58. Van Regenmorter, Paula (2009). Brazilian music for saxophone : a survey of solo and small chamber works. UMI Dissertation Services. pp. 57–61. OCLC 642833637.
Van Regenmorter 2009, pp. 58–59. Van Regenmorter, Paula (2009). Brazilian music for saxophone : a survey of solo and small chamber works. UMI Dissertation Services. pp. 57–61. OCLC 642833637.
Van Regenmorter 2009, p. 59. Van Regenmorter, Paula (2009). Brazilian music for saxophone : a survey of solo and small chamber works. UMI Dissertation Services. pp. 57–61. OCLC 642833637.
Elizabeth, Van Dessel, Joan (2006). Reexamining the standard clarinet repertoire : a selective annotated bibliography of transcriptions for the solo clarinet and clarinet and piano (PhD thesis). Florida State University. p. 50. OCLC 155851889.{{cite thesis}}: CS1 maint: multiple names: authors list (link)
Snavely, John Albert (2006). Benny Goodman's commissioning of new works and their significance for twentieth-century clarinetists. UMI Dissertation Services. pp. 41–45. OCLC 271702412.
Smith, Mary Margaret (2010). The swing era clarinetists and their contributions to twentieth-century clarinet repertoire. Ohio State University. p. 21. OCLC 696628359.
Fandetti, Michael. French and American saxophone music : teachers, disciples, and the significance of Paris. p. 2. OCLC 952728005.

yourclassical.org

"Milhaud's "Scaramouche" Suite". www.yourclassical.org. July 2017. Retrieved 28 February 2023.