Scarface (1932 film) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Scarface (1932 film)" in English language version.

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"AFI's 100 Years...100 Heroes and Villains" (PDF). American Film Institute. Archived from the original (PDF) on August 7, 2011. Retrieved July 13, 2015.

afi.com

"AFI's 10 Top 10". American Film Institute. June 17, 2008. Archived from the original on January 16, 2013. Retrieved June 18, 2008.

amazon.com

"Scarface (1932)". Universal Pictures Home Entertainment. Universal City, California: Universal Studios. May 27, 2007. Archived from the original on January 13, 2017. Retrieved January 11, 2017.
Scarface, Universal Studios Home Entertainment, August 28, 2012, archived from the original on February 28, 2013, retrieved August 1, 2018

archive.org

"In New York". Variety. January 5, 1932. p. 6.
Eagan 2010, p. 192. Eagan, Daniel (2010). America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry. New York: Continuum. p. 192. ISBN 9780826418494. Retrieved July 26, 2018. Harry J. Vejar scarface.
Mate, McGilligan & White 1983, p. 61; Smyth 2006, p. 77 Mate, Ken; McGilligan, Pat; White, Dennis L. (1983). "Burnett". Film Comment. 19 (1). ProQuest 195362394. Smyth, J.E. (2006). Reconstructing American Historical Cinema: From Cimarron to Citizen Kane. Lexington, Kentucky: The University Press of Kentucky. ISBN 9780813124063.
Clarens 1980, p. 84; Thomas 1985, p. 70; Kogan, Rick (February 25, 2016). "Remembering Ben Hecht, the first Oscar winner for original screenplay". Chicago Tribune. Retrieved May 30, 2018. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408. Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709.
Hecht 1954, pp. 486–487. Hecht, Ben (1954). A Child of the Century. New York: Simon and Schuster. pp. 486–487.
Thomas 1985, pp. 71–72. Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709.
Clarens 1980, p. 85. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
Smyth 2004, p. 552; Thomas 1985, p. 71; Clarens 1980, p. 85 Smyth, J.E. (2004). "Revisioning modern American history in the age of "Scarface" (1932)". Historical Journal of Film, Radio and Television. 24 (4): 535–563. doi:10.1080/0143968042000293865. S2CID 191492240. Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
Smyth 2006, pp. 75–77. Smyth, J.E. (2006). Reconstructing American Historical Cinema: From Cimarron to Citizen Kane. Lexington, Kentucky: The University Press of Kentucky. ISBN 9780813124063.
Smyth 2006, pp. 78, 380. Smyth, J.E. (2006). Reconstructing American Historical Cinema: From Cimarron to Citizen Kane. Lexington, Kentucky: The University Press of Kentucky. ISBN 9780813124063.
Bergreen 1994, p. 49. Bergreen, Laurence (1994). Capone: The Man and the Era. New York: Simon & Schuster. p. 49. ISBN 978-0671744564.
Doherty 1999, p. 148 Doherty, Thomas (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press. ISBN 978-0231110945.
Clarens 1980, p. 86. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
MacAdams 1990, p. 128. MacAdams, William (1990). Ben Hecht: The man behind the legend. Scribner. p. 128. ISBN 978-0-684-18980-2.
McCarthy 1997, p. 132; Clarens 1980, p. 86 McCarthy, Todd (1997). Howard Hawks: The Grey Fox of Hollywood. New York: Grove Press. ISBN 0802137407. Retrieved October 31, 2018. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
Thomas 1985, p. 72. Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709.
Thomas 1985, p. 74. Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709.
Yablonsky 1974, p. 64; Rice 2013, p. 52 Yablonsky, Lewis (1974). George Raft. McGraw-Hill Book Company. ISBN 978-0070722354. Rice, Christina (2013). Ann Dvorak: Hollywood's Forgotten Rebel. Lexington, KT: The University Press of Kentucky. ISBN 9780813144269.
Rice 2013, pp. 52–53. Rice, Christina (2013). Ann Dvorak: Hollywood's Forgotten Rebel. Lexington, KT: The University Press of Kentucky. ISBN 9780813144269.
Rice 2013, pp. 3, 53. Rice, Christina (2013). Ann Dvorak: Hollywood's Forgotten Rebel. Lexington, KT: The University Press of Kentucky. ISBN 9780813144269.
Rice 2013, p. 53. Rice, Christina (2013). Ann Dvorak: Hollywood's Forgotten Rebel. Lexington, KT: The University Press of Kentucky. ISBN 9780813144269.
Rice 2013, p. 55. Rice, Christina (2013). Ann Dvorak: Hollywood's Forgotten Rebel. Lexington, KT: The University Press of Kentucky. ISBN 9780813144269.
Thomas 1985, p. 75. Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709.
Clarens 1980, p. 87. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
Rice 2013, pp. 58–59. Rice, Christina (2013). Ann Dvorak: Hollywood's Forgotten Rebel. Lexington, KT: The University Press of Kentucky. ISBN 9780813144269.
Doherty 1999, pp. 1–2. Doherty, Thomas (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press. ISBN 978-0231110945.
Doherty 1999, pp. 1–2, 101; Black 1994, p. 52 Doherty, Thomas (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press. ISBN 978-0231110945. Black, Gregory D. (1994). Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge, UK: Cambridge University Press. p. 126. ISBN 978-0521452991. Retrieved June 22, 2018.
Yogerst 2017, pp. 134–144; Doherty 1999, p. 150 Yogerst, Chris (June 20, 2017). "Hughes, Hawks, and Hays: The Monumental Censorship Battle Over Scarface (1932)". The Journal of American Culture. 40 (2): 134–144. doi:10.1111/jacc.12710. Doherty, Thomas (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press. ISBN 978-0231110945.
Doherty 1999, p. 150. Doherty, Thomas (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press. ISBN 978-0231110945.
Thomas 1985, p. 75; Clarens 1980, p. 88 Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
Smyth 2006, p. 80; Clarens 1980, p. 89 Smyth, J.E. (2006). Reconstructing American Historical Cinema: From Cimarron to Citizen Kane. Lexington, Kentucky: The University Press of Kentucky. ISBN 9780813124063. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
Rice 2013, p. 59. Rice, Christina (2013). Ann Dvorak: Hollywood's Forgotten Rebel. Lexington, KT: The University Press of Kentucky. ISBN 9780813144269.
Thomas 1985, pp. 75; Smyth 2006, p. 80 Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709. Smyth, J.E. (2006). Reconstructing American Historical Cinema: From Cimarron to Citizen Kane. Lexington, Kentucky: The University Press of Kentucky. ISBN 9780813124063.
Thomas 1985, p. 76 Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709.
Mast 1982, p. 80 Mast, Gerald (1982). Howard Hawks, storyteller. New York: Oxford University Press. ISBN 0195030915.
Clarens 1980, p. 93. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
"Scarface". Variety. May 24, 1932. Retrieved June 14, 2018.
"The National Board of Review". The Hollywood Reporter. January 21, 1933. Retrieved June 14, 2018.
Alicoate, Jack (April 14, 1932). ""Scarface"...a mistake". The Film Daily. Retrieved August 22, 2018.
Vasey 1996, p. 218. Vasey, Ruth (1996). "Foreign Parts: Hollywood's Global Distribution and the Representative of Ethnicity". In Couvares, Francis G. (ed.). Movie Censorship and American Culture. Washington & London: Smithsonian Institution Press. ISBN 978-1560986683.
Clarens 1980, p. 91. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
Donaldson, Robert. "Shall the Movies Take Orders from the Underworld". No. April. Movie Classics. Retrieved June 14, 2018.
""Scarface" Breaks Record on "Premiere"". Charles E. Lewis. Showmen's Trade Review. November 29, 1941. Retrieved June 14, 2018.
"Hughes Will Produce Sequel to 'Scarface'". The Hollywood Reporter. January 27, 1933. Retrieved June 14, 2018.
Smyth 2006, p. 76. Smyth, J.E. (2006). Reconstructing American Historical Cinema: From Cimarron to Citizen Kane. Lexington, Kentucky: The University Press of Kentucky. ISBN 9780813124063.
Clarens 1980, p. 95. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
Brookes 2016, p. 2; Hossent 1974, p. 14 Brookes, Ian, ed. (2016). Howard Hawks: New Perspectives. London: Palgrave. ISBN 9781844575411. Hossent, Harry (1974). The Movie Treasury Gangster Movies: Gangsters, Hoodlums and Tough Guys of the Screen. London: Octopus Books Limited. ISBN 978-0706403701.
Thomas 1985, p. 76. Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709.
Gunter 2018, p. 171; Vaughn 2006, p. 111 Gunter, Barrie (2018). Predicting Movie Success at the Box Office. Cham, Switzerland: Palgrave Macmillan. ISBN 9783319718033. Retrieved June 21, 2019. Vaughn, Stephen (2006). Freedom and Entertainment: Rating the Movies in an Age of New Media. New York: Cambridge University Press. p. 111. ISBN 0521676541. Retrieved June 21, 2019. scarface 1983 critically acclaimed.
Silver & Ursini 2007, p. 261;Thomas 1985, p. 74 Silver, Alain; Ursini, James, eds. (2007). Gangster Film Reader. Pompton Plains, New Jersey: Limelight Editions. p. 261. ISBN 9780879103323. Retrieved August 9, 2018. Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709.
Hossent 1974, p. 21. Hossent, Harry (1974). The Movie Treasury Gangster Movies: Gangsters, Hoodlums and Tough Guys of the Screen. London: Octopus Books Limited. ISBN 978-0706403701.
Rice 2013, p. 1. Rice, Christina (2013). Ann Dvorak: Hollywood's Forgotten Rebel. Lexington, KT: The University Press of Kentucky. ISBN 9780813144269.
Smyth 2006, p. 59. Smyth, J.E. (2006). Reconstructing American Historical Cinema: From Cimarron to Citizen Kane. Lexington, Kentucky: The University Press of Kentucky. ISBN 9780813124063.

books.google.com

Brown & Broeske 1996, p. 73; Barlett & Steele 1979, p. 73 Brown, Peter Harry; Broeske, Pat H. (1996). Howard Hughes: The Untold Story. New York: Dutton. ISBN 0525937854. Barlett, Donald L.; Steele, James B. (1979). Howard Hughes: His Life & Madness. New York: W.W. Norton & Company. ISBN 0393326020. Retrieved October 31, 2018.
Springhall 2004; Barlett & Steele 1979, p. 73 Springhall, John (2004). "Censoring Hollywood: Youth, moral panic and crime/gangster movies of the 1930s". The Journal of Popular Culture. 32 (3): 135–154. doi:10.1111/j.0022-3840.1998.3203_135.x. Barlett, Donald L.; Steele, James B. (1979). Howard Hughes: His Life & Madness. New York: W.W. Norton & Company. ISBN 0393326020. Retrieved October 31, 2018.
Barlett & Steele 1979, p. 73. Barlett, Donald L.; Steele, James B. (1979). Howard Hughes: His Life & Madness. New York: W.W. Norton & Company. ISBN 0393326020. Retrieved October 31, 2018.
McCarthy 1997, p. 132. McCarthy, Todd (1997). Howard Hawks: The Grey Fox of Hollywood. New York: Grove Press. ISBN 0802137407. Retrieved October 31, 2018.
McCarthy 1997, p. 132; Clarens 1980, p. 86 McCarthy, Todd (1997). Howard Hawks: The Grey Fox of Hollywood. New York: Grove Press. ISBN 0802137407. Retrieved October 31, 2018. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
Doherty 1999, pp. 1–2, 101; Black 1994, p. 52 Doherty, Thomas (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press. ISBN 978-0231110945. Black, Gregory D. (1994). Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge, UK: Cambridge University Press. p. 126. ISBN 978-0521452991. Retrieved June 22, 2018.
Black 1994, p. 126. Black, Gregory D. (1994). Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge, UK: Cambridge University Press. p. 126. ISBN 978-0521452991. Retrieved June 22, 2018.
Black 1994, p. 111. Black, Gregory D. (1994). Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge, UK: Cambridge University Press. p. 126. ISBN 978-0521452991. Retrieved June 22, 2018.
Slowik 2014, p. 229. Slowik, Michael (2014). After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934. New York: Columbia University Press. p. 229. ISBN 9780231535502. Retrieved August 3, 2018.
Hagen & Wagner 2004, p. 52. Hagen, Ray; Wagner, Laura (2004). Killer Tomatoes: Fifteen Tough Film Dames. Jefferson, North Carolina: McFarland & Company, Inc. p. 52. ISBN 9780786418831.
Black 1994, p. 130. Black, Gregory D. (1994). Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge, UK: Cambridge University Press. p. 126. ISBN 978-0521452991. Retrieved June 22, 2018.
Black 1994, pp. 130–131. Black, Gregory D. (1994). Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge, UK: Cambridge University Press. p. 126. ISBN 978-0521452991. Retrieved June 22, 2018.
Black 1994, p. 131. Black, Gregory D. (1994). Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge, UK: Cambridge University Press. p. 126. ISBN 978-0521452991. Retrieved June 22, 2018.
McCarthy 1997, p. 154. McCarthy, Todd (1997). Howard Hawks: The Grey Fox of Hollywood. New York: Grove Press. ISBN 0802137407. Retrieved October 31, 2018.
Phillips 1999, p. 46;Langman & Finn 1995, pp. 227–228 Phillips, Gene D. (1999). Major Film Directors of the American and British Cinema (Revised ed.). Associated University Presses. p. 46. ISBN 978-0934223591. Retrieved May 24, 2018. Langman, Larry; Finn, Daniel (1995). A Guide to American Crime Films of the Thirties. Westport, CT: Greenwood Press. pp. 227–228. ISBN 978-0313295324.
Gunter 2018, p. 171; Vaughn 2006, p. 111 Gunter, Barrie (2018). Predicting Movie Success at the Box Office. Cham, Switzerland: Palgrave Macmillan. ISBN 9783319718033. Retrieved June 21, 2019. Vaughn, Stephen (2006). Freedom and Entertainment: Rating the Movies in an Age of New Media. New York: Cambridge University Press. p. 111. ISBN 0521676541. Retrieved June 21, 2019. scarface 1983 critically acclaimed.
Silver & Ursini 2007, p. 261;Thomas 1985, p. 74 Silver, Alain; Ursini, James, eds. (2007). Gangster Film Reader. Pompton Plains, New Jersey: Limelight Editions. p. 261. ISBN 9780879103323. Retrieved August 9, 2018. Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709.
Fetherling 1977, p. 96; Wallace 2015 Fetherling, Doug (1977). The Five Lives of Ben Hecht. Lester and Orpen Limited. ISBN 978-0919630857. Wallace, Stone (2015). George Raft - The Man Who Would Be Bogart. Albany, Georgia: BearManor Media. ISBN 9781593931230. Retrieved October 26, 2018.

bu.edu

Warshow 1954, p. 191. Warshow, Robert (March–April 1954). "Movie Chronicle: The Westerner". Partisan Review. 21 (2): 191. Retrieved May 24, 2018.

cbsnews.com

AP (2018). "Al Pacino, Brian de Palma reflect on legacy of "Scarface" 35 years later". CBS Interactive Inc. CBS News. Retrieved May 15, 2018.

chicagotribune.com

Clarens 1980, p. 84; Thomas 1985, p. 70; Kogan, Rick (February 25, 2016). "Remembering Ben Hecht, the first Oscar winner for original screenplay". Chicago Tribune. Retrieved May 30, 2018. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408. Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709.
Langman & Finn 1995, pp. 227–228; O'Brien, John. "The St. Valentine's Day Massacre". Chicago Tribune. Chicago Tribune. Retrieved May 24, 2018.; "St. Valentine's Day Massacre". History. A&E Television Networks. Retrieved May 24, 2018. Langman, Larry; Finn, Daniel (1995). A Guide to American Crime Films of the Thirties. Westport, CT: Greenwood Press. pp. 227–228. ISBN 978-0313295324.

complex.com

Gracie, Bianca (February 26, 2018). "Looks Like Antoine Fuqua May Be Directing 'Scarface' After All". Complex. Complex Media Inc. Retrieved March 5, 2019.

criterion.com

"Scarface (1932)". The Criterion Collection. Retrieved August 24, 2024.

doi.org

Springhall 2004; Barlett & Steele 1979, p. 73 Springhall, John (2004). "Censoring Hollywood: Youth, moral panic and crime/gangster movies of the 1930s". The Journal of Popular Culture. 32 (3): 135–154. doi:10.1111/j.0022-3840.1998.3203_135.x. Barlett, Donald L.; Steele, James B. (1979). Howard Hughes: His Life & Madness. New York: W.W. Norton & Company. ISBN 0393326020. Retrieved October 31, 2018.
Springhall 2004 Springhall, John (2004). "Censoring Hollywood: Youth, moral panic and crime/gangster movies of the 1930s". The Journal of Popular Culture. 32 (3): 135–154. doi:10.1111/j.0022-3840.1998.3203_135.x.
Smyth 2004, p. 552; Thomas 1985, p. 71; Clarens 1980, p. 85 Smyth, J.E. (2004). "Revisioning modern American history in the age of "Scarface" (1932)". Historical Journal of Film, Radio and Television. 24 (4): 535–563. doi:10.1080/0143968042000293865. S2CID 191492240. Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709. Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
Smyth 2004, p. 554. Smyth, J.E. (2004). "Revisioning modern American history in the age of "Scarface" (1932)". Historical Journal of Film, Radio and Television. 24 (4): 535–563. doi:10.1080/0143968042000293865. S2CID 191492240.
Keating 2016, p. 107; Bookbinder 1985, pp. 21–24 Keating, Carla Mereu (2016). "'The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of "Scarface" (1932)". Altre Modernita (Ideological Manipulation in Audiovisual Translation): 107–123. doi:10.13130/2035-7680/6851. Bookbinder, Robert (1985). Classic Gangster Films. New York: Citadel Press. pp. 21–24. ISBN 978-0806514673.
Yogerst 2017, pp. 134–144. Yogerst, Chris (June 20, 2017). "Hughes, Hawks, and Hays: The Monumental Censorship Battle Over Scarface (1932)". The Journal of American Culture. 40 (2): 134–144. doi:10.1111/jacc.12710.
Yogerst 2017, pp. 134–144; Doherty 1999, p. 150 Yogerst, Chris (June 20, 2017). "Hughes, Hawks, and Hays: The Monumental Censorship Battle Over Scarface (1932)". The Journal of American Culture. 40 (2): 134–144. doi:10.1111/jacc.12710. Doherty, Thomas (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press. ISBN 978-0231110945.
Hagemann 1984, pp. 30–40. Hagemann, E.R. (1984). "Scarface: The Art of Hollywood, Not "The Shame of a Nation"". The Journal of Popular Culture. 18 (Summer): 30–40. doi:10.1111/j.0022-3840.1984.1801_30.x.
Smyth 2004, p. 557. Smyth, J.E. (2004). "Revisioning modern American history in the age of "Scarface" (1932)". Historical Journal of Film, Radio and Television. 24 (4): 535–563. doi:10.1080/0143968042000293865. S2CID 191492240.
Ashbrook 1965, pp. 500–501; Grønstad 2003, pp. 399–400 Ashbrook, William (1965). Donizetti. London: Cassell & Company. Grønstad, Asbjørn (2003). "Mean Streets: Death and Disfiguration in Hawks's 'Scarface'". Nordic Journal of English Studies. 2 (2): 385. CiteSeerX 10.1.1.524.2093. doi:10.35360/njes.143.
Springhall 2004, p. 139. Springhall, John (2004). "Censoring Hollywood: Youth, moral panic and crime/gangster movies of the 1930s". The Journal of Popular Culture. 32 (3): 135–154. doi:10.1111/j.0022-3840.1998.3203_135.x.
Keating 2016, p. 109. Keating, Carla Mereu (2016). "'The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of "Scarface" (1932)". Altre Modernita (Ideological Manipulation in Audiovisual Translation): 107–123. doi:10.13130/2035-7680/6851.
Smyth 2004, p. 535. Smyth, J.E. (2004). "Revisioning modern American history in the age of "Scarface" (1932)". Historical Journal of Film, Radio and Television. 24 (4): 535–563. doi:10.1080/0143968042000293865. S2CID 191492240.
Smyth 2004, p. 558. Smyth, J.E. (2004). "Revisioning modern American history in the age of "Scarface" (1932)". Historical Journal of Film, Radio and Television. 24 (4): 535–563. doi:10.1080/0143968042000293865. S2CID 191492240.
Keating 2016, p. 111. Keating, Carla Mereu (2016). "'The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of "Scarface" (1932)". Altre Modernita (Ideological Manipulation in Audiovisual Translation): 107–123. doi:10.13130/2035-7680/6851.
Keating 2016, p. 112. Keating, Carla Mereu (2016). "'The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of "Scarface" (1932)". Altre Modernita (Ideological Manipulation in Audiovisual Translation): 107–123. doi:10.13130/2035-7680/6851.
Keating 2016, p. 113. Keating, Carla Mereu (2016). "'The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of "Scarface" (1932)". Altre Modernita (Ideological Manipulation in Audiovisual Translation): 107–123. doi:10.13130/2035-7680/6851.
Keating 2016, pp. 113–114. Keating, Carla Mereu (2016). "'The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of "Scarface" (1932)". Altre Modernita (Ideological Manipulation in Audiovisual Translation): 107–123. doi:10.13130/2035-7680/6851.
Keating 2016, p. 115. Keating, Carla Mereu (2016). "'The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of "Scarface" (1932)". Altre Modernita (Ideological Manipulation in Audiovisual Translation): 107–123. doi:10.13130/2035-7680/6851.
Keating 2016, p. 116. Keating, Carla Mereu (2016). "'The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of "Scarface" (1932)". Altre Modernita (Ideological Manipulation in Audiovisual Translation): 107–123. doi:10.13130/2035-7680/6851.
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