Secondary chord (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Secondary chord" in English language version.

refsWebsite

Global rank English rank

19archive.org

6^th place

3worldcat.org

5^th place

archive.org

For example, Ottman 1992, p. 308 discusses secondary dominant ninth chords, such as V⁹/V. Ottman, Robert W. (1992) [1961]. Advanced Harmony: Theory and Practice (4th ed.). Englewood Cliffs, NJ: Prentice Hall. ISBN 0-13-006016-X.
Benward & Saker 2003, p. 275. Benward, Bruce; Saker, Marilyn Nadine (2003). Music: In Theory and Practice. Vol. I (7th ed.). McGraw-Hill. ISBN 978-0-07-294262-0.
Kostka & Payne 2004, p. 246. Kostka, Stefan; Payne, Dorothy (2004). Tonal Harmony (5th ed.). Boston: McGraw-Hill. ISBN 0072852607. OCLC 51613969.
Benward & Saker 2003, pp. 273–277. Benward, Bruce; Saker, Marilyn Nadine (2003). Music: In Theory and Practice. Vol. I (7th ed.). McGraw-Hill. ISBN 978-0-07-294262-0.
Benward & Saker 2003, p. 269. Benward, Bruce; Saker, Marilyn Nadine (2003). Music: In Theory and Practice. Vol. I (7th ed.). McGraw-Hill. ISBN 978-0-07-294262-0.
Kostka & Payne 2004, p. 250. Kostka, Stefan; Payne, Dorothy (2004). Tonal Harmony (5th ed.). Boston: McGraw-Hill. ISBN 0072852607. OCLC 51613969.
Rawlins & Bahha 2005, p. 59. Rawlins, Robert; Bahha, Nor Eddine (2005). Jazzology: The Encyclopedia of Jazz Theory for All Musicians. ISBN 0-634-08678-2.
White 1976, p. 5. White, John D. (1976). The Analysis of Music. ISBN 0-13-033233-X.
Benward & Saker 2003, pp. 201–204. Benward, Bruce; Saker, Marilyn Nadine (2003). Music: In Theory and Practice. Vol. I (7th ed.). McGraw-Hill. ISBN 978-0-07-294262-0.
Benward & Saker 2003, p. 274. Benward, Bruce; Saker, Marilyn Nadine (2003). Music: In Theory and Practice. Vol. I (7th ed.). McGraw-Hill. ISBN 978-0-07-294262-0.
Piston 1933. Piston, Walter (1933). Principles of Harmonic Analysis. Boston: E. C. Schirmer. [ISBN unspecified]
Piston 1987, p. 257. Piston, Walter (1987) [First published 1941]. Harmony. Revised and expanded by Mark Devoto (5th ed.). New York: W. W. Norton & Company, Inc. ISBN 978-0-393-95480-7.
Benward & Saker 2003, p. 277. Benward, Bruce; Saker, Marilyn Nadine (2003). Music: In Theory and Practice. Vol. I (7th ed.). McGraw-Hill. ISBN 978-0-07-294262-0.
Everett 2009, p. 198. Everett notates major-minor sevenths X^m7. Everett, Walter (2009). The Foundations of Rock. ISBN 978-0-19-531023-8.
Benward & Saker 2003, p. 276. Benward, Bruce; Saker, Marilyn Nadine (2003). Music: In Theory and Practice. Vol. I (7th ed.). McGraw-Hill. ISBN 978-0-07-294262-0.
Benward & Saker 2003, p. 271. Benward, Bruce; Saker, Marilyn Nadine (2003). Music: In Theory and Practice. Vol. I (7th ed.). McGraw-Hill. ISBN 978-0-07-294262-0.
Kostka & Payne 2004, p. 263. Kostka, Stefan; Payne, Dorothy (2004). Tonal Harmony (5th ed.). Boston: McGraw-Hill. ISBN 0072852607. OCLC 51613969.
Benward & Saker 2003, p. 272. Benward, Bruce; Saker, Marilyn Nadine (2003). Music: In Theory and Practice. Vol. I (7th ed.). McGraw-Hill. ISBN 978-0-07-294262-0.
Benward & Saker 2003, p. 270. Benward, Bruce; Saker, Marilyn Nadine (2003). Music: In Theory and Practice. Vol. I (7th ed.). McGraw-Hill. ISBN 978-0-07-294262-0.

worldcat.org

search.worldcat.org

Kostka & Payne 2004, p. 246. Kostka, Stefan; Payne, Dorothy (2004). Tonal Harmony (5th ed.). Boston: McGraw-Hill. ISBN 0072852607. OCLC 51613969.
Kostka & Payne 2004, p. 250. Kostka, Stefan; Payne, Dorothy (2004). Tonal Harmony (5th ed.). Boston: McGraw-Hill. ISBN 0072852607. OCLC 51613969.
Kostka & Payne 2004, p. 263. Kostka, Stefan; Payne, Dorothy (2004). Tonal Harmony (5th ed.). Boston: McGraw-Hill. ISBN 0072852607. OCLC 51613969.