Self-Portrait with Halo and Snake (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Self-Portrait with Halo and Snake" in English language version.

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19thc-artworldwide.org

Heimann, Nora M. (Summer 2012). "Spinner or Saint: Context and Meaning in Gauguin's First Fresco." Nineteenth-Century Art Worldwide, 11 (2).

Jirat-Wasiutyński, Vojtěc (Spring 1987). "Paul Gauguin's 'Self-Portrait with Halo and Snake': The Artist as Initiate and Magus." Art Journal, 46 (1): 22–28. (subscription required)

Kole, William J. (January 26, 2001). "Exhibition examines 'the odd couple' of Post-Impressionism." Bangor Daily News, p. D3.
Bruner, Louise (May 5, 1965). "Gallery Unveils Bequest of Dale." Toledo Blade, p. 32.

"Altogether, he made more than 40 self-portraits." See "Two Faces of Paul Gauguin". National Gallery of Art.
Matheny, Lynn Kellmanson (2011). "Gauguin: Maker of Myth." Exhibition brochure. National Gallery of Art.
"Provenance". Self-Portrait. National Gallery of Art. "Consigned by the artist to Mme Marie Henry [1859–1945], Le Pouldu, in lieu of rent; sold 1919 through François Norgelet ... receipt signed by Marie Henry for 35,000 francs for 14 paintings sold to Norgelet, dated 3 June 1919, archives of the Barbazanges-Hodebert Gallery". Retrieved June 20, 2015.

Conisbee, Philip (November 22, 2013). Self-Portrait, Gauguin. National Gallery of Art. Event begins at 0.54. Retrieved June 20, 2015.

Van Gogh, Vincent (October 3, 1888)."To Paul Gauguin. Arles." Van Gogh Museum. Huygens Institute. Retrieved June 12, 2015.

Strieter, Terry W. (1999). Nineteenth-century European Art: A Topical Dictionary. Greenwood Publishing Group. pp. 83–84, 225–226. OCLC 185705650. ISBN 978-0-313-29898-1.
Kearns, James (1989). Symbolist Landscapes: The Place of Painting in the Poetry and Criticism of Mallarmé and His Circle. London: Modern Humanities Research Association. p. 9. OCLC 20302344. ISBN 978-0-947623-23-4.
Welsh, Robert (2001) "Gauguin and the Inn of Marie Henry at Pouldu". In Eric M. Zafran (Ed.) Gauguin's Nirvana: Painters at Le Pouldu 1889–90. pp. 61–80. Yale University Press. OCLC 186413251. ISBN 978-0-300-08954-7.
Jirat-Wasiutynski, Vojtech; H. Travers Newton Jr. (2000). Technique and Meaning in the Paintings of Paul Gauguin. Cambridge University Press. pp. 172–179. OCLC 40848521. ISBN 978-0-521-64290-3.
Dorra, Henri (2007). The Symbolism of Paul Gauguin: Erotica, Exotica, and the Great Dilemmas of Humanity. University of California Press. p. 19, 124–126. OCLC 475909736. ISBN 978-0-520-24130-5.