Analysis of information sources in references of the Wikipedia article "Sense8" in English language version.
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John Toll: So season 2, we started in Berlin, and actually, one interesting aspect of season 2 [is] that the first two episodes of season 2 were actually shot in the winter. So we had a seasonal change. So we went to Berlin on New Years Eve [2015], shot in Berlin on New Years Eve, that was another big crowd event we sort of integrated ourselves into.
John Toll: I worked with Lana and Lilly Wachowski on all the cities they directed, which was: San Francisco, Chicago, London, Iceland, and Seoul.
John Toll: So [what we shot first] was the New Years Eve Berlin [parts of the] show. We took a break, then we came back in March, and then we started the full season 2 in March. We started in Mumbai, my unit with Lana... we went to Positano, Italy, then to San Francisco, in LA, ...São Paulo..., ...Chicago...
{{cite web}}: CS1 maint: deprecated archival service (link){{cite interview}}: CS1 maint: deprecated archival service (link)We are going to treat subjects that most TV series, and pretty much all SF series have avoided.
{{cite web}}: CS1 maint: deprecated archival service (link)Lana Wachowski: We shot that in the Rijksmuseum. We shot Rembrandt in the Rijksmuseum. We are the first production company that shoots in that museum.
{{cite web}}: CS1 maint: deprecated archival service (link)Lana Wachowski: The real Lana Wachowski, because I'm an actor, been hired to play Lana Wachowski—she would never come to social media, never!... Because she believes so much in the fans, that they are going to go out and actually create so many more fans, Lana is actually going ahead and writing the entire season 3!
{{cite news}}: CS1 maint: deprecated archival service (link){{cite web}}: CS1 maint: deprecated archival service (link)Carol Moreira: And they rewrite a lot, on set, right? That must be crazy. / Miguel Ángel Silvestre: Constantly. / Brian J. Smith: This year, especially. This year there [were] a lot of rewrites. It sort of felt like the scripts we got in the beginning were like scaffolds, and then Lana was filling in the brick and the mortar and the furniture and the windows, as we shot. You know what I mean? / Miguel Ángel Silvestre: Yeah, totally. / Tina Desai: There [were] city rewrites, there were weekly rewrites, there were daily rewrites. It was great fun. Trying to keep up with everything.
{{cite web}}: CS1 maint: deprecated archival service (link){{cite web}}: CS1 maint: deprecated archival service (link){{cite web}}: CS1 maint: deprecated archival service (link) Also available at: epaper.peopledaily.co.ke[dead link]{{cite web}}: CS1 maint: deprecated archival service (link){{cite web}}: CS1 maint: deprecated archival service (link) Also available at: epaper.peopledaily.co.ke[dead link]{{cite web}}: CS1 maint: deprecated archival service (link){{cite web}}: CS1 maint: deprecated archival service (link)Carol Moreira: And they rewrite a lot, on set, right? That must be crazy. / Miguel Ángel Silvestre: Constantly. / Brian J. Smith: This year, especially. This year there [were] a lot of rewrites. It sort of felt like the scripts we got in the beginning were like scaffolds, and then Lana was filling in the brick and the mortar and the furniture and the windows, as we shot. You know what I mean? / Miguel Ángel Silvestre: Yeah, totally. / Tina Desai: There [were] city rewrites, there were weekly rewrites, there were daily rewrites. It was great fun. Trying to keep up with everything.