Sergio Calligaris (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Sergio Calligaris" in English language version.

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archive.today

associazioneaulos.com

  • The latest anthological release (2007), entitled ...Rigor Y Pasión... is by the Italian label DAD Records (Home page Archived 2009-08-12 at the Wayback Machine); relevant reviews (in Italian) may be found at Ass. Mus. Aulos (Calligaris CD). For details of other recordings see Discography.

carisch.com

chopinroma.it

cim.edu

dad-store.com

lnx.dad-store.com

  • The latest anthological release (2007), entitled ...Rigor Y Pasión... is by the Italian label DAD Records (Home page Archived 2009-08-12 at the Wayback Machine); relevant reviews (in Italian) may be found at Ass. Mus. Aulos (Calligaris CD). For details of other recordings see Discography.

giornaledellamusica.it

musicalnews.com

robertoprosseda.com

sabaudiain.it

  • "SabaudiaIn article".

sergiocalligaris.com

  • Both characteristics are discussed in Giordana's [1] and Zurletti's reviews [2].
  • The use of counterpoint in Calligaris's music has been also considered as "a sign of a youth Hindemithian heritage " (Brunetti 2006). The influence of Hindemith is also pointed out by Prefumo in [3].
  • Celletti's comment in [4].
  • The latest anthological release (2007), entitled ...Rigor Y Pasión... is by the Italian label DAD Records (Home page Archived 2009-08-12 at the Wayback Machine); relevant reviews (in Italian) may be found at Ass. Mus. Aulos (Calligaris CD). For details of other recordings see Discography.

umd.edu

lib.umd.edu

  • Theodor Leschetitzky (Lancut, Austrian Poland, 1830 - Dresden, Germany, 1915): great Austrian pianist and famous pedagogue. Leschetitzky settled in Vienna in 1878, where he developed his own school of piano. His fame grew, and pupils flocked from all over the world to his studio. His most celebrated pupil was Paderewski: other pupils were Gabrilowitsch, Schnabel, Hambourg, Leginska and Bloomfield-Zeisler. His method of playing with the "Kugelhand" (arched hand) was to secure fullness of tone and finger dexterity, with the flexible wrist reserved for octave playing and chord passages (Slonimsky 1984). An outline of Leschetitzky's piano school can be found at the International Piano Archives at Maryland.

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