Shenandoah Harmony (English Wikipedia)

"Admired for its scholarship, curation, and design, its use has quickly surpassed any other recently published tunebook of its kind." (page 119 of) Davis, Clinton (2016). "Chapter 5 From Seeking To Dwelling". Beyond Revival: Composition and Compilation Amidst the Sacred Harp Revival (PhD). UC San Diego. Retrieved 22 December 2019.
Davis, Clinton (2016). "Chapter 5 From Seeking To Dwelling". Beyond Revival: Composition and Compilation Amidst the Sacred Harp Revival (PhD). UC San Diego. Retrieved 22 December 2019.. Another tunebook based on the "curatorial themes of regionality and place" mentioned by Davis is The American Vocalist of Maine.

fasola.org

fasola.org. "Indexes for The Sacred Harp, 1991 Edition: Composers". Retrieved 23 December 2019.
However, alternative versions of some tunes are provided, such as alternate words for Stafford (page 78 in both books), replacing the anti-Semitic lyrics [1] of Isaac Watts with uplifting poetry by Joseph Hart.

Barnett, Joshua Rush (Summer 2015). "The Brandstetter Tunebook: Shape-Note Dissemination and the Germans of Western Maryland". American Music. 33 (2): 176–218. doi:10.5406/americanmusic.33.2.0176. hdl:1903/12804. JSTOR 10.5406/americanmusic.33.2.0176. S2CID 160357611.

Music, David W. (2017). "The Decline of the American Tune Book". The Choral Journal. 58 (1): 8–15. ISSN 0009-5028. JSTOR 26412810.
Barnett, Joshua Rush (Summer 2015). "The Brandstetter Tunebook: Shape-Note Dissemination and the Germans of Western Maryland". American Music. 33 (2): 176–218. doi:10.5406/americanmusic.33.2.0176. hdl:1903/12804. JSTOR 10.5406/americanmusic.33.2.0176. S2CID 160357611.

"The Making of The Shenandoah Harmony". The Sacred Harp Publishing Company. 2013-07-29. Retrieved 2020-08-09.
Hall, Rachel Wells (July 29, 2013). "The making of the Shenandoah Harmony". Sacred Harp Publishing Company Newsletter. Carrollton, GA: Sacred Harp Publishing Company. Retrieved 1 January 2020.

Lueck, Ellen (2017). "Ellen Lueck, Sacred Harp Singing In Europe: Its Pathways, Spaces, And Meanings" (PDF) (PhD diss). Wesleyan University. doi:10.14418/wes01.3.69. S2CID 193936027. Archived from the original (PDF) on 16 December 2019. Retrieved 21 February 2021. {{cite journal}}: Cite journal requires |journal= (help)
Barnett, Joshua Rush (Summer 2015). "The Brandstetter Tunebook: Shape-Note Dissemination and the Germans of Western Maryland". American Music. 33 (2): 176–218. doi:10.5406/americanmusic.33.2.0176. hdl:1903/12804. JSTOR 10.5406/americanmusic.33.2.0176. S2CID 160357611.

Lueck, Ellen (2017). "Ellen Lueck, Sacred Harp Singing In Europe: Its Pathways, Spaces, And Meanings" (PDF) (PhD diss). Wesleyan University. doi:10.14418/wes01.3.69. S2CID 193936027. Archived from the original (PDF) on 16 December 2019. Retrieved 21 February 2021. {{cite journal}}: Cite journal requires |journal= (help)

List of singings at the Shenandoah Harmony page. All-Day Singings, retrieved 13 December 2019
"The editions of The Kentucky Harmony and The Tennessee Harmony are roughly 60% minor; even the early editions of The Easy Instructor are over 50% minor. As our book has evolved, we’ve added songs from other sources; the finished book will have about 52% minor songs." Hall, Rachel. "One of the most beautiful of those old minors". Archived from the original on 9 December 2019. Retrieved 23 December 2019.
"The original inspiration for The Shenandoah Harmony was to create a tunebook that included the best of the shape-note songs collected, printed, and published by Ananias Davisson from 1816 to 1826 in the Shenandoah Valley of Virginia." "Shenandoah Harmony: A New Four-Shape Tunebook»About". Archived from the original on 30 July 2021. Retrieved 23 December 2019.

"Our quote was 'all killer, no filler,'" del Re says. "The songs that made it deserve to be back out there — they're gorgeous."Baldwin, Brent. "Family Affair: The Richmond Shape Note Singers teach new generations to sing the oldest American folk songs". Style Weekly. Richmond VA. Retrieved 1 January 2020.

"The amount of attention that the editors paid to these practical and ergonomic considerations speaks to both the fluency exhibited by the contemporary compilers with regard to fasola tradition and convention, as well as to the highly evolved and well-adapted physical form of the shape note tunebook." (p. 153) Streicker, A. Mitchell (2019). "The Shenandoah Harmony (3rd printing of 1st ed., 2014)" (PDF). The Fasola Tunebook Publication Renaissance (Masters thesis). University of Florida. pp. 151–160. Retrieved 1 January 2020.

"Given that the original project had as its crux the tunes from Ananias Davisson's publications in the second and third decades of the 19th century, the decision to include more than sixty 20th- and 21st-century compositions in The Shenandoah Harmony was a bold one, but a wise one." Macadam, Sheila Girling; Macadam, Edwin. "The Shenandoah Harmony, 2012 - A ray of light in an otherwise troubled world". Retrieved 21 February 2021.

Lueck, Ellen (2017). "Ellen Lueck, Sacred Harp Singing In Europe: Its Pathways, Spaces, And Meanings" (PDF) (PhD diss). Wesleyan University. doi:10.14418/wes01.3.69. S2CID 193936027. Archived from the original (PDF) on 16 December 2019. Retrieved 21 February 2021. {{cite journal}}: Cite journal requires |journal= (help)
"The editions of The Kentucky Harmony and The Tennessee Harmony are roughly 60% minor; even the early editions of The Easy Instructor are over 50% minor. As our book has evolved, we’ve added songs from other sources; the finished book will have about 52% minor songs." Hall, Rachel. "One of the most beautiful of those old minors". Archived from the original on 9 December 2019. Retrieved 23 December 2019.
"The original inspiration for The Shenandoah Harmony was to create a tunebook that included the best of the shape-note songs collected, printed, and published by Ananias Davisson from 1816 to 1826 in the Shenandoah Valley of Virginia." "Shenandoah Harmony: A New Four-Shape Tunebook»About". Archived from the original on 30 July 2021. Retrieved 23 December 2019.

Kelley, Libby. "Shenandoah Valley Shape Note Singers". Authentic South. 6:24 minutes in. PBS. WFAE. Retrieved 30 March 2020. Sitting in the square of this shape note sing, I feel transported to the Shenandoah Valley of the 1800s. I picture harsh winters in a new world, and a long walk through dark woods, to arrive in a place made of rough boards.

Recordings of all-day singings in Northern Shenandoah Valley (near the grave of Ananias Davisson) and in Lehigh Valley (PA) are posted to the "Shenandoah Harmony YouTube Channel". YouTube. Retrieved 21 February 2021.