It is recognized in academics that Taketomi's "traditional" landscape is a modern product. For more information, see: Fukuda Tamami 福田珠己 (1996). "Akagawara wa nani o kataru ka" 赤瓦は何を語るか". Chirigaku hyōron 地理学評論 Ser. A (in Japanese). 69 (9): 727–743. doi:10.4157/grj1984a.69.9_727. and Morita Shin'ya 森田真也 (1997). "Kankō to "dentō bunka" no ishikika" 観光と「伝統文化」の意識化". Nihon minzokugaku 日本民俗学 (in Japanese) (209): 33–65.
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"Miyazawa". Farsidemusic.com. Archived from the original on 2012-02-07. Retrieved 2014-01-25.
Matthew Santamaria (30 November 2011), "Capturing Ryukyu : (Re)Interpretations and Receptions of Okinawan Culture and Identity in Cyberspace and the Case of "Shima Uta" on YouTube", Understanding Contemporary Japan, International Research Center for Japanese Studies, p. 145