Slowcore (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Slowcore" in English language version.

refsWebsite

Global rank English rank

58web.archive.org

1^st place

20pitchfork.com

159^th place

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15books.google.com

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11doi.org

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7worldcat.org

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6oed.com

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6proquest.com

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5avclub.com

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4theguardian.com

12^th place

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4washingtonpost.com

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3vice.com

175^th place

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3rollingstone.com

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3allmusic.com

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3stereogum.com

835^th place

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2semanticscholar.org

11^th place

8^th place

2nytimes.com

7^th place

2npr.org

92^nd place

72^nd place

2archive.org

6^th place

2pitchforkmedia.com

4,158^th place

2,343^rd place

2popmatters.com

631^st place

390^th place

1springer.com

274^th place

309^th place

1theatlantic.com

228^th place

158^th place

1bandcamp.com

1,267^th place

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1thetimes.com

low place

1citynews.ca

5,862^nd place

3,326^th place

1laweekly.com

890^th place

548^th place

1vogue.co.uk

778^th place

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1nzherald.co.nz

435^th place

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1archive.today

14^th place

1americandialect.org

low place

1youtube.com

9^th place

13^th place

1silbermedia.com

low place

1tandfonline.com

507^th place

429^th place

1gale.com

1,435^th place

802^nd place

1drownedinsound.com

3,776^th place

2,074^th place

1jstor.org

26^th place

20^th place

1gq.com

568^th place

359^th place

1abc.net.au

139^th place

108^th place

1clashmusic.com

1,834^th place

1,032^nd place

1smh.com.au

132^nd place

96^th place

1bbc.com

20^th place

30^th place

1pastemagazine.com

661^st place

399^th place

1independent.co.uk

36^th place

33^rd place

1nialler9.com

low place

abc.net.au (Global: 139^th place; English: 108^th place)

Hazel, Andy (17 February 2015). "Lost Albums: Bluetile Lounge – lowercase". Double J. Australian Broadcasting Corporation. Archived from the original on 14 November 2023. Retrieved 14 November 2023.

allmusic.com (Global: 25^th place; English: 22^nd place)

Ruxin, Marc. "Ida – Tales of Brave Ida". AllMusic. Archived from the original on 14 November 2023. Retrieved 14 November 2023.
"The For Carnation: Fight Songs". AllMusic. Archived from the original on 14 November 2023. Retrieved 14 November 2023.
Thomas Erlewine, Stephen. "Radar Bros.: Radar Bros". AllMusic. Archived from the original on 14 November 2023. Retrieved 14 November 2023.

americandialect.org (Global: low place; English: low place)

"Nominations for Words of the Year 2021". American Dialect Society. 7 January 2022. Archived from the original on 26 June 2023. Retrieved 26 June 2023.

archive.org (Global: 6^th place; English: 6^th place)

Buckley, Peter (2003). The Rough Guide to Rock. Rough Guides. pp. 408–409. ISBN 1-84353-105-4.
Strong, Martin C. (1999). The Great Alternative & Indie Discography. Canongate. ISBN 0-86241-913-1.

archive.today (Global: 14^th place; English: 14^th place)

Judkis, Maura (13 September 2021). "Cottagecore, cluttercore, goblincore — deep down, it's about who we think we are". The Washington Post. Archived from the original on 13 September 2021. Retrieved 26 June 2023.

avclub.com (Global: 136^th place; English: 93^rd place)

Naftule, Ashley (12 February 2019). "The slow and steady perfection of Galaxie 500's On Fire". The A.V. Club. G/O Media. Archived from the original on 27 March 2024. Retrieved 27 March 2024.
Purdom, Clayton; McLevy, Alex; Adams, Erik; Rife, Katie; Gerardi, Matt; Adamczyk, Laura; Ihnat, Gwen; Dowd, A.A.; Anthony, David (20 August 2018). "1998 somehow brought us boy bands, nü-metal, and Neutral Milk Hotel". The A.V. Club. Archived from the original on 21 May 2023. Retrieved 21 May 2023.
Hawthorne, Marc (25 September 2007). "Red House Painters: Red House Painters". The A.V. Club. Archived from the original on 19 December 2022. Retrieved 21 May 2023.
Modell, Josh (2 August 2004). "Low: A Lifetime Of Temporary Relief: 10 Years Of B-Sides & Rarities". The A.V. Club. Archived from the original on 21 May 2023. Retrieved 21 May 2023.
Heller, Jason (25 May 2012). "Reconsidering Codeine, a '90s band frozen in time". The A.V. Club. Archived from the original on 20 May 2023. Retrieved 20 May 2023.

bandcamp.com (Global: 1,267^th place; English: 780^th place)

daily.bandcamp.com

Rubsam, Robert (27 April 2017). "Slowcore: A Brief Timeline". Bandcamp Daily. Archived from the original on 24 May 2023. Retrieved 27 May 2023.

bbc.com (Global: 20^th place; English: 30^th place)

James, Imogen (2 February 2023). "Mascara: What is the TikTok trend all about?". BBC News. British Broadcasting Corporation. Archived from the original on 6 September 2023. Retrieved 19 November 2023.

books.google.com (Global: 3^rd place; English: 3^rd place)

Earles 2014, pp. 4, 124. Earles, Andrew (2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
R. Ferris & L. Hart 2010, pp. 3–5. R. Ferris, William; L. Hart, Mary (2010). Folk Music and Modern Sound. University Press of Mississippi. ISBN 9781617030994.
Sweers 2005, pp. 4, 29–31. Sweers, Britta (2005). Electric Folk: The Changing Face of English Traditional Music. Oxford University Press. ISBN 9780198038986.
Fox 2009, pp. 2–3: "Codeine's sound was not the heavy, space-filling drone of other slow-core bands". Fox, Dominic (2009). Cold World: The Aesthetics of Dejection and the Politics of Militant Dysphoria. Hampshire, England: John Hunt Publishing. ISBN 9781846942174.
Crystal 2014, p. 235: ""[...] characterised by 'slow temps, a sombre, atmospheric, sometimes densely textured sound, and quiet, forlorn vocals'." Citing "slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Crystal, David (2014). Words in Time and Place: Exploring Language Through the Historical Thesaurus of the Oxford English Dictionary. Oxford University Press. ISBN 9780199680474.
Metzer 2017, p. 14: "It is no coincidence that slow core rock is also known as sad core." Metzer, David (2017). The Ballad in American Popular Music: From Elvis to Beyoncé. Cambridge University Press. doi:10.1017/9781316676400. ISBN 9781316676400.
Crystal 2014, p. 235: "The gloomy lyrical content rather than the acoustic effects led to the synonymous sadcore." Crystal, David (2014). Words in Time and Place: Exploring Language Through the Historical Thesaurus of the Oxford English Dictionary. Oxford University Press. ISBN 9780199680474.
Earles 2014, p. 124: "[...] what the music press came to call 'slowcore,' an unfortunate term often attached to bands such as Codeine, Low, Seam, Mazzy Star, Bedhead, and Rex [...] known for really slow tempos and a general prettiness or melancholy tendencies." Earles, Andrew (2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
Earles 2014, p. 124: "Like many bands featured in this book, Galaxie 500 was a big influence on a successive subgenre of band within indie rock. In the case of this seminal Boston trio, they are seen as progenitors of what the music press came to call 'slowcore'". Earles, Andrew (2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Citing Eddy 1991, p. 144/2: "The slowcore dirge-disco that produced said tune often devolves into this chic bored hush-hush." Eddy, Chuck (1991). Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe (1st ed.). Harmony Books. ISBN 9780517575413.
Earles 2014, p. 4: "It was in this loose framework that indie rock and all its various subgenres experienced its heyday from roughly 1986 to 1996, give or take a year on either end." Earles, Andrew (2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
Earles 2014, pp. 253–4. Earles, Andrew (2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
Earles 2014, p. 253: "Down Colorful Hill and two eponymous titled full-lengths recorded in 1993 together form a linear block of music from which emotes, with unequivocal intensity, authentic sadness, disenchantment, desperation, regret, and general sadness." Earles, Andrew (2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
Earles 2014, p. 177: "Of the bands grouped into 'sadcore' and 'slowcore' classifications by critics in the early '90s, none were lower—or perhaps sadder (though Red House Painters might win that contest)—than Low." Earles, Andrew (2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
Metzer 2017, p. 12: "Rock fans do not relax but rather despair when they listen to 'slow core,' songs that are not only slow but also long." Metzer, David (2017). The Ballad in American Popular Music: From Elvis to Beyoncé. Cambridge University Press. doi:10.1017/9781316676400. ISBN 9781316676400.

citynews.ca (Global: 5,862^nd place; English: 3,326^th place)

toronto.citynews.ca

Collington, Christian (10 December 2022). "The music subgenre sadcore finds a new life with a new generation". CityNews. Archived from the original on 19 May 2023. Retrieved 20 May 2023.

clashmusic.com (Global: 1,834^th place; English: 1,032^nd place)

Murray, Robin (9 July 2009). "My Bloody Valentine Side Project". Clash. Retrieved 29 March 2024.

doi.org (Global: 2^nd place; English: 2^nd place)

Grønstad 2020, p. 176: "I Could Live in Hope is of course seen as one of the albums that were key in ushering in the so-called 'slowcore' genre of alternative rock, which comprise artists such as Codeine, Red House Painters, Bedhead, and Blue Tile Lounge. The members of Low appear to disapprove of this moniker". Grønstad, Asbjørn Skarsvåg (2020). Rethinking Art and Visual Culture: The Poetics of Opacity. Bergen, Norway: Palgrave Macmillan. doi:10.1007/978-3-030-46176-8. ISBN 9783030461768. S2CID 229229535.
Crystal 2014, p. 235: ""[...] characterised by 'slow temps, a sombre, atmospheric, sometimes densely textured sound, and quiet, forlorn vocals'." Citing "slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Crystal, David (2014). Words in Time and Place: Exploring Language Through the Historical Thesaurus of the Oxford English Dictionary. Oxford University Press. ISBN 9780199680474.
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.) Citing SF Weekly, 6 May 1998.
Metzer 2017, p. 14: "It is no coincidence that slow core rock is also known as sad core." Metzer, David (2017). The Ballad in American Popular Music: From Elvis to Beyoncé. Cambridge University Press. doi:10.1017/9781316676400. ISBN 9781316676400.
"sadcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/2515705092. (Subscription or participating institution membership required.)
"-core". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/8451760115. (Subscription or participating institution membership required.)
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Citing Eddy 1991, p. 144/2: "The slowcore dirge-disco that produced said tune often devolves into this chic bored hush-hush." Eddy, Chuck (1991). Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe (1st ed.). Harmony Books. ISBN 9780517575413.
Rogers 2008, p. 640: "Opposition and fluidity reside at the core of the genre's aesthetic. For example, as US rock band Nirvana succeeded commercially, indie fans grew more interested in post-rock and slow-core, both minimalist genres antithetical to Nirvana despite that band's origins within indie." Rogers, Ian (2008). "'You've got to go to gigs to get gigs': Indie musicians, eclecticism and the Brisbane scene". Continuum. 22 (5): 639–649. doi:10.1080/10304310802311618. S2CID 144566463 – via Taylor & Francis.
Arsel & Thompson 2011, p. 796: "By the mid-1990s, the independent music scenes in North America and Europe were thriving and cycling through microgenres, such as shoegaze, slowcore, and psychobilly, at an exceedingly rapid rate". Arsel, Zeynep; Thompson, Craig J. (2011). "Demythologizing Consumption Practices: How Consumers Protect Their Field-Dependent Identity Investments from Devaluing Marketplace Myths". Journal of Consumer Research. 37 (5): 791–806. doi:10.1086/656389. JSTOR 10.1086/656389.
Metzer 2017, p. 12: "Rock fans do not relax but rather despair when they listen to 'slow core,' songs that are not only slow but also long." Metzer, David (2017). The Ballad in American Popular Music: From Elvis to Beyoncé. Cambridge University Press. doi:10.1017/9781316676400. ISBN 9781316676400.
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.)

drownedinsound.com (Global: 3,776^th place; English: 2,074^th place)

"Slowcore Week: An Introduction". DrownedInSound. 16 February 2009. Retrieved 6 December 2024.

gale.com (Global: 1,435^th place; English: 802^nd place)

link.gale.com

Cairns 2001: "Red House Painters emerged from San Francisco's Bay Area in 1992, and proceeded to release a string of exceptional – and determinedly uncommercial – albums on the British label 4AD. Long, rambling reflections on death, love and drugs, invariably to a spartan backing of folk guitar and brushed drums, Kozelek's work has been described as slow fi, slowcore, lo-fi and even snorecore". Cairns, Dan (27 May 2001). "Almost famous for 15 minutes". The Sunday Times. London, United Kingdom. ISSN 0319-0714 – via Gale.

gq.com (Global: 568^th place; English: 359^th place)

Scordelis, Alex (17 November 2023). "A New Box Set Unearths Acetone, the Greatest '90s Rock Band You've (Probably) Never Heard". GQ. Condé Nast. Archived from the original on 22 November 2023. Retrieved 23 November 2023.

independent.co.uk (Global: 36^th place; English: 33^rd place)

Kaplan, Ilana (29 May 2018). "Snail Mail's Lindsey Jordan on writing about love: 'It's good to be vulnerable, but not pathetic'". The Independent. Archived from the original on 31 December 2021. Retrieved 23 November 2023.

jstor.org (Global: 26^th place; English: 20^th place)

Arsel & Thompson 2011, p. 796: "By the mid-1990s, the independent music scenes in North America and Europe were thriving and cycling through microgenres, such as shoegaze, slowcore, and psychobilly, at an exceedingly rapid rate". Arsel, Zeynep; Thompson, Craig J. (2011). "Demythologizing Consumption Practices: How Consumers Protect Their Field-Dependent Identity Investments from Devaluing Marketplace Myths". Journal of Consumer Research. 37 (5): 791–806. doi:10.1086/656389. JSTOR 10.1086/656389.

laweekly.com (Global: 890^th place; English: 548^th place)

Payne, John (13 February 2003). "The Queen of Sadcore". LA Weekly. Archived from the original on 29 April 2020. Retrieved 28 September 2016.

nialler9.com (Global: low place; English: low place)

Byrne, Niall (27 February 2024). "Sign Crushes Motorist: The Irish slowcore artist with over 4 million monthly listeners". Nialler9. Retrieved 6 December 2024.

npr.org (Global: 92^nd place; English: 72^nd place)

Dye, David (27 February 2008). "American Music Club: 'Slowcore' and More". NPR (Podcast). Archived from the original on 9 April 2023. Retrieved 27 May 2023.
Lorusso, Marissa (22 March 2019). "How Millennials Rescued Duster's Music From The Abyss". National Public Radio. Archived from the original on 27 July 2023. Retrieved 27 March 2024.

nytimes.com (Global: 7^th place; English: 7^th place)

Sisario, Ben (31 December 2009). "When Indie-Rock Genres Outnumber the Bands". The New York Times. Archived from the original on 26 June 2023. Retrieved 26 June 2023.
Williams, Alex (11 November 2022). "Mimi Parker, Moody Alt-Rock Vocalist, Is Dead at 55". The New York Times. Archived from the original on 29 August 2023. Retrieved 24 November 2023.

nzherald.co.nz (Global: 435^th place; English: 276^th place)

Reitsma, Bethany (28 January 2023). "Phoebe Bridgers on Lorde, Laneway, and the 'sad girl' label: 'I hate it'". The New Zealand Herald. Archived from the original on 21 May 2023. Retrieved 21 May 2023.

oed.com (Global: 360^th place; English: 231^st place)

Crystal 2014, p. 235: ""[...] characterised by 'slow temps, a sombre, atmospheric, sometimes densely textured sound, and quiet, forlorn vocals'." Citing "slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Crystal, David (2014). Words in Time and Place: Exploring Language Through the Historical Thesaurus of the Oxford English Dictionary. Oxford University Press. ISBN 9780199680474.
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.) Citing SF Weekly, 6 May 1998.
"sadcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/2515705092. (Subscription or participating institution membership required.)
"-core". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/8451760115. (Subscription or participating institution membership required.)
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Citing Eddy 1991, p. 144/2: "The slowcore dirge-disco that produced said tune often devolves into this chic bored hush-hush." Eddy, Chuck (1991). Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe (1st ed.). Harmony Books. ISBN 9780517575413.
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.)

pastemagazine.com (Global: 661^st place; English: 399^th place)

Chodzin, Devon (11 May 2022). "On Preacher's Daughter, Ethel Cain's Jarring, Beautiful Vision Comes to Life". Paste. Archived from the original on 15 June 2023. Retrieved 14 June 2023.

pitchfork.com (Global: 159^th place; English: 112^th place)

Swensson, Andrea (7 November 2022). "Remembering Low's Mimi Parker With 6 Essential Tracks". Pitchfork. Archived from the original on 6 June 2023. Retrieved 15 June 2023.
Sherburne, Philip (14 December 2023). "The Shoegaze Revival Hit Its Stride in 2023". Pitchfork. Archived from the original on 5 February 2025. Retrieved 5 February 2025.
James, Brian (9 February 2003). "Shearwater: Everybody Makes Mistakes Album Review". Pitchfork. Archived from the original on 18 March 2009. Retrieved 21 May 2023.
Pitchfork (16 April 2018). "The 30 Best Dream Pop Albums". Pitchfork. Retrieved 6 December 2024.
Sodomsky, Sam (24 January 2018). "6 Great Albums Named After Other Great Albums". Pitchfork. Archived from the original on 21 January 2024. Retrieved 5 May 2024.
Deusner, Stephen (21 March 2013). "Low: The Invisible Way Album Review". Pitchfork. Archived from the original on 20 May 2023. Retrieved 20 May 2023.
"Sub Pop 20". Pitchfork. 11 July 2008. Archived from the original on 27 May 2023. Retrieved 27 May 2023.
Stosuy, Brandon (6 May 2015). "Red House Painters: Box Set Album Review". Pitchfork. Archived from the original on 27 June 2023. Retrieved 15 June 2023.
Richardson, Mark (14 November 2014). "Bedhead: Bedhead: 1992-1998 Album Review". Pitchfork. Archived from the original on 27 May 2023. Retrieved 27 May 2023.
Howe, Brian (8 August 2011). "Idaho: You Were a Dick Album Review". Pitchfork. Archived from the original on 14 November 2023. Retrieved 14 November 2023.
Corcoran, Nina (8 November 2022). "Mimi Parker Was Indie Rock's Guardian Angel". Pitchfork. Archived from the original on 23 November 2023. Retrieved 23 November 2023.
Haywood, Brad (29 September 2002). "Low: Trust Album Review". Pitchfork. Archived from the original on 27 March 2024. Retrieved 27 March 2024.
Schreiber, Ryan (21 January 2001). "Low: Things We Lost in the Fire Album Review". Pitchfork. Retrieved 28 March 2024.
"Songs: Ohia: Ghost Tropic Album Review". Pitchfork. 13 November 2000. Retrieved 28 March 2024.
Heller, Jason (1 December 2014). "Songs: Ohia: Didn't It Rain Album Review". Pitchfork. Retrieved 28 March 2024.
Heller, Jason (12 November 2013). "Songs: Ohia: The Magnolia Electric Co. Album Review". Pitchfork. Retrieved 28 March 2024.
M. Deusner, Stephen (2 December 2010). "Carissa's Wierd: Ugly But Honest: 1996-1999 / You Should Be at Home Here / Songs About Leaving Album Review". Pitchfork. Archived from the original on 15 November 2023. Retrieved 15 November 2023.
Goldstein, Hartley (19 November 2003). "Sun Kil Moon: Ghosts of the Great Highway Album Review". Pitchfork. Archived from the original on 27 June 2023. Retrieved 15 June 2023.
Cook, Cameron (8 June 2017). "Cigarettes After Sex: Cigarettes After Sex Album Review". Pitchfork. Archived from the original on 2 July 2023. Retrieved 15 June 2023.
Codiga, Jacqueline (7 November 2022). "Nicole Dollanganger's "Gold Satin Dreamer" Is an Unsettling and Beautiful Story of Doomed Romance". Pitchfork. Archived from the original on 16 June 2023. Retrieved 16 June 2023.

pitchforkmedia.com (Global: 4,158^th place; English: 2,343^rd place)

"Top 100 Albums of the '90s". Pitchfork. p. 6. Archived from the original on 25 February 2003. Retrieved 28 July 2019.
Richard-San, Mark. "Duster: Stratosphere". Pitchfork. Archived from the original on 16 February 2001. Retrieved 18 June 2023.

popmatters.com (Global: 631^st place; English: 390^th place)

LaBrack, Jill (16 February 2005). "Ida: Heart Like a River". PopMatters. Archived from the original on 11 November 2012. Retrieved 14 November 2023.
"Sun Kil Moon: Ghosts Of The Great Highway". PopMatters. 22 January 2004. Archived from the original on 27 June 2023. Retrieved 14 June 2023.

proquest.com (Global: 206^th place; English: 124^th place)

Schoemer 1989, p. 67. Schoemer, Karen (1 February 1989). "American Music Club". Spin. Vol. 4, no. 11. New York City, New York. pp. 66–67. ProQuest 1438700005.
Dafoe 1988: "[...] country- blues minimalists Cowboy Junkies". Dafoe, Chris (20 July 1988). "Pop Notes: Future of Parachute Club is up in the air". The Globe and Mail. Toronto, Ontario. ISSN 0319-0714. ProQuest 385888341.
Griffin 1988: "What The Trinity Session is is a country music album for people who hate country, a blues album for people who are bored to tears by blues and an album of traditional folk music for hardcore kids. Above all, it is a Cowboy Junkies album". Griffin, John (24 March 1988). "Little-known Junkies' remarkable LP a find". The Gazette. Montreal, Quebec, Canada. ISSN 0384-1294. ProQuest 431601921.
Punter 1993. Punter, Jennie (11 November 1993). "Codeine trio feeling no pain with unique 'slowcore' sound". Toronto Star. Toronto, Ontario. ISSN 0319-0781. ProQuest 436938278.
Casimir 1996. Casimir, Jon (30 May 1996). "Spain, a band on another planet". The Sydney Morning Herald. Sydney, New South Wales, Australia. ISSN 0312-6315. ProQuest 2527331742.
Clayton et al. 2009. Clayton, Richard; Cairns, Dan; Nash, Rob; Edwards, Mark (11 January 2009). "Your definitive guide to today's music scene". The Sunday Times. London. p. 26. ISSN 0956-1382. ProQuest 316466056.

rollingstone.com (Global: 47^th place; English: 38^th place)

Azerrad, Michael (16 April 1992). "Grunge City: The Seattle Scene". Rolling Stone. Archived from the original on 11 April 2024. Retrieved 11 April 2024.
Sheffield, Rob (10 April 2010). "Cat Power: Album Guide". Rolling Stone. Archived from the original on 27 November 2010. Retrieved 14 November 2023.
Exposito, Suzy (16 December 2016). "Inside Hope Sandoval and the Warm Inventions' Mysterious Chemistry". Rolling Stone. Retrieved 29 March 2024.

semanticscholar.org (Global: 11^th place; English: 8^th place)

api.semanticscholar.org

Grønstad 2020, p. 176: "I Could Live in Hope is of course seen as one of the albums that were key in ushering in the so-called 'slowcore' genre of alternative rock, which comprise artists such as Codeine, Red House Painters, Bedhead, and Blue Tile Lounge. The members of Low appear to disapprove of this moniker". Grønstad, Asbjørn Skarsvåg (2020). Rethinking Art and Visual Culture: The Poetics of Opacity. Bergen, Norway: Palgrave Macmillan. doi:10.1007/978-3-030-46176-8. ISBN 9783030461768. S2CID 229229535.
Rogers 2008, p. 640: "Opposition and fluidity reside at the core of the genre's aesthetic. For example, as US rock band Nirvana succeeded commercially, indie fans grew more interested in post-rock and slow-core, both minimalist genres antithetical to Nirvana despite that band's origins within indie." Rogers, Ian (2008). "'You've got to go to gigs to get gigs': Indie musicians, eclecticism and the Brisbane scene". Continuum. 22 (5): 639–649. doi:10.1080/10304310802311618. S2CID 144566463 – via Taylor & Francis.

silbermedia.com (Global: low place; English: low place)

"Low interview from QRD #14". QRD. Silber Media. October 1998. Archived from the original on 22 May 2023. Retrieved 20 May 2023. Alan – what's the cheesiest? slow-core. I hate that word. the most appropriate is anything that uses the word minimal in it, but I don't think anybody's made one up for that.

smh.com.au (Global: 132^nd place; English: 96^th place)

Divola, Barry (28 November 2017). "How The Handmaid's Tale changed everything for Cigarettes After Sex". The Sydney Morning Herald. Retrieved 29 March 2024.

springer.com (Global: 274^th place; English: 309^th place)

link.springer.com

Grønstad 2020, p. 176: "I Could Live in Hope is of course seen as one of the albums that were key in ushering in the so-called 'slowcore' genre of alternative rock, which comprise artists such as Codeine, Red House Painters, Bedhead, and Blue Tile Lounge. The members of Low appear to disapprove of this moniker". Grønstad, Asbjørn Skarsvåg (2020). Rethinking Art and Visual Culture: The Poetics of Opacity. Bergen, Norway: Palgrave Macmillan. doi:10.1007/978-3-030-46176-8. ISBN 9783030461768. S2CID 229229535.

stereogum.com (Global: 835^th place; English: 490^th place)

"The Low-Key Legacy Of Duster, Your Favorite Indie Band's Favorite Indie Band". Stereogum. 23 February 2018. Archived from the original on 23 May 2023. Retrieved 18 June 2023.
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tandfonline.com (Global: 507^th place; English: 429^th place)

Rogers 2008, p. 640: "Opposition and fluidity reside at the core of the genre's aesthetic. For example, as US rock band Nirvana succeeded commercially, indie fans grew more interested in post-rock and slow-core, both minimalist genres antithetical to Nirvana despite that band's origins within indie." Rogers, Ian (2008). "'You've got to go to gigs to get gigs': Indie musicians, eclecticism and the Brisbane scene". Continuum. 22 (5): 639–649. doi:10.1080/10304310802311618. S2CID 144566463 – via Taylor & Francis.

theatlantic.com (Global: 228^th place; English: 158^th place)

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thetimes.com (Global: low place; English: low place)

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Harrington, Richard (24 May 2002). "The Melancholy Man Lightens Up". The Washington Post. Archived from the original on 18 July 2020. Retrieved 21 May 2023.
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web.archive.org (Global: 1^st place; English: 1^st place)

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worldcat.org (Global: 5^th place; English: 5^th place)

search.worldcat.org

Heim, Joe (2 February 2005). "Low, Turning Its Slowcore Fidelity to High". The Washington Post. ISSN 0190-8286. Retrieved 23 November 2023.
Cairns 2001: "Red House Painters emerged from San Francisco's Bay Area in 1992, and proceeded to release a string of exceptional – and determinedly uncommercial – albums on the British label 4AD. Long, rambling reflections on death, love and drugs, invariably to a spartan backing of folk guitar and brushed drums, Kozelek's work has been described as slow fi, slowcore, lo-fi and even snorecore". Cairns, Dan (27 May 2001). "Almost famous for 15 minutes". The Sunday Times. London, United Kingdom. ISSN 0319-0714 – via Gale.
Dafoe 1988: "[...] country- blues minimalists Cowboy Junkies". Dafoe, Chris (20 July 1988). "Pop Notes: Future of Parachute Club is up in the air". The Globe and Mail. Toronto, Ontario. ISSN 0319-0714. ProQuest 385888341.
Griffin 1988: "What The Trinity Session is is a country music album for people who hate country, a blues album for people who are bored to tears by blues and an album of traditional folk music for hardcore kids. Above all, it is a Cowboy Junkies album". Griffin, John (24 March 1988). "Little-known Junkies' remarkable LP a find". The Gazette. Montreal, Quebec, Canada. ISSN 0384-1294. ProQuest 431601921.
Punter 1993. Punter, Jennie (11 November 1993). "Codeine trio feeling no pain with unique 'slowcore' sound". Toronto Star. Toronto, Ontario. ISSN 0319-0781. ProQuest 436938278.
Casimir 1996. Casimir, Jon (30 May 1996). "Spain, a band on another planet". The Sydney Morning Herald. Sydney, New South Wales, Australia. ISSN 0312-6315. ProQuest 2527331742.
Clayton et al. 2009. Clayton, Richard; Cairns, Dan; Nash, Rob; Edwards, Mark (11 January 2009). "Your definitive guide to today's music scene". The Sunday Times. London. p. 26. ISSN 0956-1382. ProQuest 316466056.

youtube.com (Global: 9^th place; English: 13^th place)

Alan Sparhawk from Low tells the story of the origin of 'Slowcore'. The Paper Crane Podcast. 20 September 2021. Archived from the original on 2 October 2021. Retrieved 5 October 2021 – via YouTube.

Slowcore (English Wikipedia)

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