Slowcore (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Slowcore" in English language version.

refsWebsite

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60web.archive.org

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18pitchfork.com

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15books.google.com

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12proquest.com

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11doi.org

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2semanticscholar.org

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2nytimes.com

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2npr.org

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2drownedinsound.com

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2pitchforkmedia.com

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2popmatters.com

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1faroutmagazine.co.uk

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1archive.today

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1americandialect.org

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1pastemagazine.com

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1independent.co.uk

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abc.net.au

Hazel, Andy (17 February 2015). "Lost Albums: Bluetile Lounge - lowercase". Double J. Australian Broadcasting Corporation. Archived from the original on 14 November 2023. Retrieved 14 November 2023.

allmusic.com

Ruxin, Marc. "Ida - Tales of Brave Ida". AllMusic. Archived from the original on 14 November 2023. Retrieved 14 November 2023.
"The For Carnation: Fight Songs". AllMusic. Archived from the original on 14 November 2023. Retrieved 14 November 2023.
Thomas Erlewine, Stephen. "Radar Bros.: Radar Bros". AllMusic. Archived from the original on 14 November 2023. Retrieved 14 November 2023.

americandialect.org

"Nominations for Words of the Year 2021". American Dialect Society. 7 January 2022. Archived from the original on 26 June 2023. Retrieved 26 June 2023.

archive.today

Judkis, Maura (13 September 2021). "Cottagecore, cluttercore, goblincore — deep down, it's about who we think we are". The Washington Post. Archived from the original on 13 September 2021. Retrieved 26 June 2023.

avclub.com

Naftule, Ashley (12 February 2019). "The slow and steady perfection of Galaxie 500's On Fire". The A.V. Club. G/O Media. Archived from the original on 27 March 2024. Retrieved 27 March 2024.
Purdom, Clayton; McLevy, Alex; Adams, Erik; Rife, Katie; Gerardi, Matt; Adamczyk, Laura; Ihnat, Gwen; Dowd, A.A.; Anthony, David (20 August 2018). "1998 somehow brought us boy bands, nü-metal, and Neutral Milk Hotel". The A.V. Club. Archived from the original on 21 May 2023. Retrieved 21 May 2023.
Hawthorne, Marc (25 September 2007). "Red House Painters: Red House Painters". The A.V. Club. Archived from the original on 19 December 2022. Retrieved 21 May 2023.
Modell, Josh (2 August 2004). "Low: A Lifetime Of Temporary Relief: 10 Years Of B-Sides & Rarities". The A.V. Club. Archived from the original on 21 May 2023. Retrieved 21 May 2023.
Heller, Jason (25 May 2012). "Reconsidering Codeine, a '90s band frozen in time". The A.V. Club. Archived from the original on 20 May 2023. Retrieved 20 May 2023.

bandcamp.com

daily.bandcamp.com

Rubsam, Robert (27 April 2017). "Slowcore: A Brief Timeline". Bandcamp. Archived from the original on 24 May 2023. Retrieved 27 May 2023.

bbc.com

James, Imogen (2 February 2023). "Mascara: What is the TikTok trend all about?". BBC News. British Broadcasting Corporation. Archived from the original on 6 September 2023. Retrieved 19 November 2023.

books.google.com

Earles 2014, pp. 4, 124. Earles, Andrew (15 September 2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
R. Ferris & L. Hart 2010, pp. 3–5. R. Ferris, William; L. Hart, Mary (1 December 2010). Folk Music and Modern Sound. University Press of Mississippi. ISBN 9781617030994.
Sweers 2005, pp. 4, 29–31. Sweers, Britta (13 January 2005). Electric Folk: The Changing Face of English Traditional Music. Oxford University Press. ISBN 9780198038986.
Fox 2009, p. 2-3: "Codeine's sound was not the heavy, space-filling drone of other slow-core bands". Fox, Dominic (2009). Cold World: The Aesthetics of Dejection and the Politics of Militant Dysphoria. Hampshire, England: John Hunt Publishing. ISBN 9781846942174.
Crystal 2014, p. 235: ""[...] characterised by 'slow temps, a sombre, atmospheric, sometimes densely textured sound, and quiet, forlorn vocals'." Citing "slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Crystal, David (2014). Words in Time and Place: Exploring Language Through the Historical Thesaurus of the Oxford English Dictionary. Oxford University Press. ISBN 9780199680474.
Metzer 2017, p. 14: "It is no coincidence that slow core rock is also known as sad core." Metzer, David (21 September 2017). The Ballad in American Popular Music: From Elvis to Beyoncé. Cambridge University Press. doi:10.1017/9781316676400. ISBN 9781316676400.
Crystal 2014, p. 235: "The gloomy lyrical content rather than the acoustic effects led to the synonymous sadcore." Crystal, David (2014). Words in Time and Place: Exploring Language Through the Historical Thesaurus of the Oxford English Dictionary. Oxford University Press. ISBN 9780199680474.
Earles 2014, p. 124: "[...] what the music press came to call 'slowcore,' an unfortunate term often attached to bands such as Codeine, Low, Seam, Mazzy Star, Bedhead, and Rex [...] known for really slow tempos and a general prettiness or melancholy tendencies." Earles, Andrew (15 September 2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
Earles 2014, p. 124: "Like many bands featured in this book, Galaxie 500 was a big influence on a successive subgenre of band within indie rock. In the case of this seminal Boston trio, they are seen as progenitors of what the music press came to call 'slowcore'". Earles, Andrew (15 September 2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Citing Eddy 1991, p. 144/2: "The slowcore dirge-disco that produced said tune often devolves into this chic bored hush-hush." Eddy, Chuck (1991). Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe (1st ed.). Harmony Books. ISBN 9780517575413.
Earles 2014, p. 4: "It was in this loose framework that indie rock and all its various subgenres experienced its heyday from roughly 1986 to 1996, give or take a year on either end." Earles, Andrew (15 September 2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
Earles 2014, pp. 253–4. Earles, Andrew (15 September 2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
Earles 2014, p. 253: "Down Colorful Hill and two eponymous titled full-lengths recorded in 1993 together form a linear block of music from which emotes, with unequivocal intensity, authentic sadness, disenchantment, desperation, regret, and general sadness." Earles, Andrew (15 September 2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
Earles 2014, p. 177: "Of the bands grouped into 'sadcore' and 'slowcore' classifications by critics in the early '90s, none were lower—or perhaps sadder (though Red House Painters might win that contest)—than Low." Earles, Andrew (15 September 2014). Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996. Voyageur Press. ISBN 9781627883795.
Metzer 2017, p. 12: "Rock fans do not relax but rather despair when they listen to 'slow core,' songs that are not only slow but also long." Metzer, David (21 September 2017). The Ballad in American Popular Music: From Elvis to Beyoncé. Cambridge University Press. doi:10.1017/9781316676400. ISBN 9781316676400.

citynews.ca

toronto.citynews.ca

Collington, Christian (10 December 2022). "The music subgenre sadcore finds a new life with a new generation". CityNews. Archived from the original on 19 May 2023. Retrieved 20 May 2023.

clashmusic.com

Murray, Robin (9 July 2009). "My Bloody Valentine Side Project". Clash. Retrieved 29 March 2024.

doi.org

Grønstad 2020, p. 176: "I Could Live in Hope is of course seen as one of the albums that were key in ushering in the so-called 'slowcore' genre of alternative rock, which comprise artists such as Codeine, Red House Painters, Bedhead, and Blue Tile Lounge. The members of Low appear to disapprove of this moniker". Grønstad, Asbjørn Skarsvåg (29 October 2020). Rethinking Art and Visual Culture: The Poetics of Opacity. Bergen, Norway: Palgrave Macmillan. doi:10.1007/978-3-030-46176-8. ISBN 9783030461768. S2CID 229229535.
Crystal 2014, p. 235: ""[...] characterised by 'slow temps, a sombre, atmospheric, sometimes densely textured sound, and quiet, forlorn vocals'." Citing "slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Crystal, David (2014). Words in Time and Place: Exploring Language Through the Historical Thesaurus of the Oxford English Dictionary. Oxford University Press. ISBN 9780199680474.
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.) Citing SF Weekly, 6 May 1998.
Metzer 2017, p. 14: "It is no coincidence that slow core rock is also known as sad core." Metzer, David (21 September 2017). The Ballad in American Popular Music: From Elvis to Beyoncé. Cambridge University Press. doi:10.1017/9781316676400. ISBN 9781316676400.
"sadcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/2515705092. (Subscription or participating institution membership required.)
"-core". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/8451760115. (Subscription or participating institution membership required.)
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Citing Eddy 1991, p. 144/2: "The slowcore dirge-disco that produced said tune often devolves into this chic bored hush-hush." Eddy, Chuck (1991). Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe (1st ed.). Harmony Books. ISBN 9780517575413.
Rogers 2008, p. 640: "Opposition and fluidity reside at the core of the genre’s aesthetic. For example, as US rock band Nirvana succeeded commercially, indie fans grew more interested in post-rock and slow-core, both minimalist genres antithetical to Nirvana despite that band’s origins within indie." Rogers, Ian (2008). "'You've got to go to gigs to get gigs': Indie musicians, eclecticism and the Brisbane scene". Continuum. 22 (5): 639–649. doi:10.1080/10304310802311618. S2CID 144566463 – via Taylor & Francis.
Arsel & Thompson 2011, p. 796: "By the mid-1990s, the independent music scenes in North America and Europe were thriving and cycling through microgenres, such as shoegaze, slowcore, and psychobilly, at an exceedingly rapid rate". Arsel, Zeynep; Thompson, Craig J. (2011). "Demythologizing Consumption Practices: How Consumers Protect Their Field-Dependent Identity Investments from Devaluing Marketplace Myths". Journal of Consumer Research. 37 (5): 791–806. doi:10.1086/656389. JSTOR 10.1086/656389 – via JSTOR.
Metzer 2017, p. 12: "Rock fans do not relax but rather despair when they listen to 'slow core,' songs that are not only slow but also long." Metzer, David (21 September 2017). The Ballad in American Popular Music: From Elvis to Beyoncé. Cambridge University Press. doi:10.1017/9781316676400. ISBN 9781316676400.
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.)

drownedinsound.com

Tudor, Alexander (16 February 2009). "Slowcore Week: An Introduction". Drowned in Sound. Archived from the original on 14 June 2023. Retrieved 27 May 2023.
Dowling, Jordan (21 February 2009). "Slowcore Week: Other highlights of slowcore - a brief round-up". Drowned in Sound. Archived from the original on 14 November 2023. Retrieved 14 November 2023.

faroutmagazine.co.uk

Kahn, Jamie (13 June 2022). "Slowcore isn't making a comeback, it's always been here". Far Out. Archived from the original on 4 December 2023. Retrieved 20 May 2023.

gale.com

link.gale.com

Cairns 2001: "Red House Painters emerged from San Francisco's Bay Area in 1992, and proceeded to release a string of exceptional - and determinedly uncommercial - albums on the British label 4AD. Long, rambling reflections on death, love and drugs, invariably to a spartan backing of folk guitar and brushed drums, Kozelek's work has been described as slow fi, slowcore, lo-fi and even snorecore". Cairns, Dan (27 May 2001). "Almost famous for 15 minutes". The Sunday Times. London, United Kingdom. ISSN 0319-0714 – via Gale.

gq.com

Scordelis, Alex (17 November 2023). "A New Box Set Unearths Acetone, the Greatest '90s Rock Band You've (Probably) Never Heard". GQ. Condé Nast. Archived from the original on 22 November 2023. Retrieved 23 November 2023.

independent.co.uk

Kaplan, Ilana (29 May 2018). "Snail Mail's Lindsey Jordan on writing about love: 'It's good to be vulnerable, but not pathetic'". The Independent. Archived from the original on 31 December 2021. Retrieved 23 November 2023.

jstor.org

Arsel & Thompson 2011, p. 796: "By the mid-1990s, the independent music scenes in North America and Europe were thriving and cycling through microgenres, such as shoegaze, slowcore, and psychobilly, at an exceedingly rapid rate". Arsel, Zeynep; Thompson, Craig J. (2011). "Demythologizing Consumption Practices: How Consumers Protect Their Field-Dependent Identity Investments from Devaluing Marketplace Myths". Journal of Consumer Research. 37 (5): 791–806. doi:10.1086/656389. JSTOR 10.1086/656389 – via JSTOR.

laweekly.com

Payne, John (13 February 2003). "The Queen of Sadcore". LA Weekly. Archived from the original on 29 April 2020. Retrieved 28 September 2016.

npr.org

Dye, David (27 February 2008). "American Music Club: 'Slowcore' and More". NPR (Podcast). Archived from the original on 9 April 2023. Retrieved 27 May 2023.
Lorusso, Marissa (22 March 2019). "How Millennials Rescued Duster's Music From The Abyss". National Public Radio. Archived from the original on 27 July 2023. Retrieved 27 March 2024.

nytimes.com

Sisario, Ben (31 December 2009). "When Indie-Rock Genres Outnumber the Bands". The New York Times. Archived from the original on 26 June 2023. Retrieved 26 June 2023.
Williams, Alex (11 November 2022). "Mimi Parker, Moody Alt-Rock Vocalist, Is Dead at 55". The New York Times. Archived from the original on 29 August 2023. Retrieved 24 November 2023.

nzherald.co.nz

Reitsma, Bethany (28 January 2023). "Phoebe Bridgers on Lorde, Laneway, and the 'sad girl' label: 'I hate it'". The New Zealand Herald. Archived from the original on 21 May 2023. Retrieved 21 May 2023.

oed.com

Crystal 2014, p. 235: ""[...] characterised by 'slow temps, a sombre, atmospheric, sometimes densely textured sound, and quiet, forlorn vocals'." Citing "slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Crystal, David (2014). Words in Time and Place: Exploring Language Through the Historical Thesaurus of the Oxford English Dictionary. Oxford University Press. ISBN 9780199680474.
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.) Citing SF Weekly, 6 May 1998.
"sadcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/2515705092. (Subscription or participating institution membership required.)
"-core". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/8451760115. (Subscription or participating institution membership required.)
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.). Citing Eddy 1991, p. 144/2: "The slowcore dirge-disco that produced said tune often devolves into this chic bored hush-hush." Eddy, Chuck (1991). Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe (1st ed.). Harmony Books. ISBN 9780517575413.
"slowcore". Oxford English Dictionary (Online ed.). Oxford University Press. doi:10.1093/OED/7503491735. (Subscription or participating institution membership required.)

pastemagazine.com

Chodzin, Devon (11 May 2022). "On Preacher's Daughter, Ethel Cain's Jarring, Beautiful Vision Comes to Life". Paste. Archived from the original on 15 June 2023. Retrieved 14 June 2023.

pitchfork.com

Swensson, Andrea (7 November 2022). "Remembering Low's Mimi Parker With 6 Essential Tracks". Pitchfork. Archived from the original on 6 June 2023. Retrieved 15 June 2023.
James, Brian (9 February 2003). "Shearwater: Everybody Makes Mistakes Album Review". Pitchfork. Archived from the original on 18 March 2009. Retrieved 21 May 2023.
Sodomsky, Sam (24 January 2018). "6 Great Albums Named After Other Great Albums". Pitchfork. Archived from the original on 21 January 2024. Retrieved 5 May 2024.
Deusner, Stephen (21 March 2013). "Low: The Invisible Way Album Review". Pitchfork. Archived from the original on 20 May 2023. Retrieved 20 May 2023.
"Sub Pop 20". Pitchfork. 11 July 2008. Archived from the original on 27 May 2023. Retrieved 27 May 2023.
Stosuy, Brandon (6 May 2015). "Red House Painters: Box Set Album Review". Pitchfork. Archived from the original on 27 June 2023. Retrieved 15 June 2023.
Richardson, Mark (14 November 2014). "Bedhead: Bedhead: 1992-1998 Album Review". Pitchfork. Archived from the original on 27 May 2023. Retrieved 27 May 2023.
Howe, Brian (8 August 2011). "Idaho: You Were a Dick Album Review". Pitchfork. Archived from the original on 14 November 2023. Retrieved 14 November 2023.
Corcoran, Nina (8 November 2022). "Mimi Parker Was Indie Rock's Guardian Angel". Pitchfork. Archived from the original on 23 November 2023. Retrieved 23 November 2023.
Haywood, Brad (29 September 2002). "Low: Trust Album Review". Pitchfork. Archived from the original on 27 March 2024. Retrieved 27 March 2024.
Schreiber, Ryan (21 January 2001). "Low: Things We Lost in the Fire Album Review". Pitchfork. Retrieved 28 March 2024.
"Songs: Ohia: Ghost Tropic Album Review". Pitchfork. 13 November 2000. Retrieved 28 March 2024.
Heller, Jason (1 December 2014). "Songs: Ohia: Didn't It Rain Album Review". Pitchfork. Retrieved 28 March 2024.
Heller, Jason (12 November 2013). "Songs: Ohia: The Magnolia Electric Co. Album Review". Pitchfork. Retrieved 28 March 2024.
M. Deusner, Stephen (2 December 2010). "Carissa's Wierd: Ugly But Honest: 1996-1999 / You Should Be at Home Here / Songs About Leaving Album Review". Pitchfork. Archived from the original on 15 November 2023. Retrieved 15 November 2023.
Goldstein, Hartley (19 November 2003). "Sun Kil Moon: Ghosts of the Great Highway Album Review". Pitchfork. Archived from the original on 27 June 2023. Retrieved 15 June 2023.
Cook, Cameron (8 June 2017). "Cigarettes After Sex: Cigarettes After Sex Album Review". Pitchfork. Archived from the original on 2 July 2023. Retrieved 15 June 2023.
Codiga, Jacqueline (7 November 2022). "Nicole Dollanganger's "Gold Satin Dreamer" Is an Unsettling and Beautiful Story of Doomed Romance". Pitchfork. Archived from the original on 16 June 2023. Retrieved 16 June 2023.

pitchforkmedia.com

"Top 100 Albums of the '90s". Pitchfork. p. 6. Archived from the original on 25 February 2003. Retrieved 28 July 2019.
Richard-San, Mark. "Duster: Stratosphere". Pitchfork. Archived from the original on 16 February 2001. Retrieved 18 June 2023.

popmatters.com

LaBrack, Jill (16 February 2005). "Ida: Heart Like a River". PopMatters. Archived from the original on 11 November 2012. Retrieved 14 November 2023.
"Sun Kil Moon: Ghosts Of The Great Highway". PopMatters. 22 January 2004. Archived from the original on 27 June 2023. Retrieved 14 June 2023.

proquest.com

Schoemer 1989, p. 67. Schoemer, Karen (1 February 1989). "American Music Club". Spin. Vol. 4, no. 11. New York City, New York, United States. pp. 66–67. ProQuest 1438700005 – via ProQuest.
Dafoe 1988: "[...] country- blues minimalists Cowboy Junkies". Dafoe, Chris (20 July 1988). "Pop Notes: Future of Parachute Club is up in the air". The Globe and Mail. Toronto, Ontario, Canada. ISSN 0319-0714. ProQuest 385888341 – via ProQuest.
Griffin 1988: "What The Trinity Session is is a country music album for people who hate country, a blues album for people who are bored to tears by blues and an album of traditional folk music for hardcore kids. Above all, it is a Cowboy Junkies album". Griffin, John (24 March 1988). "Little-known Junkies' remarkable LP a find". The Gazette. Montreal, Quebec, Canada. ISSN 0384-1294. ProQuest 431601921 – via ProQuest.
Punter 1993. Punter, Jennie (11 November 1993). "Codeine trio feeling no pain with unique 'slowcore' sound". Toronto Star. Toronto, Ontario, Canada. ISSN 0319-0781. ProQuest 436938278 – via ProQuest.
Casimir 1996. Casimir, Jon (30 May 1996). "Spain, a band on another planet". The Sydney Morning Herald. Sydney, New South Wales, Australia. ISSN 0312-6315. ProQuest 2527331742 – via ProQuest.
Clayton et al. 2009. Clayton, Richard; Cairns, Dan; Nash, Rob; Edwards, Mark (11 January 2009). "Your definitive guide to today's music scene". The Sunday Times. London, United Kingdom. p. 26. ISSN 0956-1382. ProQuest 316466056 – via ProQuest.

search.proquest.com

Schoemer 1989, p. 67. Schoemer, Karen (1 February 1989). "American Music Club". Spin. Vol. 4, no. 11. New York City, New York, United States. pp. 66–67. ProQuest 1438700005 – via ProQuest.
Dafoe 1988: "[...] country- blues minimalists Cowboy Junkies". Dafoe, Chris (20 July 1988). "Pop Notes: Future of Parachute Club is up in the air". The Globe and Mail. Toronto, Ontario, Canada. ISSN 0319-0714. ProQuest 385888341 – via ProQuest.
Griffin 1988: "What The Trinity Session is is a country music album for people who hate country, a blues album for people who are bored to tears by blues and an album of traditional folk music for hardcore kids. Above all, it is a Cowboy Junkies album". Griffin, John (24 March 1988). "Little-known Junkies' remarkable LP a find". The Gazette. Montreal, Quebec, Canada. ISSN 0384-1294. ProQuest 431601921 – via ProQuest.
Punter 1993. Punter, Jennie (11 November 1993). "Codeine trio feeling no pain with unique 'slowcore' sound". Toronto Star. Toronto, Ontario, Canada. ISSN 0319-0781. ProQuest 436938278 – via ProQuest.
Casimir 1996. Casimir, Jon (30 May 1996). "Spain, a band on another planet". The Sydney Morning Herald. Sydney, New South Wales, Australia. ISSN 0312-6315. ProQuest 2527331742 – via ProQuest.
Clayton et al. 2009. Clayton, Richard; Cairns, Dan; Nash, Rob; Edwards, Mark (11 January 2009). "Your definitive guide to today's music scene". The Sunday Times. London, United Kingdom. p. 26. ISSN 0956-1382. ProQuest 316466056 – via ProQuest.

rollingstone.com

Azerrad, Michael (16 April 1992). "Grunge City: The Seattle Scene". Rolling Stone. Archived from the original on 11 April 2024. Retrieved 11 April 2024.
Sheffield, Rob (10 April 2010). "Cat Power: Album Guide". Rolling Stone. Archived from the original on 27 November 2010. Retrieved 14 November 2023.
Exposito, Suzy (16 December 2016). "Inside Hope Sandoval and the Warm Inventions' Mysterious Chemistry". Rolling Stone. Retrieved 29 March 2024.

semanticscholar.org

api.semanticscholar.org

Grønstad 2020, p. 176: "I Could Live in Hope is of course seen as one of the albums that were key in ushering in the so-called 'slowcore' genre of alternative rock, which comprise artists such as Codeine, Red House Painters, Bedhead, and Blue Tile Lounge. The members of Low appear to disapprove of this moniker". Grønstad, Asbjørn Skarsvåg (29 October 2020). Rethinking Art and Visual Culture: The Poetics of Opacity. Bergen, Norway: Palgrave Macmillan. doi:10.1007/978-3-030-46176-8. ISBN 9783030461768. S2CID 229229535.
Rogers 2008, p. 640: "Opposition and fluidity reside at the core of the genre’s aesthetic. For example, as US rock band Nirvana succeeded commercially, indie fans grew more interested in post-rock and slow-core, both minimalist genres antithetical to Nirvana despite that band’s origins within indie." Rogers, Ian (2008). "'You've got to go to gigs to get gigs': Indie musicians, eclecticism and the Brisbane scene". Continuum. 22 (5): 639–649. doi:10.1080/10304310802311618. S2CID 144566463 – via Taylor & Francis.

silbermedia.com

"Low interview from QRD #14". QRD. Silber Media. October 1998. Archived from the original on 22 May 2023. Retrieved 20 May 2023. Alan – what's the cheesiest? slow-core. I hate that word. the most appropriate is anything that uses the word minimal in it, but I don't think anybody's made one up for that.

smh.com.au

Divola, Barry (28 November 2017). "How The Handmaid's Tale changed everything for Cigarettes After Sex". The Sydney Morning Herald. Retrieved 29 March 2024.

springer.com

link.springer.com

Grønstad 2020, p. 176: "I Could Live in Hope is of course seen as one of the albums that were key in ushering in the so-called 'slowcore' genre of alternative rock, which comprise artists such as Codeine, Red House Painters, Bedhead, and Blue Tile Lounge. The members of Low appear to disapprove of this moniker". Grønstad, Asbjørn Skarsvåg (29 October 2020). Rethinking Art and Visual Culture: The Poetics of Opacity. Bergen, Norway: Palgrave Macmillan. doi:10.1007/978-3-030-46176-8. ISBN 9783030461768. S2CID 229229535.

stereogum.com

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Heim, Joe (2 February 2005). "Low, Turning Its Slowcore Fidelity to High". The Washington Post. ISSN 0190-8286. Retrieved 23 November 2023.
Cairns 2001: "Red House Painters emerged from San Francisco's Bay Area in 1992, and proceeded to release a string of exceptional - and determinedly uncommercial - albums on the British label 4AD. Long, rambling reflections on death, love and drugs, invariably to a spartan backing of folk guitar and brushed drums, Kozelek's work has been described as slow fi, slowcore, lo-fi and even snorecore". Cairns, Dan (27 May 2001). "Almost famous for 15 minutes". The Sunday Times. London, United Kingdom. ISSN 0319-0714 – via Gale.
Dafoe 1988: "[...] country- blues minimalists Cowboy Junkies". Dafoe, Chris (20 July 1988). "Pop Notes: Future of Parachute Club is up in the air". The Globe and Mail. Toronto, Ontario, Canada. ISSN 0319-0714. ProQuest 385888341 – via ProQuest.
Griffin 1988: "What The Trinity Session is is a country music album for people who hate country, a blues album for people who are bored to tears by blues and an album of traditional folk music for hardcore kids. Above all, it is a Cowboy Junkies album". Griffin, John (24 March 1988). "Little-known Junkies' remarkable LP a find". The Gazette. Montreal, Quebec, Canada. ISSN 0384-1294. ProQuest 431601921 – via ProQuest.
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