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Sophie Lissitzky-Küppers (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Sophie Lissitzky-Küppers" in English language version.

refsWebsite
Global rank English rank
6fu-berlin.de
3,329th place
4,598th place
3web.archive.org
1st place
1st place
2lootedart.com
low place
low place
1geni.com
1,622nd place
1,398th place
1metmuseum.org
983rd place
751st place
1andreageyer.info
low place
low place
1creativecommons.org
1,010th place
612th place
1monoskop.org
low place
low place
1artnet.com
2,153rd place
1,399th place
1theartnewspaper.com
3,687th place
2,491st place

andreageyer.info

artnet.com

news.artnet.com

creativecommons.org

fu-berlin.de

emuseum.campus.fu-berlin.de

geni.com

  • "Sophie Lissitzky Küppers". geni_family_tree. November 1891. Retrieved 2022-01-16.

lootedart.com

  • "After 26 Years, Munich Settles Case Over a Klee Looted by Nazis". www.lootedart.com. New York Times. Archived from the original on 2018-05-01. Retrieved 2021-04-29. After 26 years in court, the longest-running German legal wrangle over Nazi-looted art ended Wednesday with a settlement that will reimburse a family for the seizure of a masterpiece by Paul Klee that was once scorned as the work of a degenerate. For decades, officials for the city of Munich, citing a variety of arguments, had resisted returning Klee's "Swamp Legend," a dreamlike abstract punctuated by childlike imaginings of windows, trees and crosses. But after years of political pressure, the city agreed to a settlement under which the painting would remain in Munich's Lenbachhaus museum but the heirs of the German art historian from whom it was taken would be paid a sum equal to its market value. "It's a scandal that it has taken so long, and a disgrace that we had no alternative to going to court," said Gunnar Schnabel, a lawyer for the heirs, the grandchildren and great-grandchildren of Sophie Lissitzky-Küppers, the art historian.
  • "Japanese Museum Returns Nazi Loot to Rightful Owner". www.lootedart.com. Archived from the original on 2010-11-24. Retrieved 2021-04-29. The painting was part of Sophie Küppers- Lissitzky's collection of some 13 works which she loaned to the Provinzial Museum in Hanover in 1926, before she left Germany for Russia to marry the Russian avant-garde artist, El Lissitzky. In 1937, the Nazis seized the Küppers-Lissitzky collection, including the Klee painting, from the museum as part of the Nazi "degenerate art" campaign. The Nazis sold the "degenerate" works abroad for foreign currency and it is in this way that the Küppers-Lissitzky collection was dispersed throughout the world. Jen Lissitzky, the heir of Sophie Küppers- Lissitzky and rightful owner of the collection, has, with the assistance of the art historian Clemens Toussaint, been attempting to recover his mother's collection for several years and had, until recently, believed the Klee painting was lost. In a historic turn of events, Mr. Murata learned that Jen Lissitzky was looking for the painting and decided to return it to him.

metmuseum.org

monoskop.org

theartnewspaper.com

  • D'Arcy, David (2021-12-14). "Mondrian at the Philadelphia Museum of Art is Nazi loot, heirs allege". theartnewspaper.com. Archived from the original on 2021-12-14. Retrieved 2022-01-16. Mondrian at the Philadelphia Museum of Art is Nazi loot, heirs allege. In 1937 the work, which had belonged to art historian Sophie Küppers, was seized by Nazi authorities and eventually sold to New York collector A. E. Gallatin

web.archive.org

  • "After 26 Years, Munich Settles Case Over a Klee Looted by Nazis". www.lootedart.com. New York Times. Archived from the original on 2018-05-01. Retrieved 2021-04-29. After 26 years in court, the longest-running German legal wrangle over Nazi-looted art ended Wednesday with a settlement that will reimburse a family for the seizure of a masterpiece by Paul Klee that was once scorned as the work of a degenerate. For decades, officials for the city of Munich, citing a variety of arguments, had resisted returning Klee's "Swamp Legend," a dreamlike abstract punctuated by childlike imaginings of windows, trees and crosses. But after years of political pressure, the city agreed to a settlement under which the painting would remain in Munich's Lenbachhaus museum but the heirs of the German art historian from whom it was taken would be paid a sum equal to its market value. "It's a scandal that it has taken so long, and a disgrace that we had no alternative to going to court," said Gunnar Schnabel, a lawyer for the heirs, the grandchildren and great-grandchildren of Sophie Lissitzky-Küppers, the art historian.
  • "Japanese Museum Returns Nazi Loot to Rightful Owner". www.lootedart.com. Archived from the original on 2010-11-24. Retrieved 2021-04-29. The painting was part of Sophie Küppers- Lissitzky's collection of some 13 works which she loaned to the Provinzial Museum in Hanover in 1926, before she left Germany for Russia to marry the Russian avant-garde artist, El Lissitzky. In 1937, the Nazis seized the Küppers-Lissitzky collection, including the Klee painting, from the museum as part of the Nazi "degenerate art" campaign. The Nazis sold the "degenerate" works abroad for foreign currency and it is in this way that the Küppers-Lissitzky collection was dispersed throughout the world. Jen Lissitzky, the heir of Sophie Küppers- Lissitzky and rightful owner of the collection, has, with the assistance of the art historian Clemens Toussaint, been attempting to recover his mother's collection for several years and had, until recently, believed the Klee painting was lost. In a historic turn of events, Mr. Murata learned that Jen Lissitzky was looking for the painting and decided to return it to him.
  • D'Arcy, David (2021-12-14). "Mondrian at the Philadelphia Museum of Art is Nazi loot, heirs allege". theartnewspaper.com. Archived from the original on 2021-12-14. Retrieved 2022-01-16. Mondrian at the Philadelphia Museum of Art is Nazi loot, heirs allege. In 1937 the work, which had belonged to art historian Sophie Küppers, was seized by Nazi authorities and eventually sold to New York collector A. E. Gallatin