Odin, Steve (1989). "The Influence Of Traditional Japanese Aesthetics On The Film Theory Of Sergei Eisenstein". Journal of Aesthetic Education. 23 (2): 69–81. doi:10.2307/3332942. JSTOR3332942.
Maclean, Caroline (2012). "That Magic Force That Is Montage': Eisenstein's Filmic Fourth Dimension, Borderline And H. D.". Literature & History. 21: 44–60. doi:10.7227/LH.21.1.4. S2CID191493580.
Romberg, Kristin (2013). "Labor Demonstrations: Aleksei Gan's "Island Of The Young Pioneers," Dziga Vertov's "Kino-Eye," And The Rationalization Of Artistic Labor". October. 145: 38–66. doi:10.1162/OCTO_a_00147. S2CID57570824.
jstor.org
Odin, Steve (1989). "The Influence Of Traditional Japanese Aesthetics On The Film Theory Of Sergei Eisenstein". Journal of Aesthetic Education. 23 (2): 69–81. doi:10.2307/3332942. JSTOR3332942.
semanticscholar.org
api.semanticscholar.org
Maclean, Caroline (2012). "That Magic Force That Is Montage': Eisenstein's Filmic Fourth Dimension, Borderline And H. D.". Literature & History. 21: 44–60. doi:10.7227/LH.21.1.4. S2CID191493580.
Romberg, Kristin (2013). "Labor Demonstrations: Aleksei Gan's "Island Of The Young Pioneers," Dziga Vertov's "Kino-Eye," And The Rationalization Of Artistic Labor". October. 145: 38–66. doi:10.1162/OCTO_a_00147. S2CID57570824.