Stenka Razin (film) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Stenka Razin (film)" in English language version.

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Rollberg, Peter (2009). The A to Z of Russian and Soviet cinema. Lanham, Md: Scarecrow Press. pp. 194–196. ISBN 978-0-8108-7619-4.
Leyda, Jay (1960). Kino: A history of the Russian and Soviet Film. George Allen & Unwin Ltd.
Yangirov, Rashit (2001). "Talking Movie or Silent Theater? Creative Experiments by Vasily Goncharov". In Abel, Richard; Altman, Rick (eds.). The Sounds of Early Cinema. Bloomington, Indiana: Indiana University Press. pp. 111–113. ISBN 0-253-21479-3.
Youngblood, Denise J. (1999). The Magic Mirror: Moviemaking in Russia 1908 - 1918. Madison, Wis: University of Wisconsin Press. p. 116. ISBN 0-299-16234-6.

Cavendish, Philip (2004). "The Hand That Turns the Handle: Camera Operators and the Poetics of the Camera in Pre-Revolutionary Russian Film". The Slavonic and East European Review. 82 (2): 217. doi:10.1353/see.2004.0083. ISSN 0037-6795. JSTOR 4213881. S2CID 15689268. The initial pans in Sten'ka Razin, for example, follow the motion of the eponymous hero's boat as it navigates its way along the Volga river. However, due to the absence of an easily identifiable horizon-line, and the frequent transgressions of the frame by additional boats, the movement itself is barely perceptible.

Cavendish, Philip (2004). "The Hand That Turns the Handle: Camera Operators and the Poetics of the Camera in Pre-Revolutionary Russian Film". The Slavonic and East European Review. 82 (2): 217. doi:10.1353/see.2004.0083. ISSN 0037-6795. JSTOR 4213881. S2CID 15689268. The initial pans in Sten'ka Razin, for example, follow the motion of the eponymous hero's boat as it navigates its way along the Volga river. However, due to the absence of an easily identifiable horizon-line, and the frequent transgressions of the frame by additional boats, the movement itself is barely perceptible.

Cavendish, Philip (2004). "The Hand That Turns the Handle: Camera Operators and the Poetics of the Camera in Pre-Revolutionary Russian Film". The Slavonic and East European Review. 82 (2): 217. doi:10.1353/see.2004.0083. ISSN 0037-6795. JSTOR 4213881. S2CID 15689268. The initial pans in Sten'ka Razin, for example, follow the motion of the eponymous hero's boat as it navigates its way along the Volga river. However, due to the absence of an easily identifiable horizon-line, and the frequent transgressions of the frame by additional boats, the movement itself is barely perceptible.

Cavendish, Philip (2004). "The Hand That Turns the Handle: Camera Operators and the Poetics of the Camera in Pre-Revolutionary Russian Film". The Slavonic and East European Review. 82 (2): 217. doi:10.1353/see.2004.0083. ISSN 0037-6795. JSTOR 4213881. S2CID 15689268. The initial pans in Sten'ka Razin, for example, follow the motion of the eponymous hero's boat as it navigates its way along the Volga river. However, due to the absence of an easily identifiable horizon-line, and the frequent transgressions of the frame by additional boats, the movement itself is barely perceptible.