Egan, James (1999). "'For mine own private satisfaction': Marvell's aesthetic signatures in the rehearsal Transpros'd". Prose Studies. 22 (3): 17–40. doi:10.1080/01440359908586683.
Webster, Jeremy W. (2012). "In and Out of the Bed-chamber: Staging Libertine Desire in Restoration Comedy". Journal for Early Modern Cultural Studie. 12 (2): 77–96. doi:10.1353/jem.2012.0016.
Love, Harold (1986). "Who Were the Restoration Audience?". The Yearbook of English Studies. 10: 21–40. doi:10.2307/3506932. JSTOR3506932.
Harris, Tim (2008). "James II, the Glorious Revolution, and the destiny of Britain". Historical Journal. 51 (3): 763–775. doi:10.1017/S0018246X08007012. JSTOR20175194.
Arakelin, Paul G. (1979). "The Myth of a Restoration Style Shift". The Eighteenth Century. 20 (3): 227–245. JSTOR41467197.
Love, Harold (1986). "Who Were the Restoration Audience?". The Yearbook of English Studies. 10: 21–40. doi:10.2307/3506932. JSTOR3506932.
Harris, Tim (2008). "James II, the Glorious Revolution, and the destiny of Britain". Historical Journal. 51 (3): 763–775. doi:10.1017/S0018246X08007012. JSTOR20175194.
Bakewell, Lyndsey (2016). Changing scenes and flying machines: re-examination of spectacle and the spectacular in Restoration theatre, 1660–1714 (PhD. Diss. Loughborough University thesis). S2CID193368353.