Surround sound (English Wikipedia)

Sawaguchi, Mick M; Fukada, Akira (1999). "Multichannel sound mixing practice for broadcasting" (PDF). IBC Conference, 1999. Archived from the original (PDF) on 2009-12-19.

ietf.org

datatracker.ietf.org

Terriberry, T.; Lee, R.; Giles, R. (2016). "Channel Mapping Family 1". Ogg Encapsulation for the Opus Audio Codec. p. 18. sec. 5.1.1.2. doi:10.17487/RFC7845. RFC 7845.

intellectdiscover.com

Manolas, Christos; Pauletto, Sandra (2009-08-01). "Enlarging the Diegetic Space: Uses of the Multi-channel Soundtrack in Cinematic Narrative". Soundtrack, the. 2 (1): 39–55. doi:10.1386/st.2.1.39_1. ISSN 1751-4193.

itu.int

RECOMMENDATION ITU-R BS.775-1 - Multichannel stereophonic sound system with and without accompanying picture (PDF). ITU-R. 1992.

jhu.edu

muse.jhu.edu

Kerins, Mark (2006). "Narration in the Cinema of Digital Sound". The Velvet Light Trap. 58 (1): 41–54. doi:10.1353/vlt.2006.0030. ISSN 1542-4251. S2CID 190599052.

jstor.org

Dienstfrey, Eric (2016). "The Myth of the Speakers: A Critical Reexamination of Dolby History". Film History. 28 (1). Film History: An International Journal: 167–193. doi:10.2979/filmhistory.28.1.06. JSTOR 10.2979/filmhistory.28.1.06. S2CID 192940527.

khronos.org

"Header file for OpenSL, containing various identifier definitions".

microsoft.com

msdn.microsoft.com

"Multiple channel audio data and WAVE files". Microsoft. June 2017.
"KSAUDIO_CHANNEL_CONFIG structure". Microsoft. 13 March 2023.

microsoft.com

"Windows Media". windows.microsoft.com. Microsoft. Retrieved 28 October 2015.

learn.microsoft.com

"Spatial Sound for app developers for Windows, Xbox, and Hololens 2 - Win32 apps". learn.microsoft.com. 27 April 2023.

nasa.gov

human-factors.arc.nasa.gov

Begault, Durand; et al. (2005). "Audio-Visual Communication Monitoring System for Enhanced Situational Awareness" (PDF).

pinkfloyd.co.uk

"pink floyd". Retrieved 2009-08-14.

psu.edu

citeseerx.ist.psu.edu

Roden, Timothy; Parberry, Ian (2005-06-15). "Designing a narrative-based audio only 3D game engine". Proceedings of the 2005 ACM SIGCHI International Conference on Advances in computer entertainment technology. ACE '05. New York, NY, USA: Association for Computing Machinery. pp. 274–277. CiteSeerX 10.1.1.552.5977. doi:10.1145/1178477.1178525. ISBN 978-1-59593-110-8. S2CID 11069976.

sdds.com

"Sony Print Master Guidelines" (PDF). Archived from the original (PDF) on 2012-03-07This plus an LFE is the correct speaker placement for 8-track Sony Dynamic Digital Sound.{{cite web}}: CS1 maint: postscript (link)

semanticscholar.org

api.semanticscholar.org

Healy, Graham; Smeaton, Alan F. (2009-05-18). "Spatially Augmented Audio Delivery: Applications of Spatial Sound Awareness in Sensor-Equipped Indoor Environments" (PDF). 2009 Tenth International Conference on Mobile Data Management: Systems, Services and Middleware. Taipei, Taiwan: Institute of Electrical and Electronics Engineers. pp. 704–708. doi:10.1109/MDM.2009.120. ISBN 978-1-4244-4153-2. S2CID 1627248.
Anstey, Josephine; Pape, Dave; Sandin, Daniel J. (2000-05-03). "Building a VR narrative". In Merritt, John O.; Benton, Stephen A.; Woods, Andrew J.; Bolas, Mark T. (eds.). Stereoscopic Displays and Virtual Reality Systems VII. Vol. 3957. pp. 370–379. doi:10.1117/12.384463. S2CID 110825093.
Kerins, Mark (2006). "Narration in the Cinema of Digital Sound". The Velvet Light Trap. 58 (1): 41–54. doi:10.1353/vlt.2006.0030. ISSN 1542-4251. S2CID 190599052.
Gärdenfors, Dan (2003). "Designing sound-based computer games". Digital Creativity. 14 (2): 111–114. doi:10.1076/digc.14.2.111.27863. S2CID 1554199.
Roden, Timothy; Parberry, Ian (2005-06-15). "Designing a narrative-based audio only 3D game engine". Proceedings of the 2005 ACM SIGCHI International Conference on Advances in computer entertainment technology. ACE '05. New York, NY, USA: Association for Computing Machinery. pp. 274–277. CiteSeerX 10.1.1.552.5977. doi:10.1145/1178477.1178525. ISBN 978-1-59593-110-8. S2CID 11069976.
Schütze, Stephan (August 2003). "The creation of an audio environment as part of a computer game world: the design for Jurassic Park – Operation Genesis on the XBOX™ as a broad concept for surround installation creation". Organised Sound. 8 (2): 171–180. doi:10.1017/S1355771803000074. ISSN 1469-8153. S2CID 62690122.
Dienstfrey, Eric (2016). "The Myth of the Speakers: A Critical Reexamination of Dolby History". Film History. 28 (1). Film History: An International Journal: 167–193. doi:10.2979/filmhistory.28.1.06. JSTOR 10.2979/filmhistory.28.1.06. S2CID 192940527.

sourceforge.net

flac.sourceforge.net

Josh Coalson. "FLAC - format".

spiedigitallibrary.org

proceedings.spiedigitallibrary.org

Anstey, Josephine; Pape, Dave; Sandin, Daniel J. (2000-05-03). "Building a VR narrative". In Merritt, John O.; Benton, Stephen A.; Woods, Andrew J.; Bolas, Mark T. (eds.). Stereoscopic Displays and Virtual Reality Systems VII. Vol. 3957. pp. 370–379. doi:10.1117/12.384463. S2CID 110825093.

techhive.com

"The next big things in home-theater: Dolby Atmos and DTS:X explained". 2015-10-30. Retrieved 24 October 2016.

thx.com

"THX 5.1 Surround Sound Speaker set-up". Archived from the original on 2010-05-28.. This is the correct speaker placement for 5.0/6.0/7.0 channel sound reproduction for Dolby and Digital Theater Systems.