Anil de Silva-Vigier; Otto Georg von Simson (1964). Music. Man through his art. Vol. 2. New York Graphic Society. p. 22. OCLC71767819., Quote: "To her left are two girls standing with cymbals in their hands, and two seated playing drums, one with a pair of upright drums like the modern Indian dhol, and the other, sitting cross-legged, with a drum held horizontally, like the modern mirdang."
Baily, John (1988). Music of Afghanistan : professional musicians in the city of Herat. Cambridgeshire [England]: Cambridge University Press. ISBN0-521-25000-5. OCLC17299692.
Nettl, Bruno; Stone, Ruth M.; Porter, James; Rice, Timothy (eds.). The Garland encyclopedia of world music. New York. ISBN0-8240-6035-0. OCLC36407898.
Anil de Silva-Vigier; Otto Georg von Simson (1964). Music. Man through his art. Vol. 2. New York Graphic Society. p. 22. OCLC71767819., Quote: "To her left are two girls standing with cymbals in their hands, and two seated playing drums, one with a pair of upright drums like the modern Indian dhol, and the other, sitting cross-legged, with a drum held horizontally, like the modern mirdang."
Gottlieb, Robert S. (1993). Solo tabla drumming of North India : its repertoire, styles, and performance practices (1st Indian ed.). Delhi: Motilal Banarsidass Publishers. ISBN81-208-1095-3. OCLC30620399.
Naimpalli, Sadanand. (2005). Theory and practice of tabla. Mumbai: Popular Prakashan. pp. 71–73. ISBN81-7991-149-7. OCLC61285249.
