Techno (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Techno" in English language version.

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  • DJ Mag (20 December 2017). "Egg London". djmag.com. Archived from the original on 18 January 2018. Retrieved 27 February 2018.

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  • Hitzler, Ronald; Pfadenhauer, Michaela; Hillebrandt, Frank; Kneer, Georg; Kraemer, Klaus (1998). "A posttraditional society: Integration and distinction within the techno scene". Loss of safety? Lifestyles between multi-optionality and scarcity (in German). p. 85. doi:10.1007/978-3-322-83316-7. ISBN 978-3-531-13228-0.

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  • "Ford Unveils New Limited Street Edition Focus" (Press release). Ford Motors. 6 October 2000. Archived from the original on 11 July 2011. Retrieved 10 January 2009. "Detroit Techno is a music style that is recognized by young people around the world. We know that music is one of the biggest passions for our young car buyers, so it made sense for us to incorporate a unique music element in our campaign." Focus and Street Edition will feature an image exclaiming "Detroit Techno" on posters and in print ads.

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  • Rubin, Mike (30 September 2001). "Techno Dances With Jazz". New York Times. Archived from the original on 24 May 2013. Retrieved 2 December 2011. "Electronic producers of all stripes are now inspired by a broader jazz palette, whether as fodder for samples, as part of the search for rhythmic diversity, or as a reference point for their own artistic aspirations toward a cerebral sophistication removed from the sweat of the dance floor." The article provides, as examples, the music of Kirk Degiorgio, Matthew Herbert, Spring Heel Jack, Tom Jenkinson (Squarepusher), Jason Swinscoe (Cinematic Orchestra) and Innerzone Orchestra (Carl Craig with ex-Sun Ra/James Carter group members, et al.).
  • Gray, Carmen (29 May 2019). "At This Techno Club, the Party Is Political". The New York Times. Archived from the original on 25 March 2022. Retrieved 28 February 2020.

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  • Carpenter, Susan (6 August 2002). "Electro-clash builds on '80s techno beat". The Spectator. Archived from the original on 5 November 2012. Retrieved 25 July 2012.

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residentadvisor.net

  • Interview with Atkins and Mike Banks. Cox, T. (2008). "Model 500:Remake/remodel". Resident Advisor. Archived from the original on 2024-05-24. Retrieved 2008-06-11. In 1985 Juan Atkins released the first record on his fledgling label Metroplex, 'No UFO's', now widely regarded as Year Zero of the techno movement.
  • "Resident Advisor: Sub Club". Resident Advisor. 2 March 2018. Archived from the original on 28 March 2018. Retrieved 2 March 2018.

rocksbackpages.com

  • Savage, Jon (1993). "Machine Soul: A History Of Techno". The Village Voice. Archived from the original on 2008-12-19. Retrieved 2008-07-22. "The U.K. likes discovering trends," Rushton says. "Because of the way that the media works, dance culture happens very quickly. It's not hard to hype something up. ...When the first techno records came in, the early Model 500, Reese, and Derrick May material, I wanted to follow up the Detroit connection. I took a flyer and called up Transmat; I got Derrick May and we started to release his records in England. ...Derrick came over with a bag of tapes, some of which didn't have any name: tracks which are now classics, like 'Sinister' and 'Strings of Life.' Derrick then introduced us to Kevin Saunderson, and we quickly realized that there was a cohesive sound of these records, and that we could do a really good compilation album. We got backing from Virgin Records and flew to Detroit. We met Derrick, Kevin, and Juan and went out to dinner, trying to think of a name. At the time, everything was house, house house. We thought of Motor City House Music, that kind of thing, but Derrick, Kevin, and Juan kept on using the word techno. They had it in their heads without articulating it; it was already part of their language."

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spannered.org

  • Interview. Osselaer, John (30 June 2000). "Alan Oldham". Spannered. Archived from the original on Apr 11, 2023. What do you consider to be the most important turning points in the history of Detroit techno?" "The release of Model 500 No UFOs.
  • Osselaer, John (1 February 2001). "Robert Hood interview". Overload Media/Spannered. Archived from the original on 19 February 2023. Retrieved 2 December 2011.

spiegel.de

spiegel.de

  • Fischer, Marc; von Uslar, Moritz; Kracht, Christian; Roshani, Anuschka; Hüetlin, Thomas; Jardine, Anja (14 July 1996). "Der pure Sex. Nur besser" [The pure sex. Only better.]. Der Spiegel (in German). Archived from the original on 17 December 2022. Retrieved 17 December 2022.

magazin.spiegel.de

submerge.com

  • "Galaxy 2 Galaxy – A Hi Tech Jazz Compilation". Submerge. Archived from the original on 5 July 2008. Retrieved 21 July 2008. "Galaxy 2 Galaxy is a band that was conceptualized with the first hitech Jazz record produced by UR in 1986/87 and later released in 1990 which was Nation 2 Nation (UR-005). Jeff Mills and Mike Banks had visions of Jazz music and musicians operating on the same "man machine" doctrine dropped on them from Kraftwerk. Early experiments with synthesizers and jazz by artists like Herbie Hancock, Stevie Wonder, Weather Report, Return to Forever, Larry Heard and Lenny White's Astral Pirates also pointed them in this direction. UR went on to produce and further innovate this form of music which was coined 'Hitech Jazz' by fans after the historic 1993 release of UR's Galaxy 2 Galaxy (UR-025) album which included the underground UR smash titled 'Hitech Jazz'."

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timlawrence.info

  • Lawrence, Tim (14 June 2005). "Acid? Can You Jack? (Soul Jazz liner notes)". Archived from the original on 21 March 2008. Retrieved 3 April 2008.
  • Gerald Simpson (A Guy Called Gerald) maintains that "Pacific State" was intended for a John Peel session exclusively, but 808 State's Graham Massey and Martin Price added additional elements by drawing upon Massey's collection of exotic jazz records for inspiration. This led to the inclusion of a distinctive saxophone solo. Massey recalls that: We were trying to do something in the vein of Marshall Jefferson's 'Open Your Eyes'...That track was happening everywhere. The production was released as a white label in May 1989 and later issued on the mini-album Quadrastate at the end of July that year, just as the second Summer of Love was flowering. Massey remembers taking the white label to Mike Pickering, Graeme Park, and Jon Da Silva, and notes that it rose through the ranks to become the last tune of the night. Lawrence, T (2006), Discotheque: Haçienda, sleeve notes for album release of the same name, retrieved from the authors website Archived 15 June 2006 at the Wayback Machine

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