Freely, John (2004). The Western Shores of Turkey: Discovering the Aegean and Mediterranean coasts. p. 148.
Foss, Clive (1979). Ephesus after Antiquity: A late antique, Byzantine, and Turkish city. Cambridge University Press. pp. 86–89 & footnote 83 – via Google books.
Strelan, R. (1996a). Paul, Artemis, and the Jews in Ephesus. de Gruyter. p. 157 – via Google books. — see for discussion of Artemis Prôtothroniê (πρωτοθρονιη lit. "of the first throne") as a separate aspect of Ephesian cult to Artemis.
Strelan, Rick (1996b). Paul, Artemis, and the Jews in Ephesus. pp. 57–58, footnote 83 – via Google Books.
Trombley, Frank R. (December 1995). Hellenic Religion and Christianization c. 370–529. Vol. 1. Brill. p. 145. ISBN978-9004276772.
Foss, Clive (1979). Ephesus After Antiquity: A late antique, Byzantine, and Turkish city. Cambridge University Press. pp. 86–87 & footnote 83.
Krautheimer, Richard (1986). Early Christian and Byzantine Architecture. Pelican History of Art (4th ed.). New Haven, CT / London: Yale University Press. p. 205. ISBN978-0-300-05296-1.
Stevenson, Gregory (2001). Power and Place: Temple and identity in the 'Book of Revelation'. de Gruyter. p. 70–80.
Bammer (1990), pp. 137–160 offers a critical re-appraisal of Hogarth's methods, findings and conclusions. Bammer, Anton (1990). "A Peripteros of the geometric period in the Artemision of Ephesus". Anatolian Studies. 40: 137–160. doi:10.2307/3642799. JSTOR3642799. S2CID164151382.
Bammer (1990), p. 142 noted some still earlier placements of stones, Mycenaean pottery and crude clay animal figurines, but warned "it is still to early to come to conclusions about a cult sequence." Bammer, Anton (1990). "A Peripteros of the geometric period in the Artemision of Ephesus". Anatolian Studies. 40: 137–160. doi:10.2307/3642799. JSTOR3642799. S2CID164151382.
Pliny's source was the Roman Mucianus, who thought that the cult image by an "Endoios" was extremely ancient,[8] however. Endoios' name appears in late 7th century Attic inscriptions, and Pausanias notes works attributed to him. Perhaps more importantly, the Ephesians of Mucianus' time maintained the tradition that the particular sculptor Endoios had created the remade image (LiDonnici 1992, p. 398). LiDonnici, Lynn R. (1992). "The images of Artemis Ephesia and Greco-Roman worship: A reconsideration". Harvard Theological Review. 85 (4): 389–415. doi:10.1017/S0017816000008208. JSTOR1510059. S2CID154679084.
Bammer (1990), pp. 137–160 offers a critical re-appraisal of Hogarth's methods, findings and conclusions. Bammer, Anton (1990). "A Peripteros of the geometric period in the Artemision of Ephesus". Anatolian Studies. 40: 137–160. doi:10.2307/3642799. JSTOR3642799. S2CID164151382.
Bammer (1990), p. 142 noted some still earlier placements of stones, Mycenaean pottery and crude clay animal figurines, but warned "it is still to early to come to conclusions about a cult sequence." Bammer, Anton (1990). "A Peripteros of the geometric period in the Artemision of Ephesus". Anatolian Studies. 40: 137–160. doi:10.2307/3642799. JSTOR3642799. S2CID164151382.
Pliny's source was the Roman Mucianus, who thought that the cult image by an "Endoios" was extremely ancient,[8] however. Endoios' name appears in late 7th century Attic inscriptions, and Pausanias notes works attributed to him. Perhaps more importantly, the Ephesians of Mucianus' time maintained the tradition that the particular sculptor Endoios had created the remade image (LiDonnici 1992, p. 398). LiDonnici, Lynn R. (1992). "The images of Artemis Ephesia and Greco-Roman worship: A reconsideration". Harvard Theological Review. 85 (4): 389–415. doi:10.1017/S0017816000008208. JSTOR1510059. S2CID154679084.
Bammer (1990), pp. 137–160 offers a critical re-appraisal of Hogarth's methods, findings and conclusions. Bammer, Anton (1990). "A Peripteros of the geometric period in the Artemision of Ephesus". Anatolian Studies. 40: 137–160. doi:10.2307/3642799. JSTOR3642799. S2CID164151382.
Bammer (1990), p. 142 noted some still earlier placements of stones, Mycenaean pottery and crude clay animal figurines, but warned "it is still to early to come to conclusions about a cult sequence." Bammer, Anton (1990). "A Peripteros of the geometric period in the Artemision of Ephesus". Anatolian Studies. 40: 137–160. doi:10.2307/3642799. JSTOR3642799. S2CID164151382.
Pliny's source was the Roman Mucianus, who thought that the cult image by an "Endoios" was extremely ancient,[8] however. Endoios' name appears in late 7th century Attic inscriptions, and Pausanias notes works attributed to him. Perhaps more importantly, the Ephesians of Mucianus' time maintained the tradition that the particular sculptor Endoios had created the remade image (LiDonnici 1992, p. 398). LiDonnici, Lynn R. (1992). "The images of Artemis Ephesia and Greco-Roman worship: A reconsideration". Harvard Theological Review. 85 (4): 389–415. doi:10.1017/S0017816000008208. JSTOR1510059. S2CID154679084.
Pausanias (1918). Description of Greece. Translated by Jones, W.H.S.; Ormerod, H.A. Cambridge, MA / London, UK: Harvard University Press / William Heinemann Ltd. 10.38.6 – via perseus.tufts.edu.
