Tempo (typeface) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Tempo (typeface)" in English language version.

refsWebsite

Global rank English rank

3dailytypespecimen.com

low place

low place

2books.google.com

3^rd place

3^rd place

1threestepsahead.com

low place

low place

low place

low place

1eyemagazine.com

low place

low place

low place

low place

low place

low place

1commercialtype.com

low place

low place

1christianschwartz.com

low place

low place

low place

low place

1web.archive.org

1^st place

1^st place

books.google.com (Global: 3^rd place; English: 3^rd place)

Allan Haley (15 September 1992). Typographic Milestones. John Wiley & Sons. pp. 117–120. ISBN 978-0-471-28894-7.
Neil Macmillan (2006). An A-Z of Type Designers. Yale University Press. p. 135. ISBN 0-300-11151-7.

christianschwartz.com (Global: low place; English: low place)

Schwartz, Christian. "Neutraface". www.christianschwartz.com. Retrieved October 2, 2011.

commercialtype.com (Global: low place; English: low place)

"McClatchy Sans". Commercial Type. Retrieved 14 September 2025. McClatchy Sans takes a number of design cues from Tempo, R. Hunter Middleton's Americanized take on the geometric sans, which seems to borrow as much from sign painter's Gothics as it does from Futura.

dailytypespecimen.com (Global: low place; English: low place)

Puckett, James. "Tempo Alternate". Daily Type Specimen. Dunwich Type Founders. Retrieved 29 January 2019. Tempo Alternate was designed to look more like Futura than the original release of Tempo. They failed pretty miserably; only a blind man could confuse this for Futura Bold.
Puckett, James. "Stellar Bold". Daily Type Specimen. Dunwich Type Founders. Retrieved 29 January 2019. Stellar and Tempo, released in 1929 and 1930, respectively...both have the Erbar a
Puckett, James. "Tempo Heavy Italic". Daily Type Specimen. Dunwich Type Founders. Retrieved 29 January 2019. Tempo has a fun mix of Futura's teutonic sternness and R. Hunter Middleton's love of lively quirks. Middleton worked in a backward leaning f, a curvaceous style for v, w, and g, and big open apertures for e and s that resemble American advertising letters of the era.

devroye.org (Global: low place; English: low place)

luc.devroye.org

Devroye, Luc. "R. Hunter Middleton". Type Design Information. Retrieved 4 October 2016.

dribbble.com (Global: low place; English: low place)

Puckett, James. "Currently working on an accurate revival of R. Hunter Middleton's typeface Tempo". Dribbble. Dunwich Type Founders. Retrieved 29 January 2019.

eyemagazine.com (Global: low place; English: low place)

Schwartz, Christian. "Back with a flourish #5. Christian Schwartz on swaggering swashes". Eye. Retrieved 31 March 2018.

houseind.com (Global: low place; English: low place)

"The Neutra Legacy". House Industries. Retrieved October 2, 2011.

ohnotype.co (Global: low place; English: low place)

Edmondson, James; Ford, Colin. "The Process of Polymath". OH no Type Co. Retrieved 14 September 2025.

threestepsahead.com (Global: low place; English: low place)

blog.threestepsahead.com

Korwin, Josh. "The Ludlow: Typographic Influence, 1931–1962". Three Steps Ahead. Retrieved 31 March 2018.

web.archive.org (Global: 1^st place; English: 1^st place)

Coles, Stephen. "Neutraface: Functional Novelty". Typographica (archived). Archived from the original on 14 October 2007. Retrieved 8 December 2017.{{cite web}}: CS1 maint: bot: original URL status unknown (link)