Russo (1987), pp. 6–7. For rebuttal of Russo's claim, see, e.g., Dixon (2003), p. 53; Justin DeFreitas, "Moving Pictures: Documentary Puts Modern Gay Cinema in Context", Berkeley Daily Planet, July 7, 2006 (available online).
filmsound.org
A few sources, including Dixon (2003, p. 53) and FilmSound.org, suggest that the violinist is or might be Charles D'Almaine, who recorded a number of cylinders for Edison. For a detailed rebuttal of this claim, see Loughney (2001), p. 216. A photograph positively identified as of D'Almaine, available online, also belies the notion that he is the violinist seen in the film. See also Hendricks (1966), p. 122.
A few sources, including Dixon (2003, p. 53) and FilmSound.org, suggest that the violinist is or might be Charles D'Almaine, who recorded a number of cylinders for Edison. For a detailed rebuttal of this claim, see Loughney (2001), p. 216. A photograph positively identified as of D'Almaine, available online, also belies the notion that he is the violinist seen in the film. See also Hendricks (1966), p. 122.
A few sources, including Dixon (2003, p. 53) and FilmSound.org, suggest that the violinist is or might be Charles D'Almaine, who recorded a number of cylinders for Edison. For a detailed rebuttal of this claim, see Loughney (2001), p. 216. A photograph positively identified as of D'Almaine, available online, also belies the notion that he is the violinist seen in the film. See also Hendricks (1966), p. 122.
A few sources, including Dixon (2003, p. 53) and FilmSound.org, suggest that the violinist is or might be Charles D'Almaine, who recorded a number of cylinders for Edison. For a detailed rebuttal of this claim, see Loughney (2001), p. 216. A photograph positively identified as of D'Almaine, available online, also belies the notion that he is the violinist seen in the film. See also Hendricks (1966), p. 122.
