Cox, Julian. "New Frontiers: The Photographs of Robert Weingarten"(PDF). Online text of Cox, J., Weingarten, R., & High Museum of Art. (2010). The portrait unbound: Photographs by Robert Weingarten. Atlanta: High Museum of Art.
angkor-photo.com
"Fables". Angkor Photo Festival & Workshops. Retrieved 2019-09-06.
White, Ralph K. (Winter 1959). "Reactions to Our Moscow Exhibit: Voting Machines and Comment Books". The Public Opinion Quarterly. 4. 23: 461–470. doi:10.1086/266900.
Turner, Fred (2012) "The Family of Man and the Politics of Attention in Cold War America", in Public Culture 24:1, Duke University Press. doi:10.1215/08992363-1443556
Gresh, Kristen (2005), "The European Roots of The Family of Man", History of Photography, 29:4, p. 331-343, doi:10.1080/03087298.2005.10442815
Turner, Fred (2012). 'The Family of Man and the Politics of Attention in Cold War America', in Public Culture 24:1, Duke University Press, doi:10.1215/08992363-1443556
The Family of Man is "one of the most ambitious and challenging projects, photography has ever attempted. It was conceived as a mirror of the universal elements and cmotions in the everydayness of life and demonstrates that the art of photography is a dynamic process of giving form to ideas and of explaining man to man". Steichen quoted in United States. American Embassy. Office of Public Affairs; University of Illinois Urbana-Champaign (1956), Visitors' reactions to the "Family of man" exhibit, American Embassy, Office of Public Affairs, archived from the original on 9 March 2015, retrieved 19 October 2014
nytimes.com
Mason was previously editor of This Week (1948–1952), then editorial director of Popular Publications and editor of Argosy magazine (1948–1952). [1]Archived 2016-03-07 at the Wayback Machine
"Family of Man". UNESCO Memory of the World Programme. 2008-05-16. Archived from the original on 2010-02-25. Retrieved 2009-12-14.
web.archive.org
The Family of Man is "one of the most ambitious and challenging projects, photography has ever attempted. It was conceived as a mirror of the universal elements and cmotions in the everydayness of life and demonstrates that the art of photography is a dynamic process of giving form to ideas and of explaining man to man". Steichen quoted in United States. American Embassy. Office of Public Affairs; University of Illinois Urbana-Champaign (1956), Visitors' reactions to the "Family of man" exhibit, American Embassy, Office of Public Affairs, archived from the original on 9 March 2015, retrieved 19 October 2014
Mason was previously editor of This Week (1948–1952), then editorial director of Popular Publications and editor of Argosy magazine (1948–1952). [1]Archived 2016-03-07 at the Wayback Machine
Limb Eungsik (1912–2001) organised a showing of Steichen's exhibition in Seoul in 1957 Matthew., D'Alessandro, Stephanie Ades, Dawn. Gale (4 October 2021). Surrealism beyond borders. Metropolitan Museum of Art. p. 318. ISBN978-1-58839-727-0. OCLC1333707941.{{cite book}}: CS1 maint: multiple names: authors list (link)
