Analysis of information sources in references of the Wikipedia article "The Matrix" in English language version.
In the denouement [of The Thirteenth Floor], Douglas Hall simply crests a hill to discover that what he had thought was the real world has, beyond this point, yet to be constructed. In lieu of landscape, only crude phosphor-green polygons, the basic units of video graphics rendering, in the primal monochrome of an old CRT. The raw material of the simulation is even more basic in The Matrix – machine language itself, in the same familiar green ...
The film is a perfect product of its time. It is a very modern conspiracy thriller, a film based, like The Truman Show, on the appealingly terrifying notion of a universal conspiracy – that life itself and everything that we know and take for granted are lies. It's also a film steeped in the traditionals of Japanese anime and megamixed philosophy and semiotics (spot the Baudrillard references kids).
The Matrix is the most influential action movie of its generation. ... since the movie's release in March 1999, every 360-degree sweep of a camera, every black-clad hero, every sexy yet deadly heroine, every bullet rippling slowly through the air, is a rip-off that can be traced back to writer-directors Andy and Larry Wachowski. ... They triggered countless pale imitations and dull-witted parodies.
There was also debate over the style of the film's fight sequences, thanks to the new standard set by The Matrix, which hit while X-Men was in pre-production. Hence, the movie features some high-flying Matrix-y martial-arts choreography by Corey Yuen (Romeo Must Die).
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: CS1 maint: multiple names: authors list (link)What I think of as the "Matrix" shot, a lone figure frozen while the camera circles around him, has travelled quickly from novelty to cliché, but Meirelles just about keeps it alive by using it to track the passage of time.
"The Matrix" recycles the premises of "Dark City" and "Strange Days,"...
Even the seeds of his concepts, however, sprout resonant ideas that the biggest special effects can't destroy, and they have pollinated the creative ground of many other films, from the moral quandaries posed by technology in "The 6th Day" to the paranoia and sanity-threatening conspiracies of "The Truman Show" and "The Matrix."
The Matrix was the third in a cycle of movies to arrive in the late nineties with a strikingly similar theme. Like its predecessors from the previous year, Dark City and The Truman Show, it tells the story of a seemingly ordinary man who suddenly finds that his whole life is faked: he is trapped in an artificially created environment designed to keep him in submission. Like the heroes of those earlier movies, Keanu Reeves' Neo starts to realise that he is somehow special, and tries to escape the confines of his prison.
The Matrix Reloaded, which opens here on Friday. ... Andy and Larry Wachowski were apparently busy working on the third part of the trilogy, The Matrix Revolutions, which will be released in November. ... With the resources of Warner Bros. at their disposal, the siblings indulged themselves on the next two, which were shot back-to-back in Australia.
One of the obstacles in the selling of this movie to the industry at large is that everyone says, 'Oh, well, The Matrix did it already.' Because The Matrix – the very word 'matrix' – is taken from Neuromancer, they stole that word, I can't use it in our movie.
We went to Sandy Bullock and said 'We'll change Neo to a girl.' [Producer] Joel Silver and I worked with Sandy on 'Demolition Man' and she was and continues to be a very good friend of mine. It was pretty simple. We sent her the script to see if she was interested in it. And if she was interested in it we would try to make the change."..."The first movie star who says yes is Brad Pitt, he's doing 'Seven Years in Tibet' and then he's coming out of it and he's like 'I'm way too exhausted to take this on,' so he's gone," di Bonaventura said. "Then we go to Leonardo [DiCaprio]. He says yes, we have meetings with him and then he goes, 'You know, I can't go do another visual effects movie having just finished 'Titanic,' and he drops out. Then Will Smith joins it and he drops out.
As far as casting goes, Keanu Reeves wasn't Larry and Andy's first choice, Johnny Depp was their first choice for Neo. Warner Bros. was going for this thing where they didn't want Johnny Depp, they wanted Brad Pitt or Val Kilmer. They told Larry and Andy if Brad Pitt would do the picture, they'd green light it right then. After Kilmer and Brad Pitt said no, Warner Bros. was willing to consider Johnny Depp, so it sort of came down to between Johnny Depp and Keanu Reeves, who Warner Bros. was pushing. Keanu was always really tuned in to the concept and that made a big difference for Larry and Andy. I think it was a brilliant choice. Gary Oldman was considered as Morpheus at one point, and Samuel Jackson as well. For Trinity, I think they were generally looking at lesser known names for that character.
We liked Ghost in the Shell and the Ninja Scroll and Akira in anime. One thing that they do that we tried to bring to our film was a juxtaposition of time and space in action beats.
We liked Ghost in the Shell and the Ninja Scroll and Akira in anime. One thing that they do that we tried to bring to our film was a juxtaposition of time and space in action beats.
As far as casting goes, Keanu Reeves wasn't Larry and Andy's first choice, Johnny Depp was their first choice for Neo. Warner Bros. was going for this thing where they didn't want Johnny Depp, they wanted Brad Pitt or Val Kilmer. They told Larry and Andy if Brad Pitt would do the picture, they'd green light it right then. After Kilmer and Brad Pitt said no, Warner Bros. was willing to consider Johnny Depp, so it sort of came down to between Johnny Depp and Keanu Reeves, who Warner Bros. was pushing. Keanu was always really tuned in to the concept and that made a big difference for Larry and Andy. I think it was a brilliant choice. Gary Oldman was considered as Morpheus at one point, and Samuel Jackson as well. For Trinity, I think they were generally looking at lesser known names for that character.
We went to Sandy Bullock and said 'We'll change Neo to a girl.' [Producer] Joel Silver and I worked with Sandy on 'Demolition Man' and she was and continues to be a very good friend of mine. It was pretty simple. We sent her the script to see if she was interested in it. And if she was interested in it we would try to make the change."..."The first movie star who says yes is Brad Pitt, he's doing 'Seven Years in Tibet' and then he's coming out of it and he's like 'I'm way too exhausted to take this on,' so he's gone," di Bonaventura said. "Then we go to Leonardo [DiCaprio]. He says yes, we have meetings with him and then he goes, 'You know, I can't go do another visual effects movie having just finished 'Titanic,' and he drops out. Then Will Smith joins it and he drops out.
The Matrix is the most influential action movie of its generation. ... since the movie's release in March 1999, every 360-degree sweep of a camera, every black-clad hero, every sexy yet deadly heroine, every bullet rippling slowly through the air, is a rip-off that can be traced back to writer-directors Andy and Larry Wachowski. ... They triggered countless pale imitations and dull-witted parodies.
What I think of as the "Matrix" shot, a lone figure frozen while the camera circles around him, has travelled quickly from novelty to cliché, but Meirelles just about keeps it alive by using it to track the passage of time.
"The Matrix" recycles the premises of "Dark City" and "Strange Days,"...
The film is a perfect product of its time. It is a very modern conspiracy thriller, a film based, like The Truman Show, on the appealingly terrifying notion of a universal conspiracy – that life itself and everything that we know and take for granted are lies. It's also a film steeped in the traditionals of Japanese anime and megamixed philosophy and semiotics (spot the Baudrillard references kids).
The Matrix was the third in a cycle of movies to arrive in the late nineties with a strikingly similar theme. Like its predecessors from the previous year, Dark City and The Truman Show, it tells the story of a seemingly ordinary man who suddenly finds that his whole life is faked: he is trapped in an artificially created environment designed to keep him in submission. Like the heroes of those earlier movies, Keanu Reeves' Neo starts to realise that he is somehow special, and tries to escape the confines of his prison.
His influence is pervasive in The Matrix and its sequels, which present the world we know as nothing more than an information grid; Dick articulated the concept in a 1977 speech in which he posited the existence of multiple realities overlapping the "matrix world" that most of us experience. ... They probably don't realize that the Matrixseries [sic] contains almost as many references to Woo as to Dick. (Fluttering pigeons heralding a fight, a shooter with two guns blazing – pure Woo.)
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: CS1 maint: multiple names: authors list (link)One of the obstacles in the selling of this movie to the industry at large is that everyone says, 'Oh, well, The Matrix did it already.' Because The Matrix – the very word 'matrix' – is taken from Neuromancer, they stole that word, I can't use it in our movie.
Even the seeds of his concepts, however, sprout resonant ideas that the biggest special effects can't destroy, and they have pollinated the creative ground of many other films, from the moral quandaries posed by technology in "The 6th Day" to the paranoia and sanity-threatening conspiracies of "The Truman Show" and "The Matrix."
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: CS1 maint: numeric names: authors list (link)There was also debate over the style of the film's fight sequences, thanks to the new standard set by The Matrix, which hit while X-Men was in pre-production. Hence, the movie features some high-flying Matrix-y martial-arts choreography by Corey Yuen (Romeo Must Die).
The Matrix Reloaded, which opens here on Friday. ... Andy and Larry Wachowski were apparently busy working on the third part of the trilogy, The Matrix Revolutions, which will be released in November. ... With the resources of Warner Bros. at their disposal, the siblings indulged themselves on the next two, which were shot back-to-back in Australia.
His influence is pervasive in The Matrix and its sequels, which present the world we know as nothing more than an information grid; Dick articulated the concept in a 1977 speech in which he posited the existence of multiple realities overlapping the "matrix world" that most of us experience. ... They probably don't realize that the Matrixseries [sic] contains almost as many references to Woo as to Dick. (Fluttering pigeons heralding a fight, a shooter with two guns blazing – pure Woo.)
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: CS1 maint: numeric names: authors list (link)