The Thankful Poor (English Wikipedia)

Skeel 1991. Skeel, Sharon Kay (February–March 1991). "A Black American In The Paris Salon". American Heritage. Vol. 42, no. 1. American Heritage Publishing Co. Archived from the original on June 9, 2021. Retrieved January 15, 2021.

archive.org

Sewell & Mosby 1991, p. 123. Sewell, Darrel; Mosby, Dewey F. (1991). "Paris, Racial Awareness, and Success". Henry Ossawa Tanner. Philadelphia Museum of Art and Rizzoli International Publications. pp. 86–145. ISBN 0-8478-1346-0.
Sewell & Mosby 1991, pp. 123–124. Sewell, Darrel; Mosby, Dewey F. (1991). "Paris, Racial Awareness, and Success". Henry Ossawa Tanner. Philadelphia Museum of Art and Rizzoli International Publications. pp. 86–145. ISBN 0-8478-1346-0.
Sewell & Mosby 1991, p. 120. Sewell, Darrel; Mosby, Dewey F. (1991). "Paris, Racial Awareness, and Success". Henry Ossawa Tanner. Philadelphia Museum of Art and Rizzoli International Publications. pp. 86–145. ISBN 0-8478-1346-0.
Sewell & Mosby 1991, p. 119. Sewell, Darrel; Mosby, Dewey F. (1991). "Paris, Racial Awareness, and Success". Henry Ossawa Tanner. Philadelphia Museum of Art and Rizzoli International Publications. pp. 86–145. ISBN 0-8478-1346-0.
Sewell & Mosby 1991, p. 125. Sewell, Darrel; Mosby, Dewey F. (1991). "Paris, Racial Awareness, and Success". Henry Ossawa Tanner. Philadelphia Museum of Art and Rizzoli International Publications. pp. 86–145. ISBN 0-8478-1346-0.
Sewell & Mosby 1991, p. 116. Sewell, Darrel; Mosby, Dewey F. (1991). "Paris, Racial Awareness, and Success". Henry Ossawa Tanner. Philadelphia Museum of Art and Rizzoli International Publications. pp. 86–145. ISBN 0-8478-1346-0.
Sewell & Mosby 1991, p. 124. Sewell, Darrel; Mosby, Dewey F. (1991). "Paris, Racial Awareness, and Success". Henry Ossawa Tanner. Philadelphia Museum of Art and Rizzoli International Publications. pp. 86–145. ISBN 0-8478-1346-0.

artbridgesfoundation.org

collection.artbridgesfoundation.org

Art Bridges. "The Thankful Poor". Art Bridges. Archived from the original on May 28, 2021. Retrieved March 2, 2021.

artnews.com

Greenberger 2017. Greenberger, Alex (September 13, 2017). "Alice Walton Creates Art Bridges, a Foundation That Supports Exhibitions of American Art". ARTnews. Penske Media Corporation. Archived from the original on March 1, 2021. Retrieved March 2, 2021.

artsandculture.google.com

Google Arts & Culture. "Study for the Thankful Poor". Google Arts & Culture. Archived from the original on June 9, 2021. Retrieved January 15, 2021.

books.google.com

Taylor 2020, p. 37. Taylor, Lyrica (2020). "Henry Ossawa Tanner and African American Realist Paintings of Poverty in the 1890s". In Lenz, Wylie (ed.). Poverty in American Popular Culture: Essays on Representations, Beliefs and Policy. McFarland & Company, Inc. pp. 25–40. ISBN 978-1-4766-3903-1.
Taylor 2020, p. 28. Taylor, Lyrica (2020). "Henry Ossawa Tanner and African American Realist Paintings of Poverty in the 1890s". In Lenz, Wylie (ed.). Poverty in American Popular Culture: Essays on Representations, Beliefs and Policy. McFarland & Company, Inc. pp. 25–40. ISBN 978-1-4766-3903-1.
Taylor 2020, p. 29. Taylor, Lyrica (2020). "Henry Ossawa Tanner and African American Realist Paintings of Poverty in the 1890s". In Lenz, Wylie (ed.). Poverty in American Popular Culture: Essays on Representations, Beliefs and Policy. McFarland & Company, Inc. pp. 25–40. ISBN 978-1-4766-3903-1.
Taylor 2020, pp. 29–30. Taylor, Lyrica (2020). "Henry Ossawa Tanner and African American Realist Paintings of Poverty in the 1890s". In Lenz, Wylie (ed.). Poverty in American Popular Culture: Essays on Representations, Beliefs and Policy. McFarland & Company, Inc. pp. 25–40. ISBN 978-1-4766-3903-1.
Taylor 2020, p. 30. Taylor, Lyrica (2020). "Henry Ossawa Tanner and African American Realist Paintings of Poverty in the 1890s". In Lenz, Wylie (ed.). Poverty in American Popular Culture: Essays on Representations, Beliefs and Policy. McFarland & Company, Inc. pp. 25–40. ISBN 978-1-4766-3903-1.
Mosby 1995, p. 32. Mosby, Dewey F. (1995). Across Continents and Cultures: The Art and Life of Henry Ossawa Tanner. Nelson-Atkins Museum of Art. ISBN 978-0-942614-24-4.
Taylor 2020, p. 27. Taylor, Lyrica (2020). "Henry Ossawa Tanner and African American Realist Paintings of Poverty in the 1890s". In Lenz, Wylie (ed.). Poverty in American Popular Culture: Essays on Representations, Beliefs and Policy. McFarland & Company, Inc. pp. 25–40. ISBN 978-1-4766-3903-1.
Woods 2017, p. 79. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Taylor 2020, p. 25. Taylor, Lyrica (2020). "Henry Ossawa Tanner and African American Realist Paintings of Poverty in the 1890s". In Lenz, Wylie (ed.). Poverty in American Popular Culture: Essays on Representations, Beliefs and Policy. McFarland & Company, Inc. pp. 25–40. ISBN 978-1-4766-3903-1.
Woods 2017, p. 72. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Woods 2017, p. 74. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Woods 2017, p. 75. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Taylor 2020, p. 31. Taylor, Lyrica (2020). "Henry Ossawa Tanner and African American Realist Paintings of Poverty in the 1890s". In Lenz, Wylie (ed.). Poverty in American Popular Culture: Essays on Representations, Beliefs and Policy. McFarland & Company, Inc. pp. 25–40. ISBN 978-1-4766-3903-1.
Taylor 2020, p. 38. Taylor, Lyrica (2020). "Henry Ossawa Tanner and African American Realist Paintings of Poverty in the 1890s". In Lenz, Wylie (ed.). Poverty in American Popular Culture: Essays on Representations, Beliefs and Policy. McFarland & Company, Inc. pp. 25–40. ISBN 978-1-4766-3903-1.
Woods 2017, p. 77. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Taylor 2020, pp. 28–29. Taylor, Lyrica (2020). "Henry Ossawa Tanner and African American Realist Paintings of Poverty in the 1890s". In Lenz, Wylie (ed.). Poverty in American Popular Culture: Essays on Representations, Beliefs and Policy. McFarland & Company, Inc. pp. 25–40. ISBN 978-1-4766-3903-1.
Woods 2017, p. 85. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Mosby 1995, p. 33. Mosby, Dewey F. (1995). Across Continents and Cultures: The Art and Life of Henry Ossawa Tanner. Nelson-Atkins Museum of Art. ISBN 978-0-942614-24-4.
Woods 2017, pp. 85, 93. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Woods 2017, pp. 79, 85. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Woods 2017, p. 76. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Woods 2017, p. 86. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Woods 2017, p. 80. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Woods 2017, p. 84. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.
Marley 2012, p. 278. Marley, Anna O., ed. (2012). "Chronology". Henry Ossawa Tanner: Modern Spirit. University of California Press. pp. 275–291. ISBN 978-0-520-27074-9.
Marley 2012, p. 279. Marley, Anna O., ed. (2012). "Chronology". Henry Ossawa Tanner: Modern Spirit. University of California Press. pp. 275–291. ISBN 978-0-520-27074-9.
Whitaker 2014, p. 275. Whitaker, Mark (2014). "The Art of Jell-O". Cosby: His Life and Times. Simon & Schuster. pp. 267–285. ISBN 978-1-4516-9797-1.
Driskell & Cosby 2001, p. xiii. Driskell, David C.; Cosby, Camille O. (2001). "Introduction: Camille O. Cosby". The Other Side of Color: African American Art in the Collection of Camille O. and William H. Cosby, Jr. Pomegranate Communications, Inc. pp. xiii–xiv. ISBN 0-7649-1455-3.
Davis 1986, p. 88. Davis, Tonya Bolden (1986). "Collecting Black Art: Investing Wisely in the Works of Black Artists can be a Satisfying Source of Cultural Pride and Personal Profit". Black Enterprise. Vol. 17, no. 5. Earl G. Graves, Ltd. pp. 85–92. ISSN 0006-4165.
Mosby 1995, p. 90. Mosby, Dewey F. (1995). Across Continents and Cultures: The Art and Life of Henry Ossawa Tanner. Nelson-Atkins Museum of Art. ISBN 978-0-942614-24-4.
Mosby 1995, Edition Notice. Mosby, Dewey F. (1995). Across Continents and Cultures: The Art and Life of Henry Ossawa Tanner. Nelson-Atkins Museum of Art. ISBN 978-0-942614-24-4.
Taylor 2020, p. 32. Taylor, Lyrica (2020). "Henry Ossawa Tanner and African American Realist Paintings of Poverty in the 1890s". In Lenz, Wylie (ed.). Poverty in American Popular Culture: Essays on Representations, Beliefs and Policy. McFarland & Company, Inc. pp. 25–40. ISBN 978-1-4766-3903-1.
Woods 2017, p. 83. Woods, Naurice Frank (2017). "The American Interlude: Race and Religion on Canvas". Henry Ossawa Tanner: Art, Faith, Race, and Legacy. Routledge. pp. 71–93. ISBN 978-1-315-27948-0.

chicagotribune.com

Parker 2002. Parker, Lonnae O'Neal (April 3, 2002). "Cosby collection curator puts passion on display". Chicago Tribune. Archived from the original on April 30, 2021. Retrieved February 22, 2021.

dma.org

Dallas Museum of Art 2021. "'Focus On: Henry Ossawa Tanner' Presents New Insights Into the Practice of the Acclaimed American Artist" (Press release). Dallas Museum of Art. August 3, 2021. Archived from the original on August 3, 2021. Retrieved October 16, 2021.

doi.org

Alexander-Minter 2005, p. 130. Alexander-Minter, Rae (2005). "An African American Artist Finds His Voice in Paris During the 19th Century". Présence Africaine. 171 (171). Présence Africaine Editions: 119–132. doi:10.3917/presa.171.0119. JSTOR 43617208.
Boime 1993, p. 424. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Woods 2011, p. 894. Woods, Naurice Frank (2011). "Henry Ossawa Tanner's Negotiation of Race and Art: Challenging 'The Unknown Tanner'". Journal of Black Studies. 42 (6). Sage Publications, Inc.: 887–905. doi:10.1177/0021934710395588. JSTOR 41304563. S2CID 145415024.
Boime 1993, p. 417. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Pinder 1997, p. 229. Pinder, Kymberly N. (1997). "'Our Father, God; our Brother, Christ; or are We Bastard Kin?': Images of Christ in African American Painting". African American Review. 31 (2). Indiana State University: 223–233. doi:10.2307/3042461. JSTOR 3042461.
Boime 1993, p. 419. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Boime 1993, p. 423. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Boime 1993, pp. 423–424, 426. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Woods 2011, p. 895. Woods, Naurice Frank (2011). "Henry Ossawa Tanner's Negotiation of Race and Art: Challenging 'The Unknown Tanner'". Journal of Black Studies. 42 (6). Sage Publications, Inc.: 887–905. doi:10.1177/0021934710395588. JSTOR 41304563. S2CID 145415024.
Woods 2011, pp. 895–896. Woods, Naurice Frank (2011). "Henry Ossawa Tanner's Negotiation of Race and Art: Challenging 'The Unknown Tanner'". Journal of Black Studies. 42 (6). Sage Publications, Inc.: 887–905. doi:10.1177/0021934710395588. JSTOR 41304563. S2CID 145415024.
Alexander-Minter 2005, p. 131. Alexander-Minter, Rae (2005). "An African American Artist Finds His Voice in Paris During the 19th Century". Présence Africaine. 171 (171). Présence Africaine Editions: 119–132. doi:10.3917/presa.171.0119. JSTOR 43617208.
Boime 1993, pp. 423–424. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Boime 1993, pp. 424, 426. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Boime 1993, p. 426. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.

hamptonu.edu

iraaa.museum.hamptonu.edu

Hampton University. "David Driskell Delivers Inspirational Talk". International Review of African American Art Plus. Hampton University. Archived from the original on June 8, 2021. Retrieved March 2, 2021.

jstor.org

Alexander-Minter 2005, p. 130. Alexander-Minter, Rae (2005). "An African American Artist Finds His Voice in Paris During the 19th Century". Présence Africaine. 171 (171). Présence Africaine Editions: 119–132. doi:10.3917/presa.171.0119. JSTOR 43617208.
Boime 1993, p. 424. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Woods 2011, p. 894. Woods, Naurice Frank (2011). "Henry Ossawa Tanner's Negotiation of Race and Art: Challenging 'The Unknown Tanner'". Journal of Black Studies. 42 (6). Sage Publications, Inc.: 887–905. doi:10.1177/0021934710395588. JSTOR 41304563. S2CID 145415024.
Boime 1993, p. 417. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Pinder 1997, p. 229. Pinder, Kymberly N. (1997). "'Our Father, God; our Brother, Christ; or are We Bastard Kin?': Images of Christ in African American Painting". African American Review. 31 (2). Indiana State University: 223–233. doi:10.2307/3042461. JSTOR 3042461.
Boime 1993, p. 419. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Boime 1993, p. 423. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Boime 1993, pp. 423–424, 426. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Woods 2011, p. 895. Woods, Naurice Frank (2011). "Henry Ossawa Tanner's Negotiation of Race and Art: Challenging 'The Unknown Tanner'". Journal of Black Studies. 42 (6). Sage Publications, Inc.: 887–905. doi:10.1177/0021934710395588. JSTOR 41304563. S2CID 145415024.
Woods 2011, pp. 895–896. Woods, Naurice Frank (2011). "Henry Ossawa Tanner's Negotiation of Race and Art: Challenging 'The Unknown Tanner'". Journal of Black Studies. 42 (6). Sage Publications, Inc.: 887–905. doi:10.1177/0021934710395588. JSTOR 41304563. S2CID 145415024.
Alexander-Minter 2005, p. 131. Alexander-Minter, Rae (2005). "An African American Artist Finds His Voice in Paris During the 19th Century". Présence Africaine. 171 (171). Présence Africaine Editions: 119–132. doi:10.3917/presa.171.0119. JSTOR 43617208.
Boime 1993, pp. 423–424. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Boime 1993, pp. 424, 426. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.
Boime 1993, p. 426. Boime, Albert (1993). "Henry Ossawa Tanner's Subversion of Genre". The Art Bulletin. 75 (3). College Art Association: 415–442. doi:10.2307/3045967. JSTOR 3045967.

nytimes.com

Cotter 2014. Cotter, Holland (November 6, 2014). "Continents in Conversation". The New York Times. Archived from the original on June 9, 2021. Retrieved January 15, 2021.

semanticscholar.org

api.semanticscholar.org

Woods 2011, p. 894. Woods, Naurice Frank (2011). "Henry Ossawa Tanner's Negotiation of Race and Art: Challenging 'The Unknown Tanner'". Journal of Black Studies. 42 (6). Sage Publications, Inc.: 887–905. doi:10.1177/0021934710395588. JSTOR 41304563. S2CID 145415024.
Woods 2011, p. 895. Woods, Naurice Frank (2011). "Henry Ossawa Tanner's Negotiation of Race and Art: Challenging 'The Unknown Tanner'". Journal of Black Studies. 42 (6). Sage Publications, Inc.: 887–905. doi:10.1177/0021934710395588. JSTOR 41304563. S2CID 145415024.
Woods 2011, pp. 895–896. Woods, Naurice Frank (2011). "Henry Ossawa Tanner's Negotiation of Race and Art: Challenging 'The Unknown Tanner'". Journal of Black Studies. 42 (6). Sage Publications, Inc.: 887–905. doi:10.1177/0021934710395588. JSTOR 41304563. S2CID 145415024.

si.edu

americanart.si.edu

Smithsonian American Art Museum. "Henry Ossawa Tanner". Smithsonian American Art Museum. Archived from the original on May 9, 2021. Retrieved March 8, 2021.

conversations.africa.si.edu

National Museum of African Art. "Spiritualities". National Museum of African Art. Archived from the original on June 9, 2021. Retrieved January 15, 2021.

umass.edu

scholarworks.umass.edu

Wilson 1992, p. 40. Wilson, Judith (1992). "Lifting 'The Veil': Henry O. Tanner's The Banjo Lesson and The Thankful Poor". Contributions in Black Studies. 9 (1). ScholarWorks@UMass Amherst: 31–54. Archived from the original on January 29, 2021.
Wilson 1992, pp. 39–40. Wilson, Judith (1992). "Lifting 'The Veil': Henry O. Tanner's The Banjo Lesson and The Thankful Poor". Contributions in Black Studies. 9 (1). ScholarWorks@UMass Amherst: 31–54. Archived from the original on January 29, 2021.
Wilson 1992, p. 35. Wilson, Judith (1992). "Lifting 'The Veil': Henry O. Tanner's The Banjo Lesson and The Thankful Poor". Contributions in Black Studies. 9 (1). ScholarWorks@UMass Amherst: 31–54. Archived from the original on January 29, 2021.
Wilson 1992, p. 38. Wilson, Judith (1992). "Lifting 'The Veil': Henry O. Tanner's The Banjo Lesson and The Thankful Poor". Contributions in Black Studies. 9 (1). ScholarWorks@UMass Amherst: 31–54. Archived from the original on January 29, 2021.
Wilson 1992, p. 45. Wilson, Judith (1992). "Lifting 'The Veil': Henry O. Tanner's The Banjo Lesson and The Thankful Poor". Contributions in Black Studies. 9 (1). ScholarWorks@UMass Amherst: 31–54. Archived from the original on January 29, 2021.

web.archive.org

Art Bridges. "The Thankful Poor". Art Bridges. Archived from the original on May 28, 2021. Retrieved March 2, 2021.
Wilson 1992, p. 40. Wilson, Judith (1992). "Lifting 'The Veil': Henry O. Tanner's The Banjo Lesson and The Thankful Poor". Contributions in Black Studies. 9 (1). ScholarWorks@UMass Amherst: 31–54. Archived from the original on January 29, 2021.
Wilson 1992, pp. 39–40. Wilson, Judith (1992). "Lifting 'The Veil': Henry O. Tanner's The Banjo Lesson and The Thankful Poor". Contributions in Black Studies. 9 (1). ScholarWorks@UMass Amherst: 31–54. Archived from the original on January 29, 2021.
Wilson 1992, p. 35. Wilson, Judith (1992). "Lifting 'The Veil': Henry O. Tanner's The Banjo Lesson and The Thankful Poor". Contributions in Black Studies. 9 (1). ScholarWorks@UMass Amherst: 31–54. Archived from the original on January 29, 2021.
Smithsonian American Art Museum. "Henry Ossawa Tanner". Smithsonian American Art Museum. Archived from the original on May 9, 2021. Retrieved March 8, 2021.
Wilson 1992, p. 38. Wilson, Judith (1992). "Lifting 'The Veil': Henry O. Tanner's The Banjo Lesson and The Thankful Poor". Contributions in Black Studies. 9 (1). ScholarWorks@UMass Amherst: 31–54. Archived from the original on January 29, 2021.
Google Arts & Culture. "Study for the Thankful Poor". Google Arts & Culture. Archived from the original on June 9, 2021. Retrieved January 15, 2021.
Skeel 1991. Skeel, Sharon Kay (February–March 1991). "A Black American In The Paris Salon". American Heritage. Vol. 42, no. 1. American Heritage Publishing Co. Archived from the original on June 9, 2021. Retrieved January 15, 2021.
Hampton University. "David Driskell Delivers Inspirational Talk". International Review of African American Art Plus. Hampton University. Archived from the original on June 8, 2021. Retrieved March 2, 2021.
Parker 2002. Parker, Lonnae O'Neal (April 3, 2002). "Cosby collection curator puts passion on display". Chicago Tribune. Archived from the original on April 30, 2021. Retrieved February 22, 2021.
National Museum of African Art. "Spiritualities". National Museum of African Art. Archived from the original on June 9, 2021. Retrieved January 15, 2021.
Cotter 2014. Cotter, Holland (November 6, 2014). "Continents in Conversation". The New York Times. Archived from the original on June 9, 2021. Retrieved January 15, 2021.
WLS-TV 2016. "New exhibit celebrates artists who broke color barrier". WLS-TV. February 22, 2016. Archived from the original on June 9, 2021. Retrieved January 15, 2021.
Greenberger 2017. Greenberger, Alex (September 13, 2017). "Alice Walton Creates Art Bridges, a Foundation That Supports Exhibitions of American Art". ARTnews. Penske Media Corporation. Archived from the original on March 1, 2021. Retrieved March 2, 2021.
Dallas Museum of Art 2021. "'Focus On: Henry Ossawa Tanner' Presents New Insights Into the Practice of the Acclaimed American Artist" (Press release). Dallas Museum of Art. August 3, 2021. Archived from the original on August 3, 2021. Retrieved October 16, 2021.
Wilson 1992, p. 45. Wilson, Judith (1992). "Lifting 'The Veil': Henry O. Tanner's The Banjo Lesson and The Thankful Poor". Contributions in Black Studies. 9 (1). ScholarWorks@UMass Amherst: 31–54. Archived from the original on January 29, 2021.
Mann 2020. Mann, Lisa (August 12, 2020). "Diversity in White House Art: Henry Ossawa Tanner". White House Historical Association. Archived from the original on June 9, 2021. Retrieved January 15, 2021.

whitehousehistory.org

Mann 2020. Mann, Lisa (August 12, 2020). "Diversity in White House Art: Henry Ossawa Tanner". White House Historical Association. Archived from the original on June 9, 2021. Retrieved January 15, 2021.

worldcat.org

search.worldcat.org

Davis 1986, p. 88. Davis, Tonya Bolden (1986). "Collecting Black Art: Investing Wisely in the Works of Black Artists can be a Satisfying Source of Cultural Pride and Personal Profit". Black Enterprise. Vol. 17, no. 5. Earl G. Graves, Ltd. pp. 85–92. ISSN 0006-4165.