Theatre and disability (English Wikipedia)

"Interview - Zak Ford-Williams - Taking on the Elephant Man - Able Magazine". ablemagazine.co.uk. Retrieved 24 August 2024. I think there's a slight advantage, because I'm so used to being very aware and having to control my body and my mouth. When I have to change my physicality or my voice I have, I feel, a great awareness to begin with.
"Interview - Zak Ford-Williams - Taking on the Elephant Man - Able Magazine". ablemagazine.co.uk. Retrieved 25 August 2024.

actorsandperformers.com (Global: low place; English: low place)

"Actors and Performers Yearbook | Actors and Performers". 30 January 2019. Retrieved 4 September 2024.
"Advice for disabled actors from Zak Ford-Williams, from the Actors' & Performers' Yearbook 2024 | Actors and Performers". 10 November 2023. Retrieved 24 August 2024.

alisonhalstead.com (Global: low place; English: low place)

"Alison Halstead - Actor - Voiceover • Acrobat • Website". alison halstead. Retrieved 5 September 2024.

artshub.com.au (Global: low place; English: low place)

"Review: Every Brilliant Thing, Belvoir". www.artshub.com.au. 15 March 2019. Retrieved 5 September 2024.

aussietheatre.com.au (Global: low place; English: 9,535^th place)

Peard, Anne-Marie (22 April 2017). "Bell Shakespeare: Richard 3". AussieTheatre.com. Retrieved 5 September 2024.

bafta.org (Global: 426^th place; English: 292^nd place)

"TripleC - The Special Award". www.bafta.org. 14 April 2022. Retrieved 25 August 2024.

bbc.co.uk (Global: 8^th place; English: 10^th place)

"Hollywood 'shuns disabled people'". BBC News. Retrieved 25 August 2024.
Ryan, Anya (3 April 2023). "Disabled artists talk about their experiences working in TV: 'There's still a lot of work to do'". BBC Three. Retrieved 25 August 2024.

bipolaruk.org (Global: low place; English: low place)

"Next to Normal". Bipolar UK. 5 September 2024. Retrieved 20 November 2024.

britishtheatre.com (Global: low place; English: 8,443^rd place)

"REVIEW: The Merchant Of Venice, Royal Shakespeare Theatre ✭✭✭✭✭ - Newsplate". britishtheatre.com. Retrieved 24 August 2024. Nadia Albina, superb as the delightful Nerissa

britishtheatreguide.info (Global: 5,930^th place; English: 3,366^th place)

"Theatre listing: The Real & Imagined History of the Elephant Man". British Theatre Guide. 17 October 2023. Retrieved 4 September 2024.
"Theatre review: One Flew Over the Cuckoo's Nest at Crucible Theatre". British Theatre Guide. 7 June 2018. Retrieved 25 August 2024.
"Theatre review: The Glass Menagerie at Nottingham Playhouse". British Theatre Guide. 11 March 2016. Retrieved 25 August 2024.

broadwayworld.com (Global: 255^th place; English: 167^th place)

Gilpin, Debbie. "Review: THE LITTLE BIG THINGS, @sohoplace". BroadwayWorld.com. Retrieved 25 August 2024.

bushtheatre.co.uk (Global: low place; English: low place)

"Jellyfish". www.bushtheatre.co.uk. Retrieved 9 September 2024.

casarotto.co.uk (Global: low place; English: low place)

Associates, Casarotto Ramsay &. "Daneka Etchells". Casarotto Ramsay & Associates. Retrieved 5 September 2024.

chicagoreader.com (Global: 1,536^th place; English: 869^th place)

Reid, Kerry (13 February 2024). "Richard III at Chicago Shakespeare is flashy and fun". Chicago Reader. Retrieved 5 September 2024.
Adler, Tony (17 March 2016). "Richard III was always a monster. Now imagine him as RoboCop". Chicago Reader. Retrieved 5 September 2024.

countryandtownhouse.com (Global: low place; English: low place)

Writer, Guest (3 February 2020). "Theatre Review: The Welkin". Country and Town House. Retrieved 4 September 2024.

culturewhisper.com (Global: low place; English: low place)

"The Normal Heart: an impassioned revival". Culture Whisper. Retrieved 24 August 2024.

deadline.com (Global: 10^th place; English: 9^th place)

Evans, Greg (29 April 2022). "'Macbeth' Broadway Review: Daniel Craig And Ruth Negga Take Stab At Killer Chemistry In Uneven Reign Of Shakespeare's Ambitious Royals". Deadline. Retrieved 5 September 2024.

deafinitelytheatre.co.uk (Global: low place; English: low place)

"Deafinitely Theatre". Deafinitely Theatre. 18 September 2017. Retrieved 24 August 2024.

detourcompanytheatre.org (Global: low place; English: low place)

"Detour Company Theatre". Detour Company Theatre. Retrieved 22 September 2024.

divadlovceletne.cz (Global: low place; English: low place)

"Divadlo v Celetné » Richard III". Retrieved 5 September 2024.
"Divadlo v Celetné » Hamlet". Retrieved 5 September 2024.

doi.org (Global: 2^nd place; English: 2^nd place)

Pritchard, Erin (18 August 2022). ""Get down on your knees": Representing the Seven Dwarfs in the Pantomime". Disability Studies Quarterly. 42 (1). doi:10.18061/dsq.v42i1.7576. ISSN 2159-8371.
Wilson, Jeffrey R. (1 June 2017). "The Trouble with Disability in Shakespeare Studies". Disability Studies Quarterly. 37 (2). doi:10.18061/dsq.v37i2.5430. ISSN 2159-8371.
Schotland, Sara D. (15 July 2009). "Who's That in Charge? It's Jenny Wren, "The Person of the House"". Disability Studies Quarterly. 29 (3). doi:10.18061/dsq.v29i3.933. ISSN 2159-8371.
Haller, Beth (15 March 2004). "Wicked". Disability Studies Quarterly. 24 (2). doi:10.18061/dsq.v24i2.495.
Williams, Katherine Schaap (2 October 2009). "Enabling Richard: The Rhetoric of Disability in Richard III". Disability Studies Quarterly. 29 (4). doi:10.18061/dsq.v29i4.997. ISSN 2159-8371.

dsq-sds.org (Global: low place; English: low place)

Pritchard, Erin (18 August 2022). ""Get down on your knees": Representing the Seven Dwarfs in the Pantomime". Disability Studies Quarterly. 42 (1). doi:10.18061/dsq.v42i1.7576. ISSN 2159-8371.
Wilson, Jeffrey R. (1 June 2017). "The Trouble with Disability in Shakespeare Studies". Disability Studies Quarterly. 37 (2). doi:10.18061/dsq.v37i2.5430. ISSN 2159-8371.
Schotland, Sara D. (15 July 2009). "Who's That in Charge? It's Jenny Wren, "The Person of the House"". Disability Studies Quarterly. 29 (3). doi:10.18061/dsq.v29i3.933. ISSN 2159-8371.
Williams, Katherine Schaap (2 October 2009). "Enabling Richard: The Rhetoric of Disability in Richard III". Disability Studies Quarterly. 29 (4). doi:10.18061/dsq.v29i4.997. ISSN 2159-8371.

eastmidlandstheatre.com (Global: low place; English: low place)

philiplowe (21 September 2023). "Review: The Real and Imagined History of The Elephant Man. Nottingham Playhouse". East Midlands Theatre. Retrieved 24 August 2024.

economist.com (Global: 254^th place; English: 236^th place)

"Bringing disability to the heart of theatre". The Economist. ISSN 0013-0613. Retrieved 25 August 2024.

exeuntmagazine.com (Global: low place; English: low place)

"Guest Review: Assisted Suicide: The Musical at Southbank Centre". Exeunt Magazine. Retrieved 24 August 2024.
"Love's Labour's Lost". Exeunt Magazine. Retrieved 25 August 2024.

extant.org.uk (Global: low place; English: low place)

"Access Training". EXTANT. Retrieved 22 September 2024.

gov.uk (Global: 432^nd place; English: 278^th place)

"How to consult effectively with disabled people". GOV.UK. Retrieved 4 September 2024.

hamiltonhodell.co.uk (Global: low place; English: 7,775^th place)

"Nadia Albina | Hamilton Hodell". www.hamiltonhodell.co.uk. Retrieved 5 September 2024.

havelcenter.org (Global: low place; English: low place)

VHLF (7 August 2019). "REHEARSAL FOR TRUTH 2019: AUDIENCE (CZECH REPUBLIC)". Vaclav Havel Center. Retrieved 5 September 2024.

hollywoodreporter.com (Global: 15^th place; English: 16^th place)

White, Abbey (15 November 2022). "Katy Sullivan on Saying Goodbye to Her History-Making Portrayal in Broadway's 'Cost of Living'". The Hollywood Reporter. Retrieved 25 August 2024.

howlround.com (Global: low place; English: low place)

"Moving from Disability Visibility to Disability Artistry". HowlRound Theatre Commons. 20 October 2022. Retrieved 30 August 2024.
"Disability, Identity, and Representation". HowlRound Theatre Commons. 27 May 2019. Retrieved 20 November 2024.
"Re-membering the Canon". HowlRound Theatre Commons. 9 May 2017. Retrieved 24 August 2024.
"Cripping the Crip—Is It Time to Reclaim Richard III?". HowlRound Theatre Commons. 21 February 2018. Retrieved 6 September 2024.

huffpost.com (Global: 378^th place; English: 251^st place)

"Emma MacLean: How Disability Is Represented in Theater". HuffPost. 29 May 2014. Retrieved 25 August 2024.

ietm.org (Global: low place; English: low place)

"Disability, Identity, and Representation: Notes from a Dramaturg". www.ietm.org. Retrieved 4 September 2024.

inreview.com.au (Global: low place; English: low place)

Brown, Phil (22 June 2024). "Love and the Cost of Living". InReview. Retrieved 25 August 2024.

interbrand.com (Global: low place; English: low place)

"Inclusivity & Barrier-Free Experiences | Interbrand Services". Interbrand. Retrieved 30 August 2024.

islingtontribune.co.uk (Global: low place; English: low place)

"Review: La Cage Aux Folles (The Play), at Park Theatre". Camden New Journal. Retrieved 25 August 2024.

kaiteoreilly.wordpress.com (Global: low place; English: low place)

"Woman of flowers". kaiteoreilly. Retrieved 25 August 2024.

liamodell.com (Global: low place; English: low place)

"'The Duchess of Malfi' review – Strong performances in otherwise straight retelling". Liam O'Dell. 1 March 2024. Retrieved 25 August 2024.

londontheatre.co.uk (Global: 3,769^th place; English: 2,083^rd place)

Evans, Suzy (3 March 2022). "'Henry V' at Donmar review: Kit Harington stars in this timely production". London Theatre. Retrieved 25 August 2024.

londontheatre1.com (Global: low place; English: 7,758^th place)

Beer, Mary (8 November 2019). "The Taming of the Shrew - Royal Shakespeare Company - The Barbican". LondonTheatre1. Retrieved 25 August 2024.

mag-north.com (Global: low place; English: low place)

"'Brassed Off' At Theatre By The Lake". www.mag-north.com. Retrieved 25 August 2024.

malthousetheatre.com.au (Global: low place; English: low place)

stories.malthousetheatre.com.au

"Stories of M - The Real and Imagined History of the Elephant Man". Stories of M. Retrieved 24 August 2024.

mancunianmatters.co.uk (Global: low place; English: low place)

Staff, M. M. (4 October 2018). "Review: Future Bodies @ HOME, Manchester". Mancunian Matters. Retrieved 25 August 2024.

monstagigz.com (Global: low place; English: low place)

mrmonstagigz (2 July 2022). "THEATRE REVIEW: The Seagull starring Emilia Clarke, Daniel Monks & Indira Varma at the Harold Pinter Theatre". monstagigz. Retrieved 25 August 2024.
mrmonstagigz (12 April 2024). "THEATRE REVIEW: London Tide at the National Theatre". monstagigz. Retrieved 25 August 2024.

nellyrodi.com (Global: low place; English: low place)

"Disability inclusion is spurring creativity". NellyRodi. 16 December 2020. Retrieved 30 August 2024.

newyorktheatreguide.com (Global: 9,205^th place; English: 5,636^th place)

Considine, Allison (14 May 2024). "'All of Me' review — a funny and moving boy-meets-girl story". New York Theatre Guide. Retrieved 24 August 2024.

nrac.org.uk (Global: low place; English: low place)

"The National Register of Access Consultants | NRAC". www.nrac.org.uk. Retrieved 4 September 2024.

opencircletheatre.org (Global: low place; English: low place)

"welcome to open circle theatre". Open Circle Theatre. Retrieved 24 August 2024.

oughttobeclowns.com (Global: low place; English: low place)

"Review: Mother Courage and her Children, National Theatre". There Ought To Be Clowns. 19 September 2009. Retrieved 25 August 2024.

pbs.org (Global: 198^th place; English: 154^th place)

"On screen and on stage, disability continues to be depicted in outdated, cliched ways". PBS News. 2 November 2020. Retrieved 25 August 2024.

profileperformers.com (Global: low place; English: low place)

"ProFile Performers". ProFile Performers. Retrieved 24 August 2024.

rampsonthemoon.co.uk (Global: low place; English: low place)

"Welcome to Ramps on the Moon". Ramps. Retrieved 24 August 2024.

rehearsalfortruth.org (Global: low place; English: low place)

"Partners of a Prague Theater Continue Revolution-Era Dreams". Rehearsal for Truth Theater Festival. 9 September 2019. Retrieved 5 September 2024.

rsc.org.uk (Global: 9,140^th place; English: 5,510^th place)

"Equity, Diversity, Justice and Inclusion | Royal Shakespeare Company". www.rsc.org.uk. Retrieved 24 August 2024.

rte.ie (Global: 491^st place; English: 318^th place)

Wilders, David (10 February 2023). "How Wicked gets representation wrong". Raidió Teilifís Éireann.

secretldn.com (Global: low place; English: low place)

London, Secret (7 March 2019). ""It's A Dancing Delight!" Francesca Mills, Of The American Clock, At The Old Vic". Secret London. Retrieved 25 August 2024.

shakespearesglobe.com (Global: low place; English: low place)

"A Midsummer Night's Dream | Discover". Shakespeare's Globe. Retrieved 25 August 2024.

showriz.com (Global: low place; English: low place)

"Thoughts On New Musical 'Cyrano' With Peter Dinklage". Showriz. 24 May 2019. Retrieved 24 August 2024.

stagenoise.com (Global: low place; English: low place)

Simmonds, Diana. "The Real And Imagined History Of The Elephant Man - Melbourne | Stage Noise - Diana Simmonds". www.stagenoise.com. Retrieved 25 August 2024.

stagetalkmagazine.com (Global: low place; English: low place)

Mantle, Adrian (26 July 2019). "Review: MALORY TOWERS at Bristol Old Vic". StageTalk Magazine. Retrieved 25 August 2024.

standard.co.uk (Global: 238^th place; English: 159^th place)

Curtis, Nick (5 August 2022). "All of Us at the National Theatre review: compelling and full of rage". Evening Standard. Retrieved 25 August 2024.

theartsdesk.com (Global: 5,327^th place; English: 2,967^th place)

"The Duchess of Malfi, Sam Wanamaker Playhouse review - the good end badly, but act best". theartsdesk.com. 5 March 2024. Retrieved 25 August 2024.
"Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale force". theartsdesk.com. 19 August 2024. Retrieved 25 August 2024.

theartsreview.com (Global: low place; English: low place)

O'Rourke, Chris (27 October 2024). "Belfast International Arts Festival 2024: The Tragedy of Richard III". theartsreview. Retrieved 29 October 2024.

theatrevibe.co.uk (Global: low place; English: low place)

Loveridge, Lizzie (26 June 2024). "REVIEW: English, Kiln (2024) | TheatreVibe". Retrieved 24 August 2024.

theatricalia.com (Global: 4,391^st place; English: 2,345^th place)

"Production of I Claudius | Theatricalia". theatricalia.com. Retrieved 24 August 2024.

thecurb.com.au (Global: low place; English: low place)

"Daniel Monks Talks Through His Career From Pulse to In the Room Where He Waits in This Interview - The Curb". 28 February 2024. Retrieved 25 August 2024.

theguardian.com (Global: 12^th place; English: 11^th place)

Love, Catherine (25 February 2016). "Access all areas: the plays that took captioning and signing to their hearts". The Guardian. Retrieved 13 March 2021.
Khomami, Nadia (31 January 2024). "Non-disabled Richard III actor to press on despite calls for recast from over 300 actors and professionals, published an open letter from the Disabled Artist's Alliance". The Guardian. ISSN 0261-3077. Retrieved 26 September 2024.
Dow, Steve (7 July 2024). "Ready, willing and disabled: the Australian actors campaigning for more roles – and better training". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Flynn, Isabel (27 January 2020). "'Access is a human right': how deaf and disabled people are transforming theatre". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Webster, Lucy (11 October 2024). "'It's a tragedy because everyone dies – not because he's disabled': the creatives casting Richard III in a new light". The Guardian. ISSN 0261-3077. Retrieved 13 October 2024.
Simpson, Hannah (30 January 2024). "'I'm done with pretenders': disabled actors on reclaiming Richard III". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024.
Billington, Michael (13 December 2019). "Teenage Dick review – Daniel Monks is a dazzling high-school Richard III". The Guardian. ISSN 0261-3077. Retrieved 17 September 2024.
Gardner, Lyn (2 June 2014). "My disability helped me understand Blanche DuBois, says Streetcar actor". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024.
Gardner, Lyn (7 March 2017). "Othello review – brutal, candlelit tragedy in a man's world". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024.
Meany, Helen (19 July 2024). "Unspeakable Conversations review – Liz Carr and Mat Fraser's straight talk is enthralling". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024.
Ahad, Nick (14 September 2022). "Much Ado About Nothing review – hilarious, heartfelt show is everything". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024. Daneka Etchells is the most compelling Beatrice you might ever see in an exceptional production of the romantic comedy
Soloski, Alexis (10 March 2017). "The Glass Menagerie review – Sally Field returns to Broadway in style". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024.
Wiegand, Chris (21 July 2020). "Mat Fraser: 'I'm hardcore – I want equality and I'm not going to stop'". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Hickling, Alfred (11 May 2017). "Richard III review – Mat Fraser proves a brilliant villain for Northern Broadsides". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Gardner, Lyn (10 December 2013). "Beauty and the Beast – review". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Salman, Saba (14 October 2014). "'I am different, that is good': how an actor with Down's syndrome is changing perceptions". The Guardian. ISSN 0261-3077. Retrieved 9 September 2024.
Lawson, Mark (14 October 2021). "The Cherry Orchard review – Ian McKellen is brilliantly poignant in resonant adaptation". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Billington, Michael (5 December 2018). "Hole review – history of female empowerment with heavy gravity". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Akbar, Arifa (1 July 2022). "Richard III review – Shakespeare's supervillain breezes through the bloodbath". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Akbar, Arifa (28 July 2022). "Francesca Martinez: 'It's hard living in a world that can't handle difference'". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Segalov, Michael (7 April 2024). "'Expect more from me': actor Francesca Mills on Shakespeare and shifting expectations". The Observer. ISSN 0029-7712. Retrieved 25 August 2024.
Billington, Michael (13 December 2019). "Teenage Dick review – Daniel Monks is a dazzling high-school Richard III". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Wyver, Kate (7 March 2019). "Richard III review – Tom Mothersdale hypnotises as the unhinged overlord". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Akbar, Arifa (17 October 2021). "Love and Other Acts of Violence review – mesmerising moments amid the darkness". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Segalov, Michael (4 August 2024). "'We need to be seen': Nadia Nadarajah on portraying Shakespeare's greatest heroines – as a deaf actor". The Observer. ISSN 0029-7712. Retrieved 25 August 2024.
Gardner, Lyn (5 November 2015). "Grounded review – Deafinitely Theatre's drone-pilot drama has double impact". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Costa, Maddy (6 March 2014). "Frozen review – 'Sharpens your hearing by making you see language'". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.

thehastingscenter.org (Global: low place; English: low place)

"Enjoying: Disability as a Creative Force". The Hastings Center. Retrieved 30 August 2024.

thelondonmagazine.org (Global: low place; English: low place)

Greer, Robert (12 July 2019). "Review | Jellyfish at the National Theatre". The London Magazine. Retrieved 9 September 2024.

thendobetter.com (Global: low place; English: low place)

"Jonathan Meth on disability arts, dramaturgy and asking questions | Podcast". Then Do Better. 13 May 2021. Retrieved 4 September 2024.

thestage.co.uk (Global: 1,582^nd place; English: 871^st place)

"Disabled creatives 'robbed of dignity and independence' by lack of access". The Stage. Retrieved 25 August 2024.
"Mat Fraser: All theatres should cast at least one disabled actor a year". The Stage. Retrieved 25 August 2024.
"Should only disabled actors play Shakespeare's Richard III?". The Stage. Retrieved 1 October 2024.
"Review: A Christmas Carol – A Ghost Story at Nottingham Playhouse – 'Remarkable debuts'". The Stage. Retrieved 25 August 2024.
"Amy Trigg urges actors to 'pass on' roles they are not appropriate for". The Stage. Retrieved 25 August 2024.
"Disability in drama schools – study reveals extent of under-representation". The Stage. Retrieved 24 August 2024.

thewest.com.au (Global: 3,165^th place; English: 1,780^th place)

"Theatre Review: Julius Caesar". The West Australian. 19 August 2011. Retrieved 5 September 2024.

umich.edu (Global: 459^th place; English: 360^th place)

quod.lib.umich.edu

Lewis, Victoria Ann (Summer 1998). "The Dramaturgy of Disability". Michigan Quarterly Review. XXXVII (3). ISSN 1558-7266.

variety.com (Global: 13^th place; English: 12^th place)

Rooney, David (12 October 2004). "Richard III". Variety. Retrieved 24 August 2024.
Deitch, Trish (10 March 2023). "'A Doll's House' Review: Jessica Chastain Shines in a Broadway Staging That Brings Sparkling Clarity to a Classic". Variety. Retrieved 5 September 2024.

vitalxposure.co.uk (Global: low place; English: low place)

"Home". Vital Xposure. Retrieved 24 August 2024.

weshallnotberemoved.com (Global: low place; English: low place)

"We Shall Not Be Removed – UK Disability Arts Alliance". Retrieved 25 August 2024.

whatsonstage.com (Global: 1,208^th place; English: 677^th place)

"Review: Reasons You Should(n't) Love Me (Kiln Theatre)". 27 May 2021. Retrieved 25 August 2024.

worldcat.org (Global: 5^th place; English: 5^th place)

search.worldcat.org

Pritchard, Erin (18 August 2022). ""Get down on your knees": Representing the Seven Dwarfs in the Pantomime". Disability Studies Quarterly. 42 (1). doi:10.18061/dsq.v42i1.7576. ISSN 2159-8371.
Khomami, Nadia (31 January 2024). "Non-disabled Richard III actor to press on despite calls for recast from over 300 actors and professionals, published an open letter from the Disabled Artist's Alliance". The Guardian. ISSN 0261-3077. Retrieved 26 September 2024.
Dow, Steve (7 July 2024). "Ready, willing and disabled: the Australian actors campaigning for more roles – and better training". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Flynn, Isabel (27 January 2020). "'Access is a human right': how deaf and disabled people are transforming theatre". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
"Bringing disability to the heart of theatre". The Economist. ISSN 0013-0613. Retrieved 25 August 2024.
Wilson, Jeffrey R. (1 June 2017). "The Trouble with Disability in Shakespeare Studies". Disability Studies Quarterly. 37 (2). doi:10.18061/dsq.v37i2.5430. ISSN 2159-8371.
Lewis, Victoria Ann (Summer 1998). "The Dramaturgy of Disability". Michigan Quarterly Review. XXXVII (3). ISSN 1558-7266.
Schotland, Sara D. (15 July 2009). "Who's That in Charge? It's Jenny Wren, "The Person of the House"". Disability Studies Quarterly. 29 (3). doi:10.18061/dsq.v29i3.933. ISSN 2159-8371.
Webster, Lucy (11 October 2024). "'It's a tragedy because everyone dies – not because he's disabled': the creatives casting Richard III in a new light". The Guardian. ISSN 0261-3077. Retrieved 13 October 2024.
Simpson, Hannah (30 January 2024). "'I'm done with pretenders': disabled actors on reclaiming Richard III". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024.
Williams, Katherine Schaap (2 October 2009). "Enabling Richard: The Rhetoric of Disability in Richard III". Disability Studies Quarterly. 29 (4). doi:10.18061/dsq.v29i4.997. ISSN 2159-8371.
Billington, Michael (13 December 2019). "Teenage Dick review – Daniel Monks is a dazzling high-school Richard III". The Guardian. ISSN 0261-3077. Retrieved 17 September 2024.
Gardner, Lyn (2 June 2014). "My disability helped me understand Blanche DuBois, says Streetcar actor". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024.
Gardner, Lyn (7 March 2017). "Othello review – brutal, candlelit tragedy in a man's world". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024.
Meany, Helen (19 July 2024). "Unspeakable Conversations review – Liz Carr and Mat Fraser's straight talk is enthralling". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024.
Ahad, Nick (14 September 2022). "Much Ado About Nothing review – hilarious, heartfelt show is everything". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024. Daneka Etchells is the most compelling Beatrice you might ever see in an exceptional production of the romantic comedy
Soloski, Alexis (10 March 2017). "The Glass Menagerie review – Sally Field returns to Broadway in style". The Guardian. ISSN 0261-3077. Retrieved 24 August 2024.
Wiegand, Chris (21 July 2020). "Mat Fraser: 'I'm hardcore – I want equality and I'm not going to stop'". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Hickling, Alfred (11 May 2017). "Richard III review – Mat Fraser proves a brilliant villain for Northern Broadsides". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Gardner, Lyn (10 December 2013). "Beauty and the Beast – review". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Salman, Saba (14 October 2014). "'I am different, that is good': how an actor with Down's syndrome is changing perceptions". The Guardian. ISSN 0261-3077. Retrieved 9 September 2024.
Lawson, Mark (14 October 2021). "The Cherry Orchard review – Ian McKellen is brilliantly poignant in resonant adaptation". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Billington, Michael (5 December 2018). "Hole review – history of female empowerment with heavy gravity". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Akbar, Arifa (1 July 2022). "Richard III review – Shakespeare's supervillain breezes through the bloodbath". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Akbar, Arifa (28 July 2022). "Francesca Martinez: 'It's hard living in a world that can't handle difference'". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Segalov, Michael (7 April 2024). "'Expect more from me': actor Francesca Mills on Shakespeare and shifting expectations". The Observer. ISSN 0029-7712. Retrieved 25 August 2024.
Billington, Michael (13 December 2019). "Teenage Dick review – Daniel Monks is a dazzling high-school Richard III". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Wyver, Kate (7 March 2019). "Richard III review – Tom Mothersdale hypnotises as the unhinged overlord". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Akbar, Arifa (17 October 2021). "Love and Other Acts of Violence review – mesmerising moments amid the darkness". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Segalov, Michael (4 August 2024). "'We need to be seen': Nadia Nadarajah on portraying Shakespeare's greatest heroines – as a deaf actor". The Observer. ISSN 0029-7712. Retrieved 25 August 2024.
Gardner, Lyn (5 November 2015). "Grounded review – Deafinitely Theatre's drone-pilot drama has double impact". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.
Costa, Maddy (6 March 2014). "Frozen review – 'Sharpens your hearing by making you see language'". The Guardian. ISSN 0261-3077. Retrieved 25 August 2024.

Theatre and disability (English Wikipedia)

2ndfrombottom.wordpress.com (Global: low place; English: low place)

ablemagazine.co.uk (Global: low place; English: low place)

actorsandperformers.com (Global: low place; English: low place)

alisonhalstead.com (Global: low place; English: low place)

artshub.com.au (Global: low place; English: low place)

aussietheatre.com.au (Global: low place; English: 9,535th place)

bafta.org (Global: 426th place; English: 292nd place)

bbc.co.uk (Global: 8th place; English: 10th place)

bipolaruk.org (Global: low place; English: low place)

britishtheatre.com (Global: low place; English: 8,443rd place)

britishtheatreguide.info (Global: 5,930th place; English: 3,366th place)

broadwayworld.com (Global: 255th place; English: 167th place)

bushtheatre.co.uk (Global: low place; English: low place)

casarotto.co.uk (Global: low place; English: low place)

chicagoreader.com (Global: 1,536th place; English: 869th place)

countryandtownhouse.com (Global: low place; English: low place)

culturewhisper.com (Global: low place; English: low place)

deadline.com (Global: 10th place; English: 9th place)

deafinitelytheatre.co.uk (Global: low place; English: low place)

detourcompanytheatre.org (Global: low place; English: low place)

divadlovceletne.cz (Global: low place; English: low place)

doi.org (Global: 2nd place; English: 2nd place)

dsq-sds.org (Global: low place; English: low place)

eastmidlandstheatre.com (Global: low place; English: low place)

economist.com (Global: 254th place; English: 236th place)

exeuntmagazine.com (Global: low place; English: low place)

extant.org.uk (Global: low place; English: low place)

gov.uk (Global: 432nd place; English: 278th place)

hamiltonhodell.co.uk (Global: low place; English: 7,775th place)

havelcenter.org (Global: low place; English: low place)

hollywoodreporter.com (Global: 15th place; English: 16th place)

howlround.com (Global: low place; English: low place)

huffpost.com (Global: 378th place; English: 251st place)

ietm.org (Global: low place; English: low place)

inreview.com.au (Global: low place; English: low place)

interbrand.com (Global: low place; English: low place)

islingtontribune.co.uk (Global: low place; English: low place)

kaiteoreilly.wordpress.com (Global: low place; English: low place)

liamodell.com (Global: low place; English: low place)

londontheatre.co.uk (Global: 3,769th place; English: 2,083rd place)

londontheatre1.com (Global: low place; English: 7,758th place)

mag-north.com (Global: low place; English: low place)

malthousetheatre.com.au (Global: low place; English: low place)

stories.malthousetheatre.com.au

mancunianmatters.co.uk (Global: low place; English: low place)

monstagigz.com (Global: low place; English: low place)

nellyrodi.com (Global: low place; English: low place)

newyorktheatreguide.com (Global: 9,205th place; English: 5,636th place)

nrac.org.uk (Global: low place; English: low place)

opencircletheatre.org (Global: low place; English: low place)

oughttobeclowns.com (Global: low place; English: low place)

pbs.org (Global: 198th place; English: 154th place)

profileperformers.com (Global: low place; English: low place)

rampsonthemoon.co.uk (Global: low place; English: low place)

rehearsalfortruth.org (Global: low place; English: low place)

rsc.org.uk (Global: 9,140th place; English: 5,510th place)

rte.ie (Global: 491st place; English: 318th place)

secretldn.com (Global: low place; English: low place)

shakespearesglobe.com (Global: low place; English: low place)

showriz.com (Global: low place; English: low place)

stagenoise.com (Global: low place; English: low place)

stagetalkmagazine.com (Global: low place; English: low place)

standard.co.uk (Global: 238th place; English: 159th place)

theartsdesk.com (Global: 5,327th place; English: 2,967th place)

theartsreview.com (Global: low place; English: low place)

theatrevibe.co.uk (Global: low place; English: low place)

theatricalia.com (Global: 4,391st place; English: 2,345th place)

thecurb.com.au (Global: low place; English: low place)

theguardian.com (Global: 12th place; English: 11th place)

thehastingscenter.org (Global: low place; English: low place)

thelondonmagazine.org (Global: low place; English: low place)

thendobetter.com (Global: low place; English: low place)

thestage.co.uk (Global: 1,582nd place; English: 871st place)

thewest.com.au (Global: 3,165th place; English: 1,780th place)

umich.edu (Global: 459th place; English: 360th place)

quod.lib.umich.edu

variety.com (Global: 13th place; English: 12th place)

vitalxposure.co.uk (Global: low place; English: low place)

weshallnotberemoved.com (Global: low place; English: low place)

aussietheatre.com.au (Global: low place; English: 9,535^th place)

bafta.org (Global: 426^th place; English: 292^nd place)

bbc.co.uk (Global: 8^th place; English: 10^th place)

britishtheatre.com (Global: low place; English: 8,443^rd place)

britishtheatreguide.info (Global: 5,930^th place; English: 3,366^th place)

broadwayworld.com (Global: 255^th place; English: 167^th place)

chicagoreader.com (Global: 1,536^th place; English: 869^th place)

deadline.com (Global: 10^th place; English: 9^th place)

doi.org (Global: 2^nd place; English: 2^nd place)

economist.com (Global: 254^th place; English: 236^th place)

gov.uk (Global: 432^nd place; English: 278^th place)

hamiltonhodell.co.uk (Global: low place; English: 7,775^th place)

hollywoodreporter.com (Global: 15^th place; English: 16^th place)

huffpost.com (Global: 378^th place; English: 251^st place)

londontheatre.co.uk (Global: 3,769^th place; English: 2,083^rd place)

londontheatre1.com (Global: low place; English: 7,758^th place)

newyorktheatreguide.com (Global: 9,205^th place; English: 5,636^th place)

pbs.org (Global: 198^th place; English: 154^th place)

rsc.org.uk (Global: 9,140^th place; English: 5,510^th place)

rte.ie (Global: 491^st place; English: 318^th place)

standard.co.uk (Global: 238^th place; English: 159^th place)

theartsdesk.com (Global: 5,327^th place; English: 2,967^th place)

theatricalia.com (Global: 4,391^st place; English: 2,345^th place)

theguardian.com (Global: 12^th place; English: 11^th place)

thestage.co.uk (Global: 1,582^nd place; English: 871^st place)

thewest.com.au (Global: 3,165^th place; English: 1,780^th place)

umich.edu (Global: 459^th place; English: 360^th place)

variety.com (Global: 13^th place; English: 12^th place)

whatsonstage.com (Global: 1,208^th place; English: 677^th place)

worldcat.org (Global: 5^th place; English: 5^th place)