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Gould 1970, p. 24. Gould, Josiah B. (1970). The Philosophy of Chrysippus: Peasants, Provincials, and Folklore in the 1937 Paris World's Fair. Suny Press. p. 24. ISBN978-0-87395-064-0.
Gould 1970b, p. 25. Gould, Josiah (1970b). The Philosophy of Chrysippus – Two Traditional Characterizations. Brill Archive. p. 25.
Dwyer 1993, p. 478 note 65... Dwyer, Eugene (September 1993). "André Thevet and Fulvio Orsini: The Beginnings of the Modern Tradition of Classical Portrait Iconography". The Art Bulletin. 75 (3): 467–480. doi:10.2307/3045969. JSTOR3045969.
Dwyer 1993, p. [page needed] notes Statius pl. xiii; Galle pl. 143; Bellori pl. 38; Gronovius, vol. II p. 92; Visconti, 180–3 pl. xxi, 1–2. Dwyer, Eugene (September 1993). "André Thevet and Fulvio Orsini: The Beginnings of the Modern Tradition of Classical Portrait Iconography". The Art Bulletin. 75 (3): 467–480. doi:10.2307/3045969. JSTOR3045969.
Thevet, ch. 31; Dwyer 1993, p. 476 notes that it had been illustrated by Orsini 1569 in "the first critical collection of ancient portraiture" (Dwyer 1993, p. 468). Dwyer, Eugene (September 1993). "André Thevet and Fulvio Orsini: The Beginnings of the Modern Tradition of Classical Portrait Iconography". The Art Bulletin. 75 (3): 467–480. doi:10.2307/3045969. JSTOR3045969. Orsini, Fulvio (1569). Imagines et elogia virorum illustrium. Rome. Dwyer, Eugene (September 1993). "André Thevet and Fulvio Orsini: The Beginnings of the Modern Tradition of Classical Portrait Iconography". The Art Bulletin. 75 (3): 467–480. doi:10.2307/3045969. JSTOR3045969.
Noted by Dwyer 1993, p. 478, figs 15 and 16. Dwyer, Eugene (September 1993). "André Thevet and Fulvio Orsini: The Beginnings of the Modern Tradition of Classical Portrait Iconography". The Art Bulletin. 75 (3): 467–480. doi:10.2307/3045969. JSTOR3045969.
Dwyer 1993, p. 478 note 65... Dwyer, Eugene (September 1993). "André Thevet and Fulvio Orsini: The Beginnings of the Modern Tradition of Classical Portrait Iconography". The Art Bulletin. 75 (3): 467–480. doi:10.2307/3045969. JSTOR3045969.
Dwyer 1993, p. [page needed] notes Statius pl. xiii; Galle pl. 143; Bellori pl. 38; Gronovius, vol. II p. 92; Visconti, 180–3 pl. xxi, 1–2. Dwyer, Eugene (September 1993). "André Thevet and Fulvio Orsini: The Beginnings of the Modern Tradition of Classical Portrait Iconography". The Art Bulletin. 75 (3): 467–480. doi:10.2307/3045969. JSTOR3045969.
Thevet, ch. 31; Dwyer 1993, p. 476 notes that it had been illustrated by Orsini 1569 in "the first critical collection of ancient portraiture" (Dwyer 1993, p. 468). Dwyer, Eugene (September 1993). "André Thevet and Fulvio Orsini: The Beginnings of the Modern Tradition of Classical Portrait Iconography". The Art Bulletin. 75 (3): 467–480. doi:10.2307/3045969. JSTOR3045969. Orsini, Fulvio (1569). Imagines et elogia virorum illustrium. Rome. Dwyer, Eugene (September 1993). "André Thevet and Fulvio Orsini: The Beginnings of the Modern Tradition of Classical Portrait Iconography". The Art Bulletin. 75 (3): 467–480. doi:10.2307/3045969. JSTOR3045969.
Noted by Dwyer 1993, p. 478, figs 15 and 16. Dwyer, Eugene (September 1993). "André Thevet and Fulvio Orsini: The Beginnings of the Modern Tradition of Classical Portrait Iconography". The Art Bulletin. 75 (3): 467–480. doi:10.2307/3045969. JSTOR3045969.
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