References analysis of the Wikipedia article "Thomas Linley the younger" in the English version

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Black (1911), p. 21. Black, Clementina (1911). The Linleys of Bath. Martin Secker.

Kelly, Michael. Reminiscences of Michael Kelly of the King's Theatre and Theatre Royal Drury Lane, Including a Period of Nearly Half a Century with Original Anecdotes of Many Distinguished Persons, Political, Literary, and Musical, Volume 1. London: Henry Colburn, New Burlington Street (1826). p. 106.

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"'O Gaurdian (sic) of that sacred land': Ode 'to the Witches and Fairies of Shakespeare'". British Library. Composed [1776] for solo voices and 4-part chorus, with overture and accompaniments for drums, trumpets, horns, oboes, and strings, and a figured bass for harpsichord, in score. The ode was written by Dr. Lawrance (of Doctors Commons) and set to music by Thomas Linley, jun. An account of him is given on ff. 2 and 126, by Matthew Cooke, who transcribed the MS in 1812. 1812. Egerton MS 2492.{{cite web}}: CS1 maint: others (link)

"Incidental music in 'The Cadi of Bagdad'. An opera in 3 acts by Thomas Linley, junior". British Library. Incidental Music in 'The Cadi of Bagdad,' in 3 Acts, with overture, symphonies, and accompaniments for horns, flutes, oboes, bassoons, and strings, in score, by Thomas Linley, jun. [1756–1778]. Autograph. Characters: Abdullah, Cadi, Selima, a Dyer, Zemzonde(?), and Omar. 1 volume (95 folios). Custodial History: Belonged to William Linley, the composer's youngest brother. Add MS 29297.{{cite web}}: CS1 maint: others (link)

"ROYAL MUSIC COLLECTION. Linley (Thomas) Junior . The Song of Moses; 1780. Anthem for solo voices and choir; with symphonies and accompaniment". British Library. ROYAL MUSIC COLLECTION. Linley (Thomas) Junior The Song of Moses; 1780. Anthem for solo voices and choir; with symphonies and accompaniment for oboes, bassoons, trumpets, horns, timpani, strings, and a figured bass for organ, in score. In the hand of J.S. Gaudry. 1780. R.M.21.h.9.{{cite web}}: CS1 maint: others (link)

Linley, Thomas Jr; Linley, Thomas (c. 1780). ROYAL MUSIC COLLECTION. Linley (Thomas) and (Thomas) Junior The Duenna; 18th century. Music to the Duenna, a copy of the 1775 edition, lacking the overture. In score, with violins and figured bass (Manuscripts). British Library, R.M.22.c.3.

Linley, Thomas Jr (1780). A collection of dramatic music. Dramatic music, with symphonies and accompaniments for flutes, trumpets (in no. 1 only), horns, oboes, bassoons, and strings, with an occasional figured bass for harpsichord, in score, transcribed by J. S. Gaudry in 1780. According to a note at the beginning by W[illiam] Linley, who owned the MS in 1812, the whole of the music in the volume was composed by his eldest brother, Thomas Linley, jun., about 1777. Some of it was published, however, as the work of their father, Thomas Linley, sen. 1. 'Music in 'The Tempest.' 2. 'Songs in 'The Duenna.' Characters: Anthonio, Ferdinand, Louisa, Carlos, Isaac, and Don Jerome. British Library, Egerton MS 2493.

"ROYAL MUSIC COLLECTION. Linley (Thomas) Junior . Let God Arise; 1780. Anthem, with an overture, for solo voices and chorus; with symphonies". British Library. ROYAL MUSIC COLLECTION. Linley (Thomas) Junior Let God Arise; 1780. Anthem, with an overture, for solo voices and chorus; with symphonies and accompaniment for flutes, oboes, trumpets, horns, timpani and strings, in score. In the hand of J.S. Gaudry. 1780. R.M.21.h.8.{{cite web}}: CS1 maint: others (link)

"ROYAL MUSIC COLLECTION. Linley (Thomas) Junior . Ode and violin music; 1779, 1780. In score. In the hand of J.S. Gaudry". British Library. ROYAL MUSIC COLLECTION. Linley (Thomas) Junior Ode and violin music; 1779, 1780. In score. In the hand of J.S. Gaudry: 1. Ode on the Spirits of Shakespeare; circa 1779 For solo voices and choir, with an overture; with symphonies and accompaniment for oboes, bassoons, trumpets, horns, timpani and strings. 2. Violin concerto; 1779. For solo violin; with bassoons, horns and strings. 3. Violin sonata; 1780. For solo violin and bass. 1774–1784. R.M.21.h.10.{{cite web}}: CS1 maint: others (link)

"ROYAL MUSIC COLLECTION. Linley (Thomas). Verses to the Memory of Garrick; 1780. A monody, the words by Sheridan". British Library. ROYAL MUSIC COLLECTION. Linley (Thomas). Verses to the Memory of Garrick; 1780. A monody, the words by Sheridan, recited with musical sections for solo voices and chorus; with accompaniment of flutes, oboes, bassoons, trumpets, horns, strings and a figured bass. There is an opening symphony. In score, with all the words. In the hand of J.S. Gaudry. The copy was presented to the King, Ap. 22nd, 1780. 1780. R.M.21.h.7.{{cite web}}: CS1 maint: others (link)

"ROYAL MUSIC COLLECTION. Linley (Thomas) and (Thomas) Junior . Part Songs; 18 th century-19th century". British Library. ROYAL MUSIC COLLECTION. Linley (Thomas) and (Thomas) Junior . Part Songs; 18 th century-19th century. A volume entitled 'Elegys, etc composed by Thos Linley Senr & Junr'; for several voices, unaccompanied or with bass for harpsichord, in score. R.M.22.g.18.{{cite web}}: CS1 maint: others (link)

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"Country News". The Bath Chronicle. Vol. XIV, no. 726. 15 September 1774. p. 2.

"Glocester Music Meeting". Oxford Journal. No. 1165. 26 August 1775.

"Bath. At the New Rooms, on Friday March 17..." The Bath Chronicle. Vol. XV, no. 752. 16 March 1775. p. 3.

"Oratorio Intelligence". Bath Chronicle and Weekly Gazette. Vol. XVI, no. 802. 29 February 1776. p. 2.

"Saturday's Post. from The London Gazette". Derby Mercury. Vol. XLVII, no. 2416. Drewry's. 14 August 1778. p. 1.(subscription required)

"Thursday's Post. from The London Gazette". Oxford Journal. No. 1320. Jackson's. 15 August 1778. p. 2.(subscription required)

"Country News". Ipswich Journal. 15 August 1778. p. 4.

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Beechey, Gwilym; Troost, Linda (2001). "Linley, Thomas (ii)". In Troost, Linda (ed.). New Grove Dictionary. Oxford University Press. doi:10.1093/omo/9781561592630.013.90000380319. ISBN 978-1-56159-263-0.

Gwilym Beechey; Linda Troost (2001). "Linley family". Grove Music Online (8th ed.). Oxford University Press. doi:10.1093/gmo/9781561592630.article.16713. ISBN 978-1-56159-263-0. (subscription required)

Diack Johnson, H (2001). "Cooke, Matthew". New Grove Dictionary. Oxford University Press. doi:10.1093/gmo/9781561592630.article.06398.

BEECHEY, GWILYM (1968). "THOMAS LINLEY, JUNIOR. 1756–1778". The Musical Quarterly. LIV (1): 74–82. doi:10.1093/mq/liv.1.74. ISSN 0027-4631.

Troost, Linda V. (1986). "The Characterizing Power of Song in Sheridan's The Duenna". Eighteenth-Century Studies. 20 (2): 153–172. doi:10.2307/2739153. ISSN 0013-2586. JSTOR 2739153.

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Mozart, Leopold (21 April 1770). "Roma dς 21 aprilis 1770. Dein Schreibς vom 2tς und das vom 6tς sind, so viel ich vermuthe..." (in German). Letter to Anna Maria Walpurg Mozart and Maria Anna Mozart. Mozarteum Foundation Salzburg and The Packard Humanities Institute Salzburg. No. 177 (Bd. 1, S. 337–340).

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Linley, Thomas (1978). Beechey, Gwilym (ed.). Two madrigals [SSAB, SSATB]. Musical Times Supplement, September 1978. Alinda's form; Hark! the birds. London: Novello.

The vocal music to Shakespeare's plays. Cooke: Honour, riches, marriage-blessing. Juno, Ceres and chorus – Davy: The tempest [overture, arr. piano] – Purcell: Come unto these yellow sands [Z631, no.5]; Full fathom five [Z631, no.6] – Smith: No more dams I'll make for fish – Linley: O, bid your faithful Ariel fly. London: Samuel French. 1934.{{cite book}}: CS1 maint: others (link)

Linley, Thomas (1938). Ivimey, Ella (ed.). Primroses deck the bank's green side: song / the air by Thomas Linley; words anonymous; arranged and the accompaniment composed by Ella Ivimey. London: Augener.

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BEECHEY, GWILYM (1968). "THOMAS LINLEY, JUNIOR. 1756–1778". The Musical Quarterly. LIV (1): 74–82. doi:10.1093/mq/liv.1.74. ISSN 0027-4631.

Troost, Linda V. (1986). "The Characterizing Power of Song in Sheridan's The Duenna". Eighteenth-Century Studies. 20 (2): 153–172. doi:10.2307/2739153. ISSN 0013-2586. JSTOR 2739153.

Thomas Linley the younger (English Wikipedia)

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