Analysis of information sources in references of the Wikipedia article "Time Out of Mind (Bob Dylan album)" in English language version.
Coincidences aside, though, "Love and Theft" cemented Dylan's late-era resurgence, assuring listeners that 1997's Time Out of Mind hadn't been a fluke. Even grittier and dirtier than its blues rock predecessor, the record roars through an old-time South whose gentility has been corrupted and sullied by an album's worth of rogues, scoundrels, and treacherous women who bring only pain.
The music calls back to ancestral country and roadhouse blues, but it's not a retro sound.
If one single event could be identified as triggering the refurbishment of Dylan's fading reputation, it was his 1997 album, Time Out Of Mind. A haunted collection of blues, rockabilly and ballads apparently reaching out from beyond the grave, it confirmed that he hadn't, after all, lost the ability to hypnotise his listeners, nor to mine an indefinable sense of spiritual profundity from the simplest of musical tools.
