Tonality (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Tonality" in English language version.

Last modified: 13:24:36, 14 September 2026 (UTC)

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88doi.org

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88jstor.org

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54books.google.com

3^rd place

32calstatela.edu

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22digitale-sammlungen.de

443^rd place

1,820^th place

22worldcat.org

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11archive.org

6^th place

archive.org (Global: 6^th place; English: 6^th place)

Fétis (1864). Fétis, François-Joseph (1864). Traité complet (9th ed.). Paris, FR: Brandus et Dufour. OCLC 9892650. – for bibliographical information, see OCLC 9892650.

books.google.com (Global: 3^rd place; English: 3^rd place)

Simms (1975), p. 119; Judd (1998a), p. 5; Hyer (2001a); Brown (2005), p. $xiii$ . Simms, Bryan (Spring 1975). "Choron, Fétis, and the theory of tonality". Journal of Music Theory. 19 (1): 112–138. doi:10.2307/843752. JSTOR 843752. Judd, Cristle Collins (1998a). Tonal Structures in Early Music. New York, NY / London, UK: Garland Publishing. ISBN 0-8153-2388-3. Hyer, Brian (2001a). "Tonality". In Sadie, S.; Tyrrell, J. (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London, UK: Macmillan Publishers. ISBN 978-1-56159-239-5 (cloth); ISBN 978-0-333-60800-5; ISBN 978-0195170672 (hc) Brown, Matthew (2005). Explaining Tonality: Schenkerian theory and beyond. Eastman Studies in Music. Vol. 27. Rochester, NY: University of Rochester Press. ISBN 1-58046-160-3.
Brown (2005), p. 46. Brown, Matthew (2005). Explaining Tonality: Schenkerian theory and beyond. Eastman Studies in Music. Vol. 27. Rochester, NY: University of Rochester Press. ISBN 1-58046-160-3.
Berry (1976), p. 54; Brown (2005), p. 4; Burnett & Nitzberg (2007), p. 97; Rogers (2004), p. 47. Berry, Wallace (1976). Structural Functions in Music (original ed.). Englewood Cliffs, NJ: Prentice-Hall. Brown, Matthew (2005). Explaining Tonality: Schenkerian theory and beyond. Eastman Studies in Music. Vol. 27. Rochester, NY: University of Rochester Press. ISBN 1-58046-160-3. Burnett, Henry; Nitzberg, Roy (2007). Composition, Chromaticism and the Developmental Process: A new theory of tonality. Aldershot / Burlington VT: Ashgate Publishing. ISBN 978-0-7546-5162-8. Rogers, Michael R. 2004. Teaching Approaches in Music Theory: An Overview of Pedagogical Philosophies, second edition. [Carbondale]: Southern Illinois University Press. ISBN 0-8093-1147-X (cloth); ISBN 0-8093-2595-0 (pbk).
Brown (2005), p. xiii. Brown, Matthew (2005). Explaining Tonality: Schenkerian theory and beyond. Eastman Studies in Music. Vol. 27. Rochester, NY: University of Rochester Press. ISBN 1-58046-160-3.

calstatela.edu (Global: low place; English: low place)

web.calstatela.edu

Pitt (1995), p. 299. Pitt, David (1995). "What is tonality?" (PDF). International Journal of Musicology. 4: 291–300 – via Cal State LA (calstatela.edu). A Birthday Offering for George Perle (edited by Gary S. Karpinski)
Pitt (1995), p. 291. Pitt, David (1995). "What is tonality?" (PDF). International Journal of Musicology. 4: 291–300 – via Cal State LA (calstatela.edu). A Birthday Offering for George Perle (edited by Gary S. Karpinski)

digitale-sammlungen.de (Global: 443^rd place; English: 1,820^th place)

Choron (1810). Choron, A.-E. (1810) [1810–1811]. "Introduction: Sommaire de l'histoire de la musique" [Introduction: A summary of the history of music]. In Choron, A.E.; Fayolle, François (eds.). Dictionnaire historique des musiciens artistes et amateurs, morts ou vivants (in French). Vol. 1. Paris, FR: Valade et Lenormant. pp. $xi-xcii$ . qui se sont illustrés en une partie quelconque de la musique et des arts qui y sont relatifs ... ; précédé d'un sommaire de l'histoire de la musique
Choron (1810), pp. $xxxvii-xl$ ; Hyer (2001a). Choron, A.-E. (1810) [1810–1811]. "Introduction: Sommaire de l'histoire de la musique" [Introduction: A summary of the history of music]. In Choron, A.E.; Fayolle, François (eds.). Dictionnaire historique des musiciens artistes et amateurs, morts ou vivants (in French). Vol. 1. Paris, FR: Valade et Lenormant. pp. $xi-xcii$ . qui se sont illustrés en une partie quelconque de la musique et des arts qui y sont relatifs ... ; précédé d'un sommaire de l'histoire de la musique Hyer, Brian (2001a). "Tonality". In Sadie, S.; Tyrrell, J. (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London, UK: Macmillan Publishers. ISBN 978-1-56159-239-5 (cloth); ISBN 978-0-333-60800-5; ISBN 978-0195170672 (hc)

doi.org (Global: 2^nd place; English: 2^nd place)

Simms (1975), p. 119; Judd (1998a), p. 5; Hyer (2001a); Brown (2005), p. $xiii$ . Simms, Bryan (Spring 1975). "Choron, Fétis, and the theory of tonality". Journal of Music Theory. 19 (1): 112–138. doi:10.2307/843752. JSTOR 843752. Judd, Cristle Collins (1998a). Tonal Structures in Early Music. New York, NY / London, UK: Garland Publishing. ISBN 0-8153-2388-3. Hyer, Brian (2001a). "Tonality". In Sadie, S.; Tyrrell, J. (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London, UK: Macmillan Publishers. ISBN 978-1-56159-239-5 (cloth); ISBN 978-0-333-60800-5; ISBN 978-0195170672 (hc) Brown, Matthew (2005). Explaining Tonality: Schenkerian theory and beyond. Eastman Studies in Music. Vol. 27. Rochester, NY: University of Rochester Press. ISBN 1-58046-160-3.
Simms (1975), p. 132. Simms, Bryan (Spring 1975). "Choron, Fétis, and the theory of tonality". Journal of Music Theory. 19 (1): 112–138. doi:10.2307/843752. JSTOR 843752.
Rais (1992), p. 46. Rais, Mark (1992). "Jaan Soonvald and his musical system". Leonardo Music Journal. 2 (1): 45–47. doi:10.2307/1513209. JSTOR 1513209.
Powers (1981), p. 439; Powers (1992), p. 12; Powers (1996), p. 221. Powers, H. (Autumn 1981). "Tonal types and modal categories in Renaissance polyphony". Journal of the American Musicological Society. 34 (3): 428–470. doi:10.2307/831189. JSTOR 831189. Powers, H. (1992). "Is mode real? Pietro Aron, the octenary system and polyphony". Basler Jahrbuch für historische Musikpraxis. 16: 9–52. Powers, H. (1996). "Anomalous modalities". In Schmid, Bernhold (ed.). Orlando di Lasso in der Musikgeschichte [Orlando di Lasso in Musical History]. Munich, DE: Verlag der Bayerischen Akademie der Wissenschaften. pp. 221–242.
Powers (1981), p. 439. Powers, H. (Autumn 1981). "Tonal types and modal categories in Renaissance polyphony". Journal of the American Musicological Society. 34 (3): 428–470. doi:10.2307/831189. JSTOR 831189.
Judd (1992). Judd, Cristle Collins (1992). "Modal types and "ut, re, mi" tonalities: Tonal coherence in sacred vocal polyphony from about 1500". Journal of the American Musicological Society. 45 (3): 428–467. doi:10.2307/831714. JSTOR 831714.
Powers et al. (2001), §V, 1, et passim; Powers (1981), p. 441; Powers (1982), pp. 59, 61. Powers, H. (Autumn 1981). "Tonal types and modal categories in Renaissance polyphony". Journal of the American Musicological Society. 34 (3): 428–470. doi:10.2307/831189. JSTOR 831189. Powers, H. (1982). "Modal representations in polyphonic offertories". Early Music History. 2: 43–86. doi:10.1017/S0261127900002084.
Cohn (1996), p. 18, et passim; Kopp (2011), p. 401. Cohn, Richard (March 1996). "Maximally smooth cycles, hexatonic systems, and the analysis of late-Romantic triadic progressions". Music Analysis. 15 (1): 9–40. doi:10.2307/854168. JSTOR 854168. Kopp, David. 2011. "Chromaticism and the Question of Tonality. The Oxford Handbook of Neo-Riemannian Music Theories, edited by Edward Gollin and Alexander Rehding, 400–418. Oxford and New York: Oxford University Press. ISBN 978-0-19-532133-3.

jstor.org (Global: 23^rd place; English: 15^th place)

Simms (1975), p. 119; Judd (1998a), p. 5; Hyer (2001a); Brown (2005), p. $xiii$ . Simms, Bryan (Spring 1975). "Choron, Fétis, and the theory of tonality". Journal of Music Theory. 19 (1): 112–138. doi:10.2307/843752. JSTOR 843752. Judd, Cristle Collins (1998a). Tonal Structures in Early Music. New York, NY / London, UK: Garland Publishing. ISBN 0-8153-2388-3. Hyer, Brian (2001a). "Tonality". In Sadie, S.; Tyrrell, J. (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London, UK: Macmillan Publishers. ISBN 978-1-56159-239-5 (cloth); ISBN 978-0-333-60800-5; ISBN 978-0195170672 (hc) Brown, Matthew (2005). Explaining Tonality: Schenkerian theory and beyond. Eastman Studies in Music. Vol. 27. Rochester, NY: University of Rochester Press. ISBN 1-58046-160-3.
Simms (1975), p. 132. Simms, Bryan (Spring 1975). "Choron, Fétis, and the theory of tonality". Journal of Music Theory. 19 (1): 112–138. doi:10.2307/843752. JSTOR 843752.
Rais (1992), p. 46. Rais, Mark (1992). "Jaan Soonvald and his musical system". Leonardo Music Journal. 2 (1): 45–47. doi:10.2307/1513209. JSTOR 1513209.
Powers (1981), p. 439; Powers (1992), p. 12; Powers (1996), p. 221. Powers, H. (Autumn 1981). "Tonal types and modal categories in Renaissance polyphony". Journal of the American Musicological Society. 34 (3): 428–470. doi:10.2307/831189. JSTOR 831189. Powers, H. (1992). "Is mode real? Pietro Aron, the octenary system and polyphony". Basler Jahrbuch für historische Musikpraxis. 16: 9–52. Powers, H. (1996). "Anomalous modalities". In Schmid, Bernhold (ed.). Orlando di Lasso in der Musikgeschichte [Orlando di Lasso in Musical History]. Munich, DE: Verlag der Bayerischen Akademie der Wissenschaften. pp. 221–242.
Powers (1981), p. 439. Powers, H. (Autumn 1981). "Tonal types and modal categories in Renaissance polyphony". Journal of the American Musicological Society. 34 (3): 428–470. doi:10.2307/831189. JSTOR 831189.
Judd (1992). Judd, Cristle Collins (1992). "Modal types and "ut, re, mi" tonalities: Tonal coherence in sacred vocal polyphony from about 1500". Journal of the American Musicological Society. 45 (3): 428–467. doi:10.2307/831714. JSTOR 831714.
Powers et al. (2001), §V, 1, et passim; Powers (1981), p. 441; Powers (1982), pp. 59, 61. Powers, H. (Autumn 1981). "Tonal types and modal categories in Renaissance polyphony". Journal of the American Musicological Society. 34 (3): 428–470. doi:10.2307/831189. JSTOR 831189. Powers, H. (1982). "Modal representations in polyphonic offertories". Early Music History. 2: 43–86. doi:10.1017/S0261127900002084.
Cohn (1996), p. 18, et passim; Kopp (2011), p. 401. Cohn, Richard (March 1996). "Maximally smooth cycles, hexatonic systems, and the analysis of late-Romantic triadic progressions". Music Analysis. 15 (1): 9–40. doi:10.2307/854168. JSTOR 854168. Kopp, David. 2011. "Chromaticism and the Question of Tonality. The Oxford Handbook of Neo-Riemannian Music Theories, edited by Edward Gollin and Alexander Rehding, 400–418. Oxford and New York: Oxford University Press. ISBN 978-0-19-532133-3.

worldcat.org (Global: 4^th place; English: 4^th place)

search.worldcat.org

Fétis (1864). Fétis, François-Joseph (1864). Traité complet (9th ed.). Paris, FR: Brandus et Dufour. OCLC 9892650. – for bibliographical information, see OCLC 9892650.

worldcat.org

Fétis (1864). Fétis, François-Joseph (1864). Traité complet (9th ed.). Paris, FR: Brandus et Dufour. OCLC 9892650. – for bibliographical information, see OCLC 9892650.

Tonality (English Wikipedia)

archive.org (Global: 6th place; English: 6th place)

books.google.com (Global: 3rd place; English: 3rd place)