Tone cluster (English Wikipedia)

For a discussion of the piece, see Keillor, Elaine (2004-05-10). "Writing for a Market—Canadian Musical Composition Before the First World War". Library and Archives Canada/Bibliothèque et Archives Canada. Retrieved 2011-08-29. The score of Tintamarre and its publication record^{[permanent dead link]} are also available online via Library and Archives Canada/Bibliothèque et Archives Canada. See also Keillor (2000) and "Anger, Humfrey". Encyclopedia of Music in Canada. The Canadian Encyclopedia. Retrieved 2007-08-20. The early performance history of Tintamarre has not been established.

amicus.collectionscanada.ca

For a discussion of the piece, see Keillor, Elaine (2004-05-10). "Writing for a Market—Canadian Musical Composition Before the First World War". Library and Archives Canada/Bibliothèque et Archives Canada. Retrieved 2011-08-29. The score of Tintamarre and its publication record^{[permanent dead link]} are also available online via Library and Archives Canada/Bibliothèque et Archives Canada. See also Keillor (2000) and "Anger, Humfrey". Encyclopedia of Music in Canada. The Canadian Encyclopedia. Retrieved 2007-08-20. The early performance history of Tintamarre has not been established.

collectionscanada.gc.ca

For a discussion of the piece, see Keillor, Elaine (2004-05-10). "Writing for a Market—Canadian Musical Composition Before the First World War". Library and Archives Canada/Bibliothèque et Archives Canada. Retrieved 2011-08-29. The score of Tintamarre and its publication record^{[permanent dead link]} are also available online via Library and Archives Canada/Bibliothèque et Archives Canada. See also Keillor (2000) and "Anger, Humfrey". Encyclopedia of Music in Canada. The Canadian Encyclopedia. Retrieved 2007-08-20. The early performance history of Tintamarre has not been established.

indiana.edu

informatics.indiana.edu

"Earliest Usages: 1. Pitch" in Byrd, Donald (2010-05-12). "Extremes of Conventional Music Notation". Indiana University, School of Informatics (website material based in part on work supported by the National Science Foundation). Archived from the original on 2010-03-08. Retrieved 2011-08-29.
Kimbell (1991), p. 606; "Earliest Usages: 1. Pitch" and "Duration and Rhythm: 2. Longest notated duration, including ties" in Extremes of Conventional Music Notation Archived 2010-03-08 at the Wayback Machine.
"Other: 1. Vertical extremes" in Extremes of Conventional Music Notation Archived 2010-03-08 at the Wayback Machine.
"Other: 1. Vertical extremes" in Extremes of Conventional Music Notation Archived 2010-03-08 at the Wayback Machine.

jazzhouse.org

Svirchev, Laurence (2006). ""If You Start from Point-Zero, You Have to Imagine Something": An Interview with Alexander von Schlippenbach". Jazz Journalists Association Library. Retrieved 2007-08-17.

jazzimprov.com

"Jazz Legends: Dave Brubeck". Jazz Improv. Archived from the original on April 18, 2007. Retrieved 2007-08-18.

lafolia.com

Reigle, Robert (April 2002). "Forgotten Gems". La Folia. Retrieved 2007-08-19.

newmusicbox.org

Tyranny, "Blue" Gene (2003-10-01). "88 Keys to Freedom: Segues Through the History of American Piano Music—The Keyboard Goes Bop! and the Melody Spins Off into Eternity (1939 to 1952)". NewMusicBox. American Music Center. Archived from the original on June 4, 2011. Retrieved 2007-08-20. Cooke (1998), p. 205.

portlandtribune.com

Chandler 2004. Chandler, John (September 28, 2004). "Play's Music Is More than a Backdrop". Portland Tribune. Archived from the original on 2016-04-16. Retrieved 2011-05-13.

princeton.edu

music.princeton.edu

Trueman 1999. See also Robin Stowell, "Extending the Technical and Expressive Frontiers," in The Cambridge Companion to the String Quartet, ed. Stowell (Cambridge: Cambridge University Press, 2003; ISBN 0-521-80194-X), pp. 149–173; p. 162. Trueman, Daniel (1999). "Three "Classical" Violins and a Fiddle" (PDF). Reinventing the Violin. Princeton University, Department of Music. Archived from the original (PDF) on May 12, 2003. Retrieved 2007-08-19.

slate.com

Kaplan, Fred (2004-12-22). "All That Jazz: The Year's Best Records". Slate. Archived from the original on 2007-09-30. Retrieved 2007-08-18.

thecanadianencyclopedia.ca

For a discussion of the piece, see Keillor, Elaine (2004-05-10). "Writing for a Market—Canadian Musical Composition Before the First World War". Library and Archives Canada/Bibliothèque et Archives Canada. Retrieved 2011-08-29. The score of Tintamarre and its publication record^{[permanent dead link]} are also available online via Library and Archives Canada/Bibliothèque et Archives Canada. See also Keillor (2000) and "Anger, Humfrey". Encyclopedia of Music in Canada. The Canadian Encyclopedia. Retrieved 2007-08-20. The early performance history of Tintamarre has not been established.

umontreal.ca

musique.umontreal.ca

Belkin, Alan (2003). "Harmony and Texture; Orchestration and Harmony/Timbre". Université de Montréal. Archived from the original on 2007-06-22. Retrieved 2007-08-18.

villagevoice.com

Blumenfeld, Larry; Szwed, John F. (June 15, 1999). Gary Giddins (ed.). "Rockin' in Rhythm". The Village Voice. Retrieved 2009-06-03.

vosbein.com

Vosbein, Terry (January 2002). "Pete Rugolo and Progressive Jazz". Self-published (scholarly paper by established composer and educator presented at the IAJE International Conference, Chicago). Archived from the original on 2007-09-12. Retrieved 2007-08-17.

web.archive.org

Belkin, Alan (2003). "Harmony and Texture; Orchestration and Harmony/Timbre". Université de Montréal. Archived from the original on 2007-06-22. Retrieved 2007-08-18.
Tyranny, "Blue" Gene (2003-10-01). "88 Keys to Freedom: Segues Through the History of American Piano Music—The Keyboard Goes Bop! and the Melody Spins Off into Eternity (1939 to 1952)". NewMusicBox. American Music Center. Archived from the original on June 4, 2011. Retrieved 2007-08-20. Cooke (1998), p. 205.
"Earliest Usages: 1. Pitch" in Byrd, Donald (2010-05-12). "Extremes of Conventional Music Notation". Indiana University, School of Informatics (website material based in part on work supported by the National Science Foundation). Archived from the original on 2010-03-08. Retrieved 2011-08-29.
Kimbell (1991), p. 606; "Earliest Usages: 1. Pitch" and "Duration and Rhythm: 2. Longest notated duration, including ties" in Extremes of Conventional Music Notation Archived 2010-03-08 at the Wayback Machine.
"Other: 1. Vertical extremes" in Extremes of Conventional Music Notation Archived 2010-03-08 at the Wayback Machine.
"Other: 1. Vertical extremes" in Extremes of Conventional Music Notation Archived 2010-03-08 at the Wayback Machine.
Trueman 1999. See also Robin Stowell, "Extending the Technical and Expressive Frontiers," in The Cambridge Companion to the String Quartet, ed. Stowell (Cambridge: Cambridge University Press, 2003; ISBN 0-521-80194-X), pp. 149–173; p. 162. Trueman, Daniel (1999). "Three "Classical" Violins and a Fiddle" (PDF). Reinventing the Violin. Princeton University, Department of Music. Archived from the original (PDF) on May 12, 2003. Retrieved 2007-08-19.
Swan, Glenn. "Morton Feldman: Rothko Chapel (1971) for Chorus, Viola and Percussion/Why Patterns? (1978) (review)". Allmusic. WindowsMedia. Archived from the original on 2007-09-30. Retrieved 2007-08-18.
"Brigham Young Univ. Singers: Eric Whitacre: Complete A Cappella Works (review)". a-capella.com. 2002. Archived from the original on 2008-02-09. Retrieved 2008-02-25. Paulin, Scott (2006). "Whitacre: Cloudburst and Other Choral Works (review)". Barnes & Noble. Retrieved 2008-02-25.^{[permanent dead link]}
Drury, Stephen (2005-02-15). "Callithumpian Consort Announces March Fund Rasing Concert at West Roxbury's Theodore Parker Church". Callithumpian Consort. Archived from the original on 2007-09-28. Retrieved 2009-06-03.
"Jazz Legends: Dave Brubeck". Jazz Improv. Archived from the original on April 18, 2007. Retrieved 2007-08-18.
Vosbein, Terry (January 2002). "Pete Rugolo and Progressive Jazz". Self-published (scholarly paper by established composer and educator presented at the IAJE International Conference, Chicago). Archived from the original on 2007-09-12. Retrieved 2007-08-17.
Kaplan, Fred (2004-12-22). "All That Jazz: The Year's Best Records". Slate. Archived from the original on 2007-09-30. Retrieved 2007-08-18.
Kaplan, Fred (2003). "Jazz Capsules: The Complete Verve Gerry Mulligan Concert Band Sessions". AVguide.com. Archived from the original on 2007-12-21. Retrieved 2009-06-03.
Chandler 2004. Chandler, John (September 28, 2004). "Play's Music Is More than a Backdrop". Portland Tribune. Archived from the original on 2016-04-16. Retrieved 2011-05-13.

windowsmedia.com

Swan, Glenn. "Morton Feldman: Rothko Chapel (1971) for Chorus, Viola and Percussion/Why Patterns? (1978) (review)". Allmusic. WindowsMedia. Archived from the original on 2007-09-30. Retrieved 2007-08-18.