Hagopian, Kevin Jack. "Triumph of the Will – Film Notes". New York Writers Institute. University of Albany."When director Frank Capra was commissioned by the U.S. government to make what became the Why We Fight series of propaganda films in World War II, he screened a copy of Triumph of the Will which had been setd by the U.S. Customs office."
Hinton, David B. (1975). "Triumph of the Will: Document or Artifice?". Cinema Journal. 15 (1). University of Texas Press: 48–57. doi:10.2307/1225104. JSTOR1225104.
Starkman, R (1998). "Mother of All Spectacles: Ray Müller's "The Wonderful, Horrible Life of Leni Riefenstahl"". Film Quarterly. 51 (2 Winter, 1997–1998). University of California: 23. doi:10.2307/3697138. JSTOR3697138.(subscription required)
Hinton, David B. (1975). "Triumph of the Will: Document or Artifice?". Cinema Journal. 15 (1). University of Texas Press: 48–57. doi:10.2307/1225104. JSTOR1225104.
Starkman, R (1998). "Mother of All Spectacles: Ray Müller's "The Wonderful, Horrible Life of Leni Riefenstahl"". Film Quarterly. 51 (2 Winter, 1997–1998). University of California: 23. doi:10.2307/3697138. JSTOR3697138.(subscription required)
Pessach, Guy; Shur-Ofry, Michal (28 April 2019). "Copyright and the Holocaust". Yale Journal of Law & the Humanities. 30 (2): 9. ISSN1041-6374. Retrieved 4 July 2020. (note 37)
Pessach, Guy; Shur-Ofry, Michal (28 April 2019). "Copyright and the Holocaust". Yale Journal of Law & the Humanities. 30 (2): 9. ISSN1041-6374. Retrieved 4 July 2020. (note 37)