[34], [35][36] Oldest and most prestigious Award for Swiss Artists, exhibition and award ceremony during ART Basel
bak.admin.ch
[34], [35][36] Oldest and most prestigious Award for Swiss Artists, exhibition and award ceremony during ART Basel
amazon.com
[2] Adam Wishart, Regula Bochsler, Leaving Reality Behind: etoy vs eToys.com & other battles to control cyberspace, Ecco, 2003 (ISBN978-0066210766)
amazon.de
[3][4] Alessandro Ludovico (ed), UBERMORGEN.COM – MEDIA HACKING VS. CONCEPTUAL ART, Christoph Merian Verlag, Basel 2009 (ISBN978-3856164607), p.198-299
art-in-berlin.de
[19] Interview with Wolf Lieser about: "WOLF LIESER – DIGITAL ART – NEUE WEGE IN DER KUNST/THE WORLD OF DIGITAL ART", h.f. ullmann publisher / DAM Berlin – Galerie für Digitale Kunst, 2010
artdaily.com
[5] Art Daily "Artist Duo Ubermorgen.com Celebrate Tenth Anniversary with New Book"
[25] Cornelia Sollfrank, 2009, "Das Genie von übermorgen"
books.google.com
[6] AG Borderline-Kongress (ed), BORDERLINE – Strategien u. Taktiken f. Kunst u. soziale Praxis, Wiesbaden 2002, p.21-32 (ISBN3-8311-3775-7)
[12] AG Borderline-Kongress (ed), BORDERLINE – Strategien u. Taktiken f. Kunst u. soziale Praxis, Wiesbaden 2002, p.33-42, Reinhold Grether on"Wie die etoy Kampagne gefuehrt wurde – ein Agentenbericht" (ISBN3-8311-3775-7)
[29] TORTURECLASSICS.COM, UBERMORGEN.COM feat. James Powderly, Korea music torture performance 2010 and Beerboarding Performance Ars Electronica Linz [30]
g26.ch
[26] Niki de Saint Phalle 29.10.1930 Neuilly – 21.5.2002 San Diego
[22] Keynote & Superenhanced Installation at [ISEA]09 in [Belfast], [Northern Ireland]
m-cult.org
[27] Bringing Capitalism and Democracy Closer Together, HANS BERNHARD / Ubermorgen Interviewed by Olga Goriunova and Alexei Shulgin
medienkunstnetz.de
[7] Media Art Net / Medienkunstnetz, artist biography UBERMORGEN.COM
newartfoundation.art
.NewArt { foundation;}, “ARCO – BEEP Electronic Art Award”, Fourth edition.[37] „Am Kunstmarkt von Übermorgen“, in: Der Standard, 15.05.2009.[38]
newmediafix.net
Gamescenes: the book, M. Bittanti, D. Quaranta (eds), GameScenes. Art in the Age of Videogames, Milan, Johan & Levi Editore, Milano 2006 (ISBN978-8860100108)
rhizome.org
[28] OVERGADEN Institute of Contemporary Art in collaboration with Artnode, parallel solo exhibitions Heath Bunting/UBERMORGEN.COM
[29] TORTURECLASSICS.COM, UBERMORGEN.COM feat. James Powderly, Korea music torture performance 2010 and Beerboarding Performance Ars Electronica Linz [30]
transmediale.de
[14] Christian Ulrik Andersen, Soeren Bro Pold (eds), Interface Criticism. Aesthetics Beyond Buttons, Aarhus University Press, Aarhus 2011 (ISBN978-8779345041)
ubermorgen.com
UBERMORGEN.COM Manifesto, RC1 (release-copy 1) presented at "Positions in Flux" Symposium, The Netherlands Media Art Institute Amsterdam, 8.5.2009, published online Vienna, 28.7.2009
[3][4] Alessandro Ludovico (ed), UBERMORGEN.COM – MEDIA HACKING VS. CONCEPTUAL ART, Christoph Merian Verlag, Basel 2009 (ISBN978-3856164607), p.198-299
[13] Authorized copy of 194.152.164.137, a collaborative project by lizvlx and Andrea Mayr
Das Kunstwerk der Zukunft Inga Reimers writes in her masters thesis "(Selbst-)Inszenierung – Praxis – Kunst. Eine kulturwissenschaftliche Annäherung an das „hybrid Gesamtkunstwerk ubermorgen.com“ about the relation of the "Gesamtkunstwerk" and Richard Wagner "Das Kunstwerk der Zukunft" [18], Universität Hamburg, 2009
[23][24] Project website and images, Installation exhibited 18.2. – 29.2.2004 at [Kunsthaus Graz]
