Analysis of information sources in references of the Wikipedia article "Versus populum" in English language version.
Some altar-tables have been built freestanding, with this kind of celebration in mind. But also some currently wall connected altars can be carefully moved to a new position, can be made to be freestanding. In yet other places, the old wall-altar cannot be moved but can be de-emphasized, become perhaps a place of flowers or a table for the vessels for holy communion (a "credence table"), while a significant new table is set up, closer to the oleo and standing free.
In subsequent centuries the practice was clearly understood as rooted in Scripture and tradition and survived the Reformation in the Church of England. According to Dearmer: The ancient custom of turning to the East, or rather to the altar, for the Gloria Patri and the Gloria in Excelsis survived through the slovenly times, and is now common amongst us. (The choir also turned to the altar for the intonation of the Te Deum, and again for its last verse.) We get a glimpse of the custom after the last revision [i.e. 1662] from a letter which Archdeacon Heweston wrote in 1686 to the great Bishop Wilson (then at his ordination as deacon), telling him to 'turn towards the East whenever the Gloria Patri and the Creeds are rehearsing': of this and other customs he says, 'which thousands of good people of our Church practice at this day.' The practice here mentioned of turning to the East for the Creeds was introduced by the Laudian school, despite the direction in the Book of Common Prayer that ministers stand at the north-side of the table. It may well be doubted whether there is any reason for turning to the East to sing that 'Confession of our Christian Faith' which is 'commonly called the Creed of Saint Athanasius'… the proper use is to turn to the altar only for the Gloria Patri at its conclusion. [p. 198-199] It should be made clear that showing reverence to the altar or holy table, (historically Anglicans have used these terms interchangeably with varying emphasis over the centuries), when passing it, or in coming or going from the church etc. are indications of reverence for what occurs upon it, and not to be confused with turning to the East for the Creed, or when expressly addressing the Blessed Trinity in praise. This is admittedly slightly confusing, especially in churches which do not have an actual Eastward orientation. In such cases the direction of the church is presumed to be symbolically Eastward, and facing the direction of the principal altar is taken as East-facing, but Anglicans do not, as is sometimes supposed, face the altar for the Creed etc., rather it is the altar is aligned with our actual or symbolic orientation. The Hierurgia Anglicana records that the ancient practice of Eastward recitations were still retained at Manchester Cathedral in 1870, and Procter and Frere record that the custom at Salisbury, for recitation of the Nicene Creed only, "was for the choir to face the altar at the opening words, till they took up the singing, to turn to the altar again for the bowing at the Incarnatus, and again at the last clause to face the altar until the Offertory." [p. 391] J. Wickham Legg observed: "It will be noticed how persistent has been the custom in the Church of England of turning to the East at the Apostles' Creed. Toward the end of the nineteenth century certain persons, hangers onto the High Church school, though unworthy of that honored name, discovered that the custom was only English, and they discontinued it in their persons." However Legg points out that it was recorded in seventeenth century France and it would seem to have been rather more widely observed than the Anglo-papalists he decries could have known. This would seem to be another instance of the liturgical conservatism of the English Church preserving a distinctive and once more universal expression of popular devotion otherwise abandoned. Another instance of orientation was the now much rarer custom of turning to the East for the Doxology at the conclusion of the recitation of each Psalm, particularly by those in choir. This was the custom at Probus in Cornwall in the early years of the nineteenth century, as it was in rural North Devon long before the influence of Puseyism: "all the singing time they used to face West, staring at the gallery, with its faded green curtains; and then; when the Gloria came, they all turned 'right about' and faced Eastward." [Legg, p. 180]
Many Episcopalians remember a time when the altars in most Episcopal churches were attached to the wall beyond the altar rail. The Celebrant at the Eucharist would turn to the altar and have his back – his back, never hers in those days – to the congregation during the Eucharistic Prayer and the consecration of the bread and wine. Over the course of the last forty years or so, a great many of those altars have either been removed and pulled out away from the wall or replaced by the kind of freestanding table-like altar we now use at St. Paul's, Ivy. This was a response to the popular sentiment that the priest ought not turn his or her back to the people during the service; the perception was that this represented an insult to the laity and their centrality in worship. Thus developed today's widespread practice in which the clergy stand behind the altar facing the people.
In subsequent centuries the practice was clearly understood as rooted in Scripture and tradition and survived the Reformation in the Church of England. According to Dearmer: The ancient custom of turning to the East, or rather to the altar, for the Gloria Patri and the Gloria in Excelsis survived through the slovenly times, and is now common amongst us. (The choir also turned to the altar for the intonation of the Te Deum, and again for its last verse.) We get a glimpse of the custom after the last revision [i.e. 1662] from a letter which Archdeacon Heweston wrote in 1686 to the great Bishop Wilson (then at his ordination as deacon), telling him to 'turn towards the East whenever the Gloria Patri and the Creeds are rehearsing': of this and other customs he says, 'which thousands of good people of our Church practice at this day.' The practice here mentioned of turning to the East for the Creeds was introduced by the Laudian school, despite the direction in the Book of Common Prayer that ministers stand at the north-side of the table. It may well be doubted whether there is any reason for turning to the East to sing that 'Confession of our Christian Faith' which is 'commonly called the Creed of Saint Athanasius'… the proper use is to turn to the altar only for the Gloria Patri at its conclusion. [p. 198-199] It should be made clear that showing reverence to the altar or holy table, (historically Anglicans have used these terms interchangeably with varying emphasis over the centuries), when passing it, or in coming or going from the church etc. are indications of reverence for what occurs upon it, and not to be confused with turning to the East for the Creed, or when expressly addressing the Blessed Trinity in praise. This is admittedly slightly confusing, especially in churches which do not have an actual Eastward orientation. In such cases the direction of the church is presumed to be symbolically Eastward, and facing the direction of the principal altar is taken as East-facing, but Anglicans do not, as is sometimes supposed, face the altar for the Creed etc., rather it is the altar is aligned with our actual or symbolic orientation. The Hierurgia Anglicana records that the ancient practice of Eastward recitations were still retained at Manchester Cathedral in 1870, and Procter and Frere record that the custom at Salisbury, for recitation of the Nicene Creed only, "was for the choir to face the altar at the opening words, till they took up the singing, to turn to the altar again for the bowing at the Incarnatus, and again at the last clause to face the altar until the Offertory." [p. 391] J. Wickham Legg observed: "It will be noticed how persistent has been the custom in the Church of England of turning to the East at the Apostles' Creed. Toward the end of the nineteenth century certain persons, hangers onto the High Church school, though unworthy of that honored name, discovered that the custom was only English, and they discontinued it in their persons." However Legg points out that it was recorded in seventeenth century France and it would seem to have been rather more widely observed than the Anglo-papalists he decries could have known. This would seem to be another instance of the liturgical conservatism of the English Church preserving a distinctive and once more universal expression of popular devotion otherwise abandoned. Another instance of orientation was the now much rarer custom of turning to the East for the Doxology at the conclusion of the recitation of each Psalm, particularly by those in choir. This was the custom at Probus in Cornwall in the early years of the nineteenth century, as it was in rural North Devon long before the influence of Puseyism: "all the singing time they used to face West, staring at the gallery, with its faded green curtains; and then; when the Gloria came, they all turned 'right about' and faced Eastward." [Legg, p. 180]
