Visual art of Singapore (English Wikipedia)

Teh, David (2017). "Insular Visions: notes on video art in Singapore". The Japan Foundation Asia Center Art Studies. 3. Archived from the original on 8 January 2023. Retrieved 17 May 2021 – via Academia.org.
Lee, Weng Choy (1996). "Chronology of a Controversy". In Krishnan, S.K. Sanjay; Lee, Weng Choy; Perera, Leon; Yap, Jimmy (eds.). Looking at Culture. Singapore: Artres Design & Communications. ISBN 981-00-6714-3. Archived from the original on 8 June 2020.
Soon, Simon (2015). "Moving Suara for sovereignty: Reading the shifts in 1950's Modern Art Discourses in Malay through Kamus Politik". Dato' Hoessein Enas: From His Personal Collection. Kuala Lumpur, Malaysia: IB Tower Gallery Sdn Bhd. pp. 116–137. ISBN 978-967-13509-0-4. Archived from the original on 12 April 2023. Retrieved 20 January 2022.
Teh, David (2017). "Insular Visions: notes on video art in Singapore". The Japan Foundation Asia Center Art Studies. 3. Archived from the original on 17 May 2021. Retrieved 17 May 2021 – via Academia.org.
Low, Yvonne (2011). "Positioning Singapore's Contemporary Art". Journal of Maritime Geopolitics and Culture. 2 (1&2): 115–137.

annals.edu.sg

Teo, ES (July 2005). "The History of the College of Medicine and Tan Teck Guan Buildings" (PDF). PMID 16010381. Archived from the original (PDF) on 24 October 2005. Retrieved 25 January 2010.

archive.today

"Power 100: Most influential people in 2019 in the contemporary artworld: Bose Krishnamachari & Shubigi Rao". ArtReview. 2019. Archived from the original on 26 July 2020. Retrieved 26 July 2020.

artasiapacific.com

Lingham, Susie (November 2011). "Art and Censorship in Singapore: Catch 22?". ArtAsiaPacific (76). Archived from the original on 15 September 2014. Retrieved 8 June 2020.

artreview.com

"Power 100: Most influential people in 2019 in the contemporary artworld: Ho Tzu Nyen". ArtReview. 2019. Archived from the original on 11 August 2020. Retrieved 11 August 2020.
"Power 100: Most influential people in 2019 in the contemporary artworld: Bose Krishnamachari & Shubigi Rao". ArtReview. 2019. Archived from the original on 26 July 2020. Retrieved 26 July 2020.

asiaexplorers.com

"Old Supreme Court Building, Singapore, Singapore | AsiaExplorers". Archived from the original on 28 March 2015. Retrieved 31 March 2015.

books.google.com

Victor R Savage; Brenda Yeoh (15 June 2013). Singapore Street Names: A Study of Toponymics. Marshall Cavendish. p. 381. ISBN 978-981-4484-74-9. Archived from the original on 12 April 2023. Retrieved 18 May 2021.
Sally Church (2008). by Helaine Selin (ed.). Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures (2nd ed.). Springer. pp. 2354–2355. ISBN 978-1-4020-4559-2.

centralsingapore.org.sg

Ting Szu Kiong (2005). "Nanyang Art". Central Singapore Community Development Council. Archived from the original (article) on 27 December 2009. Retrieved 6 August 2010.

countrystudies.us

"Singapore – Road to Independence". U.S. Library of Congress. Archived from the original on 4 July 2014. Retrieved 27 June 2006.

currentsjournal.net

Rahmat, Nurdiana (2021). "Terms and Conditions: Re-examining Singapore Art History Through the Art Making Experiences of Early Malay Women Artists". Currents Journal. Archived from the original on 16 January 2022. Retrieved 16 January 2022.

doi.org

Abdullah, Sarena (21 December 2018). "Expanding the Historical Narrative of Early Visual Modernity in Malaya". Wacana Seni Journal of Arts Discourse. 17: 41–75. doi:10.21315/ws2018.17.2.
Toh, Charmaine (October 2018). "Pictorialism and Modernity in Singapore, 1950–60". Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (2): 9–31. doi:10.1353/sen.2018.0013. S2CID 192678258. Archived from the original on 7 July 2022. Retrieved 23 May 2021 – via Project MUSE.
Legaspi-Ramirez, Eileen (March 2019). "Art on the Back Burner: Gender as the Elephant in the Room of Southeast Asian Art Histories". Southeast of Now: Directions in Contemporary and Modern Art in Asia. 3 (1): 25–48. doi:10.1353/sen.2019.0002. S2CID 166232952. Retrieved 8 June 2020.

esplanade.com

"T.K. Sabapathy". Esplanade Offstage. 12 October 2016. Archived from the original on 27 February 2021. Retrieved 27 February 2021.

issuu.com

Seng, Yu Jin (2017). "Claiming the Modern: The Modern Art Society's Inaugural Exhibition in 1963 within a Timeline of Singapore Art". In Seng, Yu Jin; Tan, Ping Chiang (eds.). Transcend: 50 Years of Singapore Modern Art. Singapore: Iola Liu. pp. 14–21. ISBN 978-981-11-3759-4. Retrieved 19 January 2024.

jhu.edu

muse.jhu.edu

Toh, Charmaine (October 2018). "Pictorialism and Modernity in Singapore, 1950–60". Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (2): 9–31. doi:10.1353/sen.2018.0013. S2CID 192678258. Archived from the original on 7 July 2022. Retrieved 23 May 2021 – via Project MUSE.
Legaspi-Ramirez, Eileen (March 2019). "Art on the Back Burner: Gender as the Elephant in the Room of Southeast Asian Art Histories". Southeast of Now: Directions in Contemporary and Modern Art in Asia. 3 (1): 25–48. doi:10.1353/sen.2019.0002. S2CID 166232952. Retrieved 8 June 2020.

lifestyleasia.com

Nurjuwita, Dewi (28 August 2018). "Q&A: Suzann Victor on paving her way as a female Singaporean artist in the 1980s". Lifestyle Asia. Archived from the original on 8 June 2020. Retrieved 9 June 2020.

lta.gov.sg

"Getting Around - Public Transport - A Better Public Transport Experience - Art in Transit". LTA. 7 April 2020. Archived from the original on 21 April 2020. Retrieved 23 June 2022.
"Art in Transit brochure" (PDF). Land Transport Authority. Archived from the original (PDF) on 30 August 2005. Retrieved 23 June 2022.

malayheritage.gov.sg

Mereka Utusan: Imprinting Malay Modernity, 1920s-1960s (PDF). Singapore: Malay Heritage Centre. 2016.

mindef.gov.sg

Jenny Ng (7 February 1997). "1819 – The February Documents". Ministry of Defence (Singapore). Archived from the original on 17 July 2017. Retrieved 18 July 2006.

mothership.sg

Lim, Melanie (19 November 2019). "LTA looking for artists to spruce up Punggol Coast MRT station, applications close Dec. 19, 2019". Mothership. Bridgewater Holdings Pte Ltd. Archived from the original on 27 March 2022. Retrieved 23 June 2022.

nas.gov.sg

"Oral History Interviews: GUNARATNAM Annaratnam (Mrs)". National Archives Singapore. Retrieved 3 June 2024.

newnaratif.com

Joraimi, Faris (9 September 2017). "A History of Malay Singaporeans in Ten Objects". New Naratif. Archived from the original on 28 April 2021. Retrieved 19 May 2021.

nih.gov

pubmed.ncbi.nlm.nih.gov

Teo, ES (July 2005). "The History of the College of Medicine and Tan Teck Guan Buildings" (PDF). PMID 16010381. Archived from the original (PDF) on 24 October 2005. Retrieved 25 January 2010.

nl.sg

microsite.nl.sg

Yeo, Alicia (April 2006). "Singapore Art, Nanyang Style" (PDF). BiblioAsia. 2 (1): 4–11. Archived from the original (PDF) on 31 August 2021 – via National Library Board, Singapore.

infopedia.nl.sg

Balagopal, Roberta; Yeo, Alicia (31 August 2009). "The Nanyang Style". National Library Board. Archived from the original (article) on 10 March 2011. Retrieved 6 August 2010.

nlb.gov.sg

eresources.nlb.gov.sg

Cornelius-Takahama, Vernon (30 March 2000). "The Singapore Stone". Singapore Infopedia, National Library, Singapore. Archived from the original on 29 November 2020. Retrieved 16 October 2016.
Tan, Bonny (July 2020). "Statue of Stamford Raffles". National Library Board Singapore Infopedia. Retrieved 3 June 2024.
Tan, Bonny (2016). "Liu Kang". NLB Infopedia. Archived from the original on 5 May 2021. Retrieved 19 May 2021.
Yeo, Alicia Kay Ling (2016). "Equator Art Society". NLB Infopedia. Archived from the original on 5 May 2021. Retrieved 26 August 2021.
Lim, Siew Kim; Goh, Lee Kim (2017). "Singapore Biennale". NLB Infopedia. Archived from the original on 15 July 2020. Retrieved 21 October 2020.

biblioasia.nlb.gov.sg

Ramli, Nadia (2019). "Creative Collectives: Abdul Ghani Hamid and His Contemporaries". BiblioAsia. (Jan-Mar 2019) 14 (4): 56–59. Archived from the original on 16 January 2022. Retrieved 16 January 2022.

nytimes.com

Kolesnikov-Jessop, Sonia (17 August 2010). "Singapore's Once Unruly Young Artist, Still Poking at Social Norms". New York Times. Archived from the original on 8 June 2020. Retrieved 6 September 2011.

postcolonialweb.org

Kwok, Kian Chow (1996). Channels & Confluences: A History of Singapore Art. Singapore: Singapore Art Museum. p. 71. ISBN 981-00-7488-3. Archived from the original on 17 May 2021. Retrieved 17 May 2021.

rhizome.org

anthology.rhizome.org

"alpha 3.4". Rhizome Net Art Anthology. 27 October 2016. Archived from the original on 1 February 2021. Retrieved 22 May 2021.

roots.gov.sg

"Mavis". Roots.sg. Archived from the original on 13 March 2022. Retrieved 20 April 2023.

semanticscholar.org

api.semanticscholar.org

Toh, Charmaine (October 2018). "Pictorialism and Modernity in Singapore, 1950–60". Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (2): 9–31. doi:10.1353/sen.2018.0013. S2CID 192678258. Archived from the original on 7 July 2022. Retrieved 23 May 2021 – via Project MUSE.
Legaspi-Ramirez, Eileen (March 2019). "Art on the Back Burner: Gender as the Elephant in the Room of Southeast Asian Art Histories". Southeast of Now: Directions in Contemporary and Modern Art in Asia. 3 (1): 25–48. doi:10.1353/sen.2019.0002. S2CID 166232952. Retrieved 8 June 2020.

singaporefringe.com

"Curatorial Brief: Still Waters". M1 Singapore Fringe Festival. 2019. Archived from the original on 11 June 2020. Retrieved 11 June 2020.

ssrn.com

papers.ssrn.com

Miksic, John N. (1985). Archaeological Research on the 'Forbidden Hill' of Singapore: Excavations at Fort Canning, 1984. Singapore: National Museum. pp. 13, 40, 41. ISBN 9971-917-16-5. The information is referred to in Lee, Jack Tsen-Ta (September 2004). "Treaties, Time Limits and Treasure Trove: The Legal Protection of Cultural Objects in Singapore". Art, Antiquity & Law. 9 (3): 237 at 239–240. SSRN 631781..

straitstimes.com

Shetty, Deepika (14 September 2015). "Highlights from the National Museum of Singapore's new permanent galleries". The Straits Times. Archived from the original on 3 August 2016. Retrieved 19 May 2021.
Huang, Lijie (28 July 2014). "Artist Suzann Victor keeps pushing boundaries to connect with the public through art". The Straits Times. Archived from the original on 8 June 2020. Retrieved 8 June 2020.
Nanda, Akshita (6 May 2015). "Singapore signs 20-year lease on Venice Biennale pavilion". The Straits Times. Archived from the original on 24 November 2015. Retrieved 22 May 2021.

supremecourt.gov.sg

app.supremecourt.gov.sg

"Milestones in Singapore's Legal History". Supreme Court, Singapore. Retrieved 18 July 2006.^{[dead link‍]}

tav.org.sg

Seng, Yu Jin (2009). "Re-visiting the Emergence of The Artists Village". The Artists Village: 20 Years On (PDF). Singapore Art Museum and The Artists Village. p. 13. Archived from the original (PDF) on 7 June 2020. Retrieved 18 January 2024.
Kwok, Kian Woon (2009). "Introduction: Locating and Positioning the Artists Village in Singapore and Beyond". The Artists Village: 20 Years On (PDF). Singapore Art Museum and The Artists Village. p. 1. Archived from the original (PDF) on 7 June 2020. Retrieved 18 January 2024.

theartling.com

See, Grace Ignacia (3 January 2019). "An Interview with Suzann Victor: 'Still Waters' Then & Now". The Artling. Archived from the original on 9 June 2020. Retrieved 9 June 2020.

usm.my

ejournal.usm.my

Abdullah, Sarena (21 December 2018). "Expanding the Historical Narrative of Early Visual Modernity in Malaya". Wacana Seni Journal of Arts Discourse. 17: 41–75. doi:10.21315/ws2018.17.2.

web.archive.org

"T.K. Sabapathy". Esplanade Offstage. 12 October 2016. Archived from the original on 27 February 2021. Retrieved 27 February 2021.
Teh, David (2017). "Insular Visions: notes on video art in Singapore". The Japan Foundation Asia Center Art Studies. 3. Archived from the original on 8 January 2023. Retrieved 17 May 2021 – via Academia.org.
Lee, Weng Choy (1996). "Chronology of a Controversy". In Krishnan, S.K. Sanjay; Lee, Weng Choy; Perera, Leon; Yap, Jimmy (eds.). Looking at Culture. Singapore: Artres Design & Communications. ISBN 981-00-6714-3. Archived from the original on 8 June 2020.
Lingham, Susie (November 2011). "Art and Censorship in Singapore: Catch 22?". ArtAsiaPacific (76). Archived from the original on 15 September 2014. Retrieved 8 June 2020.
Joraimi, Faris (9 September 2017). "A History of Malay Singaporeans in Ten Objects". New Naratif. Archived from the original on 28 April 2021. Retrieved 19 May 2021.
Cornelius-Takahama, Vernon (30 March 2000). "The Singapore Stone". Singapore Infopedia, National Library, Singapore. Archived from the original on 29 November 2020. Retrieved 16 October 2016.
Victor R Savage; Brenda Yeoh (15 June 2013). Singapore Street Names: A Study of Toponymics. Marshall Cavendish. p. 381. ISBN 978-981-4484-74-9. Archived from the original on 12 April 2023. Retrieved 18 May 2021.
"島夷誌略". Archived from the original on 1 December 2020. Retrieved 18 May 2021.
Jenny Ng (7 February 1997). "1819 – The February Documents". Ministry of Defence (Singapore). Archived from the original on 17 July 2017. Retrieved 18 July 2006.
Yeo, Alicia (April 2006). "Singapore Art, Nanyang Style" (PDF). BiblioAsia. 2 (1): 4–11. Archived from the original (PDF) on 31 August 2021 – via National Library Board, Singapore.
Shetty, Deepika (14 September 2015). "Highlights from the National Museum of Singapore's new permanent galleries". The Straits Times. Archived from the original on 3 August 2016. Retrieved 19 May 2021.
Balagopal, Roberta; Yeo, Alicia (31 August 2009). "The Nanyang Style". National Library Board. Archived from the original (article) on 10 March 2011. Retrieved 6 August 2010.
Teo, ES (July 2005). "The History of the College of Medicine and Tan Teck Guan Buildings" (PDF). PMID 16010381. Archived from the original (PDF) on 24 October 2005. Retrieved 25 January 2010.
"Category:Allegory of Justice (Singapore) - Wikimedia Commons". commons.wikimedia.org. Archived from the original on 4 November 2013. Retrieved 19 November 2011.
"Old Supreme Court Building, Singapore, Singapore | AsiaExplorers". Archived from the original on 28 March 2015. Retrieved 31 March 2015.
"Mavis". Roots.sg. Archived from the original on 13 March 2022. Retrieved 20 April 2023.
Tan, Bonny (2016). "Liu Kang". NLB Infopedia. Archived from the original on 5 May 2021. Retrieved 19 May 2021.
Soon, Simon (2015). "Moving Suara for sovereignty: Reading the shifts in 1950's Modern Art Discourses in Malay through Kamus Politik". Dato' Hoessein Enas: From His Personal Collection. Kuala Lumpur, Malaysia: IB Tower Gallery Sdn Bhd. pp. 116–137. ISBN 978-967-13509-0-4. Archived from the original on 12 April 2023. Retrieved 20 January 2022.
Apad: Tradition, Innovation & Continuity. Singapore: Singapore Art Museum & Angkatan Pelukis Aneka Daya. 2008. ISBN 978-981-08-2092-3. Archived from the original on 16 January 2022. Retrieved 16 January 2022.
Ramli, Nadia (2019). "Creative Collectives: Abdul Ghani Hamid and His Contemporaries". BiblioAsia. (Jan-Mar 2019) 14 (4): 56–59. Archived from the original on 16 January 2022. Retrieved 16 January 2022.
Ting Szu Kiong (2005). "Nanyang Art". Central Singapore Community Development Council. Archived from the original (article) on 27 December 2009. Retrieved 6 August 2010.
Toh, Charmaine (October 2018). "Pictorialism and Modernity in Singapore, 1950–60". Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (2): 9–31. doi:10.1353/sen.2018.0013. S2CID 192678258. Archived from the original on 7 July 2022. Retrieved 23 May 2021 – via Project MUSE.
Yeo, Alicia Kay Ling (2016). "Equator Art Society". NLB Infopedia. Archived from the original on 5 May 2021. Retrieved 26 August 2021.
Kwok, Kian Chow (1996). Channels & Confluences: A History of Singapore Art. Singapore: Singapore Art Museum. p. 71. ISBN 981-00-7488-3. Archived from the original on 17 May 2021. Retrieved 17 May 2021.
Rahmat, Nurdiana (2021). "Terms and Conditions: Re-examining Singapore Art History Through the Art Making Experiences of Early Malay Women Artists". Currents Journal. Archived from the original on 16 January 2022. Retrieved 16 January 2022.
"Singapore – Road to Independence". U.S. Library of Congress. Archived from the original on 4 July 2014. Retrieved 27 June 2006.
Teh, David (2017). "Insular Visions: notes on video art in Singapore". The Japan Foundation Asia Center Art Studies. 3. Archived from the original on 17 May 2021. Retrieved 17 May 2021 – via Academia.org.
Kolesnikov-Jessop, Sonia (17 August 2010). "Singapore's Once Unruly Young Artist, Still Poking at Social Norms". New York Times. Archived from the original on 8 June 2020. Retrieved 6 September 2011.
Seng, Yu Jin (2009). "Re-visiting the Emergence of The Artists Village". The Artists Village: 20 Years On (PDF). Singapore Art Museum and The Artists Village. p. 13. Archived from the original (PDF) on 7 June 2020. Retrieved 18 January 2024.
Kwok, Kian Woon (2009). "Introduction: Locating and Positioning the Artists Village in Singapore and Beyond". The Artists Village: 20 Years On (PDF). Singapore Art Museum and The Artists Village. p. 1. Archived from the original (PDF) on 7 June 2020. Retrieved 18 January 2024.
Huang, Lijie (28 July 2014). "Artist Suzann Victor keeps pushing boundaries to connect with the public through art". The Straits Times. Archived from the original on 8 June 2020. Retrieved 8 June 2020.
Nurjuwita, Dewi (28 August 2018). "Q&A: Suzann Victor on paving her way as a female Singaporean artist in the 1980s". Lifestyle Asia. Archived from the original on 8 June 2020. Retrieved 9 June 2020.
"Curatorial Brief: Still Waters". M1 Singapore Fringe Festival. 2019. Archived from the original on 11 June 2020. Retrieved 11 June 2020.
See, Grace Ignacia (3 January 2019). "An Interview with Suzann Victor: 'Still Waters' Then & Now". The Artling. Archived from the original on 9 June 2020. Retrieved 9 June 2020.
Nanda, Akshita (6 May 2015). "Singapore signs 20-year lease on Venice Biennale pavilion". The Straits Times. Archived from the original on 24 November 2015. Retrieved 22 May 2021.
"alpha 3.4". Rhizome Net Art Anthology. 27 October 2016. Archived from the original on 1 February 2021. Retrieved 22 May 2021.
Lim, Siew Kim; Goh, Lee Kim (2017). "Singapore Biennale". NLB Infopedia. Archived from the original on 15 July 2020. Retrieved 21 October 2020.
"Getting Around - Public Transport - A Better Public Transport Experience - Art in Transit". LTA. 7 April 2020. Archived from the original on 21 April 2020. Retrieved 23 June 2022.
"Art in Transit brochure" (PDF). Land Transport Authority. Archived from the original (PDF) on 30 August 2005. Retrieved 23 June 2022.
Lim, Melanie (19 November 2019). "LTA looking for artists to spruce up Punggol Coast MRT station, applications close Dec. 19, 2019". Mothership. Bridgewater Holdings Pte Ltd. Archived from the original on 27 March 2022. Retrieved 23 June 2022.
"Power 100: Most influential people in 2019 in the contemporary artworld: Ho Tzu Nyen". ArtReview. 2019. Archived from the original on 11 August 2020. Retrieved 11 August 2020.

wikimedia.org

commons.wikimedia.org

"Category:Allegory of Justice (Singapore) - Wikimedia Commons". commons.wikimedia.org. Archived from the original on 4 November 2013. Retrieved 19 November 2011.

wikisource.org

zh.wikisource.org

"島夷誌略". Archived from the original on 1 December 2020. Retrieved 18 May 2021.

worldcat.org

search.worldcat.org

Paul Wheatley (1961). The Golden Khersonese: Studies in the Historical Geography of the Malay Peninsula before A.D. 1500. Kuala Lumpur: University of Malaya Press. pp. 151–152. OCLC 504030596.
Paul Wheatley (1961). The Golden Khersonese: Studies in the Historical Geography of the Malay Peninsula before A.D. 1500. Kuala Lumpur: University of Malaya Press. pp. 82–83. OCLC 504030596.

youtube.com

"4. Art and Building Highlights: Malay House, Malacca by Mohamad Salehuddin". YouTube. 8 August 2020.

yumpu.com

Apad: Tradition, Innovation & Continuity. Singapore: Singapore Art Museum & Angkatan Pelukis Aneka Daya. 2008. ISBN 978-981-08-2092-3. Archived from the original on 16 January 2022. Retrieved 16 January 2022.