Western film (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Western film" in English language version.

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29books.google.com

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3doi.org

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3worldcat.org

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2nytimes.com

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2jstor.org

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afi.com

"America's 10 Greatest Films in 10 Classic Genres". American Film Institute. Retrieved 2010-06-06.

bbc.co.uk

"World's first Western movie 'filmed in Blackburn'". BBC News. 2019-10-31. Retrieved 1 November 2019.

bfi.org.uk

player.bfi.org.uk

"Kidnapping by Indians". BFI. Retrieved 1 November 2019.

books.google.com

Rubin, Joan Shelley; Casper, Scott E., eds. (2013). The Oxford Encyclopedia of American Cultural and Intellectual History. Vol. 2. Oxford University Press. ISBN 978-0-19-976435-8.
Simmon, Scott (2003-06-30). The Invention of the Western Film: A Cultural History of the Genre's First Half Century. Cambridge University Press. ISBN 978-0-521-55581-4.
McMahan, Alison. Alice Guy Blaché: Lost Visionary of the Cinema. Continuum. p. 122. ISBN 978-1-5013-4023-9.
Verhoeff, Nanna (2006-01-01). The West in Early Cinema: After the Beginning. Amsterdam University Press. p. 123. ISBN 978-90-5356-831-6.
Aron, Stephen (2015). The American West: A Very Short Introduction. Oxford University Press. p. 110. ISBN 978-0-19-985893-4.
Munn, Michael (2005-03-01). John Wayne: The Man Behind the Myth. Penguin. p. 50. ISBN 978-1-101-21026-0.
Matheson, Sue (2016-02-18). The Westerns and War Films of John Ford. Rowman & Littlefield. p. 20. ISBN 978-1-4422-6106-8.
MacDonald, J. Fred (1987). Who Shot the Sheriff?: The Rise and Fall of the Television Western. Praeger. pp. xi. ISBN 978-0-275-92326-6.
Lusted, David (2003). The Western. Pearson/Longman. p. 78. ISBN 978-0-582-43736-4.
Parks, Rita (1982). The Western Hero in Film and Television: Mass Media Mythology. UMI Research Press. p. 57. ISBN 978-0-8357-1287-3.
Day, Kirsten (2016-05-31). Cowboy Classics: The Roots of the American Western in the Epic Tradition. Edinburgh University Press. p. 14. ISBN 978-1-4744-0247-7.
McMahan, Alison (2014-08-22). Alice Guy Blaché: Lost Visionary of the Cinema. Bloomsbury Publishing USA. p. 133. ISBN 978-1-5013-0268-8.
Smith, Henry Nash (1978). Virgin Land: The American West as Symbol and Myth. Harvard University Press. ISBN 978-0-674-93955-4.
French, Philip (1973). Westerns: Aspects of a Movie Genre and Westerns Revisited. Carcanet. ISBN 978-1-85754-747-4.
Indick, William (2014-11-21). The Psychology of the Western: How the American Psyche Plays Out on Screen. McFarland. pp. 8, 12. ISBN 978-0-7864-9211-4. [T]he principal archetype of the genre, the Western hero, is analyzed within the context of his various personas: the chivalrous cowboy, the honorable marshal, the lone crusader, and the rebel outlaw... He is more comfortable living in the open fronteir than in the cities, and most importantly, he does not conform to the laws and customs of civilized society. He answers only to his own code of honor and enforces his own personal brand of justice... [W]riters established the cowboy hero as the legendary icon of the West. They dressed him in chaps and a ten-gallon hat, straddled him atop a horse, armed him with a revolver, and set him loose on the Western plains.
Sarf, Wayne Michael (1983). God Bless You, Buffalo Bill: A Layman's Guide to History and the Western Film. Fairleigh Dickinson University Press. p. 237. ISBN 978-0-8453-4732-4.
Fenin, George N.; Everson, William K. (1962). The Western: From Silents to Cinerama. New York City: Bonanza Books. p. 47. ISBN 978-1-163-70021-1.
Indick, William (2008-09-10). The Psychology of the Western: How the American Psyche Plays Out on Screen. McFarland. p. 2. ISBN 978-0-7864-3460-2.
Gilmore, Brad (2021). Back From the Future: A Celebration of the Greatest Time Travel Story Ever Told. Coral Gables: Mango Publishing Group. pp. 36–37. ISBN 9781642507249. Retrieved October 30, 2023.
Williams, Eric (2017-09-05). The Screenwriters Taxonomy: A Collaborative Approach to Creative Storytelling. Taylor & Francis. p. 21. ISBN 978-1-351-61066-7.
Indick, William (2014-11-21). The Psychology of the Western: How the American Psyche Plays Out on Screen. McFarland. p. 17. ISBN 978-0-7864-9211-4. The Western hero himself epitomizes the animus archetype. He is a character that is completely and utterly masculine... In turn, the Native American is often portrayed as the shadow archetype, the representative of savage, wild emotions, and the dark adversary for the hero in their oedipal rivalry over the maternal landscape.
Larson, Stephanie Greco (2006). Media & Minorities: The Politics of Race in News and Entertainment. Rowman & Littlefield. p. 51. ISBN 978-0-8476-9453-2.
Hanfling, Barrie (2016-04-21). Westerns and the Trail of Tradition: A Year-by-Year History, 1929-1962. McFarland. p. 14. ISBN 978-1-4766-0836-5.
Grant, Barry Keith (2003). John Ford's Stagecoach. Cambridge University Press. p. 9. ISBN 978-0-521-79743-6.
Ferrell, William K. (2000-02-28). Literature and Film as Modern Mythology. Bloomsbury Publishing USA. pp. 59–60. ISBN 978-0-313-00286-1.
Indick, William (2014-11-21). The Psychology of the Western: How the American Psyche Plays Out on Screen. McFarland. pp. 16–17. ISBN 978-0-7864-9211-4. [T]he role of the landscape is typically accentuated, making the scenery in the Western as equally import a character as the hero or villain... a good Western must import a strong sense of the frontier landscape... to depict the glory and majesty of the frontier landscape.
Bandy, Mary Lea; Stoehr, Kevin L. (October 2012). Ride, Boldly Ride: The Evolution of the American Western. University of California Press. p. 88. ISBN 978-0-520-25866-2.
Lenihan, John H. (1980). Showdown, Confronting Modern America in the Western Film. University of Illinois Press. p. 72. ISBN 978-0-252-01254-9.
Cowie, Peter (2004). John Ford and the American West. New York: Harry Abrams Inc. p. 12. ISBN 978-0-8109-4976-8.

californiathroughmylens.com

"Paramount Ranch: Old Movie Town & Westworld Filming Location in Agoura Hills". California Through My Lens. 2014-03-10. Retrieved 2022-07-12.

doi.org

Busby, Mark; Buscombe, Edward; Pearson, Roberta E. (1999). "Back in the Saddle Again: New Essays on the Western". The Western Historical Quarterly. 30 (4). Oxford University Press (OUP): 520. doi:10.2307/971437. ISSN 0043-3810. JSTOR 971437.
Kollin, Susan (1999). "Theorizing the Western". Western American Literature. 34 (2). Project Muse: 238–250. doi:10.1353/wal.1999.0081. ISSN 1948-7142. S2CID 166137254.
Leyda, Julia (2002). "Black-Audience Westerns and the Politics of Cultural Identification in the 1930s". Cinema Journal. 42 (1). [University of Texas Press, Society for Cinema & Media Studies]: 46–70. doi:10.1353/cj.2002.0022. ISSN 0009-7101. JSTOR 1225542. S2CID 143962868. Retrieved March 15, 2023.

harpersbazaar.com

"Western Fashion 2023: Western Boots, Dresses, and Shirts to Shop". Harper's BAZAAR. August 12, 2022. Retrieved March 15, 2023.

italysegreta.com

Butler, Nancy (January 27, 2023). "Inventing America: Spaghetti Westerns and Sergio Leone". Italy Segreta. Retrieved March 15, 2023.

jstor.org

Busby, Mark; Buscombe, Edward; Pearson, Roberta E. (1999). "Back in the Saddle Again: New Essays on the Western". The Western Historical Quarterly. 30 (4). Oxford University Press (OUP): 520. doi:10.2307/971437. ISSN 0043-3810. JSTOR 971437.
Leyda, Julia (2002). "Black-Audience Westerns and the Politics of Cultural Identification in the 1930s". Cinema Journal. 42 (1). [University of Texas Press, Society for Cinema & Media Studies]: 46–70. doi:10.1353/cj.2002.0022. ISSN 0009-7101. JSTOR 1225542. S2CID 143962868. Retrieved March 15, 2023.

loc.gov

"Sioux ghost dance". Library of Congress. 1894. Retrieved 9 September 2021.

menshealth.com

"Why Everyone Suddenly Loves Westerns Again". Men's Health. December 15, 2022. Retrieved March 15, 2023.

netflix.com

"Why Are Westerns Still Popular?". Netflix Tudum. December 27, 2021. Retrieved March 15, 2023.

nytimes.com

"Bronco Billy Anderson Is Dead at 88". The New York Times. 21 January 1971. Retrieved 15 October 2019.
New York Times Magazine (November 10, 2007).

semanticscholar.org

api.semanticscholar.org

Kollin, Susan (1999). "Theorizing the Western". Western American Literature. 34 (2). Project Muse: 238–250. doi:10.1353/wal.1999.0081. ISSN 1948-7142. S2CID 166137254.
Leyda, Julia (2002). "Black-Audience Westerns and the Politics of Cultural Identification in the 1930s". Cinema Journal. 42 (1). [University of Texas Press, Society for Cinema & Media Studies]: 46–70. doi:10.1353/cj.2002.0022. ISSN 0009-7101. JSTOR 1225542. S2CID 143962868. Retrieved March 15, 2023.

theatlantic.com

Gittell, Noah (2014-06-17). "Superheroes Replaced Cowboys at the Movies. But It's Time to Go Back to Cowboys". The Atlantic. Retrieved 2022-07-21.

variety.com

Gray, Tim (January 4, 2019). "Sergio Leone's Spaghetti Westerns Made a Fistful of Dollars and Clint Eastwood a Star". Variety. Retrieved March 15, 2023.

worldcat.org

Busby, Mark; Buscombe, Edward; Pearson, Roberta E. (1999). "Back in the Saddle Again: New Essays on the Western". The Western Historical Quarterly. 30 (4). Oxford University Press (OUP): 520. doi:10.2307/971437. ISSN 0043-3810. JSTOR 971437.
Kollin, Susan (1999). "Theorizing the Western". Western American Literature. 34 (2). Project Muse: 238–250. doi:10.1353/wal.1999.0081. ISSN 1948-7142. S2CID 166137254.
Leyda, Julia (2002). "Black-Audience Westerns and the Politics of Cultural Identification in the 1930s". Cinema Journal. 42 (1). [University of Texas Press, Society for Cinema & Media Studies]: 46–70. doi:10.1353/cj.2002.0022. ISSN 0009-7101. JSTOR 1225542. S2CID 143962868. Retrieved March 15, 2023.

wsj.com

Penny, Daniel (June 23, 2021). "Cowboy Boots in the City? Why Western Style Is Trending". WSJ. Retrieved March 15, 2023.