Clarke 1976, p. 99. Clarke, John (1976). "The Skinheads and the Magical Recovery of Community". In Jefferson, Tony (ed.). Resistance Through Rituals : Youth Subcultures in Post-War Britain. HarperCollins Academic. doi:10.4324/9780203224946. ISBN978-0-203-22494-6.
Brown 2004, pp. 157–158. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Cotter 1999, p. 116. Cotter, John M. (1999). "Sounds of hate: White power rock and roll and the neo-nazi skinhead subculture". Terrorism and Political Violence. 11 (2): 111–140. doi:10.1080/09546559908427509. ISSN0954-6553.
Brown 2004, pp. 158–159, 163. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Brown 2004, pp. 158–159. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Cotter 1999, p. 117. Cotter, John M. (1999). "Sounds of hate: White power rock and roll and the neo-nazi skinhead subculture". Terrorism and Political Violence. 11 (2): 111–140. doi:10.1080/09546559908427509. ISSN0954-6553.
Brown 2004, pp. 162–163. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Cotter 1999, p. 111. Cotter, John M. (1999). "Sounds of hate: White power rock and roll and the neo-nazi skinhead subculture". Terrorism and Political Violence. 11 (2): 111–140. doi:10.1080/09546559908427509. ISSN0954-6553.
Cotter 1999, pp. 112–114. Cotter, John M. (1999). "Sounds of hate: White power rock and roll and the neo-nazi skinhead subculture". Terrorism and Political Violence. 11 (2): 111–140. doi:10.1080/09546559908427509. ISSN0954-6553.
Worger 2012, pp. 272–273. Worger, Peter (2012). "A mad crowd: Skinhead youth and the rise of nationalism in post-communist Russia". Communist and Post-Communist Studies. 45 (3–4): 269–278. doi:10.1016/j.postcomstud.2012.07.015. ISSN0967-067X.
Ventsel 2014, p. 264: "This early [1960s] skinhead era was brief but influential. In the few years before the decline, skinheads emulated their own style of Doc Martens boots, braces, Crombie coats, sheepskin jackets, and mohair suits, in addition to the classic feather cut hairstyle, mini skirt costumes, and fishnet stockings for girls. The style fetishism of the early skinheads was extremely elitist and similar to the mods, details and brands were important." Ventsel, Aimar (2014). "'That Old School Lonsdale': Authenticity and Clothes in German Skinhead Culture". In Cobb, Russell (ed.). The Paradox of Authenticity in a Globalized World. Palgrave Macmillan. pp. 261–275. doi:10.1057/9781137353832_18. ISBN978-1-137-35383-2.
Cooter 2006, p. 147: "Accordingly, at this early stage, the arresting fashion of choice for group members, which would indeed be an emblem for the Skins for more than 20 years, was already visible. The most distinguishing feature of their style of self-presentation was a shaved head or very closely-cropped hair, which not only was practical in the increasing numbers of physical altercations involving Skins, but also was originally meant to be reactionary against both hippie and wealthy, elitist cultures prevalent at the time (Hamm 1993). Other aspects of their dress typically included blue jeans, thin red suspenders, a bomber jacket, and steel-toed combat boots or Doc Martens (Anti-Defamation League N.d.b)." Cooter, Amy Beth (2006). "Neo-Nazi Normalization: The Skinhead Movement and Integration into Normative Structures". Sociological Inquiry. 76 (2): 145–165. doi:10.1111/j.1475-682X.2006.00149.x. ISSN1475-682X. S2CID144299471.
Ventsel 2014, p. 271. Ventsel, Aimar (2014). "'That Old School Lonsdale': Authenticity and Clothes in German Skinhead Culture". In Cobb, Russell (ed.). The Paradox of Authenticity in a Globalized World. Palgrave Macmillan. pp. 261–275. doi:10.1057/9781137353832_18. ISBN978-1-137-35383-2.
Brown 2004, pp. 157–158. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Brown 2004, pp. 158–159, 163. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Brown 2004, pp. 158–159. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Brown 2004, pp. 162–163. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Cooter 2006, p. 147: "Accordingly, at this early stage, the arresting fashion of choice for group members, which would indeed be an emblem for the Skins for more than 20 years, was already visible. The most distinguishing feature of their style of self-presentation was a shaved head or very closely-cropped hair, which not only was practical in the increasing numbers of physical altercations involving Skins, but also was originally meant to be reactionary against both hippie and wealthy, elitist cultures prevalent at the time (Hamm 1993). Other aspects of their dress typically included blue jeans, thin red suspenders, a bomber jacket, and steel-toed combat boots or Doc Martens (Anti-Defamation League N.d.b)." Cooter, Amy Beth (2006). "Neo-Nazi Normalization: The Skinhead Movement and Integration into Normative Structures". Sociological Inquiry. 76 (2): 145–165. doi:10.1111/j.1475-682X.2006.00149.x. ISSN1475-682X. S2CID144299471.
Brown 2004, pp. 157–158. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Cotter 1999, p. 116. Cotter, John M. (1999). "Sounds of hate: White power rock and roll and the neo-nazi skinhead subculture". Terrorism and Political Violence. 11 (2): 111–140. doi:10.1080/09546559908427509. ISSN0954-6553.
Brown 2004, pp. 158–159, 163. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Brown 2004, pp. 158–159. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Cotter 1999, p. 117. Cotter, John M. (1999). "Sounds of hate: White power rock and roll and the neo-nazi skinhead subculture". Terrorism and Political Violence. 11 (2): 111–140. doi:10.1080/09546559908427509. ISSN0954-6553.
Brown 2004, pp. 162–163. Brown, Timothy S. (2004). "Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany". Journal of Social History. 38 (1): 157–178. doi:10.1353/jsh.2004.0079. ISSN0022-4529. S2CID42029805.
Corte & Edwards 2008, p. 5. Corte, Ugo; Edwards, Bob (2008). "White Power Music and the Mobilization of Racist Social Movements". Music and Arts in Action. 1 (1): 4–20. ISSN1754-7105.
Cotter 1999, p. 111. Cotter, John M. (1999). "Sounds of hate: White power rock and roll and the neo-nazi skinhead subculture". Terrorism and Political Violence. 11 (2): 111–140. doi:10.1080/09546559908427509. ISSN0954-6553.
Corte & Edwards 2008, p. 6. Corte, Ugo; Edwards, Bob (2008). "White Power Music and the Mobilization of Racist Social Movements". Music and Arts in Action. 1 (1): 4–20. ISSN1754-7105.
Cotter 1999, pp. 112–114. Cotter, John M. (1999). "Sounds of hate: White power rock and roll and the neo-nazi skinhead subculture". Terrorism and Political Violence. 11 (2): 111–140. doi:10.1080/09546559908427509. ISSN0954-6553.
Corte & Edwards 2008, p. 4. Corte, Ugo; Edwards, Bob (2008). "White Power Music and the Mobilization of Racist Social Movements". Music and Arts in Action. 1 (1): 4–20. ISSN1754-7105.
Worger 2012, pp. 272–273. Worger, Peter (2012). "A mad crowd: Skinhead youth and the rise of nationalism in post-communist Russia". Communist and Post-Communist Studies. 45 (3–4): 269–278. doi:10.1016/j.postcomstud.2012.07.015. ISSN0967-067X.
Corte & Edwards 2008, p. 12. Corte, Ugo; Edwards, Bob (2008). "White Power Music and the Mobilization of Racist Social Movements". Music and Arts in Action. 1 (1): 4–20. ISSN1754-7105.
Corte & Edwards 2008, p. 13. Corte, Ugo; Edwards, Bob (2008). "White Power Music and the Mobilization of Racist Social Movements". Music and Arts in Action. 1 (1): 4–20. ISSN1754-7105.
Cooter 2006, p. 147: "Accordingly, at this early stage, the arresting fashion of choice for group members, which would indeed be an emblem for the Skins for more than 20 years, was already visible. The most distinguishing feature of their style of self-presentation was a shaved head or very closely-cropped hair, which not only was practical in the increasing numbers of physical altercations involving Skins, but also was originally meant to be reactionary against both hippie and wealthy, elitist cultures prevalent at the time (Hamm 1993). Other aspects of their dress typically included blue jeans, thin red suspenders, a bomber jacket, and steel-toed combat boots or Doc Martens (Anti-Defamation League N.d.b)." Cooter, Amy Beth (2006). "Neo-Nazi Normalization: The Skinhead Movement and Integration into Normative Structures". Sociological Inquiry. 76 (2): 145–165. doi:10.1111/j.1475-682X.2006.00149.x. ISSN1475-682X. S2CID144299471.