The price Vernon paid for Youth and Pleasure is not recorded, although Etty's cashbook records a partial payment of £250 (about £29,000 in 2025 terms[28]) so it is likely to have been a substantial sum.[144] Vernon's later moving of Youth and Pleasure to make way for John Constable's The Valley Farm prompted the comment from Constable that "My picture is to go into the place—where Etty's "Bumboat" is at present—his picture with its precious freight is to be brought down nearer to the nose."[141]Youth and Pleasure was among the 11 Etty paintings presented by Vernon to the National Gallery in 1847,[145] and in 1949 it was transferred to the Tate Gallery,[146] where as of 2015[update] it remains.[147]
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Etty's full titles for the three Joan paintings were Joan of Arc, on finding the sword she had dreamt of, in the church of St. Catherine de Fierbois, devotes herself and it to the service of God and her country for the left panel, Joan of Arc makes a sortie from the gates of Orleans, and scatters the enemies of France for the central piece, and Joan of Arc, after rendering the most signal services to her Prince and people, is suffered to die a martyr in their cause for the right panel.[223] The left hand panel is shown in Robinson 2007, p. 317. Robinson, Leonard (2007). William Etty: The Life and Art. Jefferson, NC: McFarland & Company. ISBN978-0-7864-2531-0. OCLC751047871.
Myrone 2011, p. 49. Myrone, Martin (2011). "'Something too Academical': The Problem with Etty". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 47–60. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011e, p. 236. Burnage, Sarah (2011e). "Portraiture". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 228–50. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011e, p. 228. Burnage, Sarah (2011e). "Portraiture". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 228–50. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011e, p. 237. Burnage, Sarah (2011e). "Portraiture". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 228–50. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 107. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage & Bertram 2011, p. 20. Burnage, Sarah; Bertram, Beatrice (2011). "Chronology". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 20–30. ISBN978-0-85667-701-4. OCLC800599710.
Myrone 2011, p. 51. Myrone, Martin (2011). "'Something too Academical': The Problem with Etty". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 47–60. ISBN978-0-85667-701-4. OCLC800599710.
Myrone 2011, p. 47. Myrone, Martin (2011). "'Something too Academical': The Problem with Etty". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 47–60. ISBN978-0-85667-701-4. OCLC800599710.
Green 2011, p. 61. Green, Richard (2011). "Etty and the Masters". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 61–74. ISBN978-0-85667-701-4. OCLC800599710.
Burnage & Bertram 2011, p. 21. Burnage, Sarah; Bertram, Beatrice (2011). "Chronology". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 20–30. ISBN978-0-85667-701-4. OCLC800599710.
Green 2011, pp. 64–65. Green, Richard (2011). "Etty and the Masters". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 61–74. ISBN978-0-85667-701-4. OCLC800599710.
Green 2011, p. 65. Green, Richard (2011). "Etty and the Masters". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 61–74. ISBN978-0-85667-701-4. OCLC800599710.
Green 2011, p. 66. Green, Richard (2011). "Etty and the Masters". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 61–74. ISBN978-0-85667-701-4. OCLC800599710.
Myrone 2011, p. 53. Myrone, Martin (2011). "'Something too Academical': The Problem with Etty". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 47–60. ISBN978-0-85667-701-4. OCLC800599710.
Burnage & Bertram 2011, p. 22. Burnage, Sarah; Bertram, Beatrice (2011). "Chronology". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 20–30. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011d, p. 31. Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011a, p. 181. Burnage, Sarah (2011a). "Etty and the Masters". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 154–97. ISBN978-0-85667-701-4. OCLC800599710.
Green 2011, p. 67. Green, Richard (2011). "Etty and the Masters". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 61–74. ISBN978-0-85667-701-4. OCLC800599710.
Green 2011, p. 62. Green, Richard (2011). "Etty and the Masters". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 61–74. ISBN978-0-85667-701-4. OCLC800599710.
Myrone 2011, p. 55. Myrone, Martin (2011). "'Something too Academical': The Problem with Etty". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 47–60. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011e, p. 233. Burnage, Sarah (2011e). "Portraiture". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 228–50. ISBN978-0-85667-701-4. OCLC800599710.
Edwards 2011, p. 93. Edwards, Jason (2011). "Queer and Now: On Etty's 'Autobiography' (1849) and 'Male Nude with Arms Up-Stretched' (c. 1830)". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 91–100. ISBN978-0-85667-701-4. OCLC800599710.
Burnage & Bertram 2011, p. 27. Burnage, Sarah; Bertram, Beatrice (2011). "Chronology". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 20–30. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 111. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 112. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 110. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage & Bertram 2011, p. 23. Burnage, Sarah; Bertram, Beatrice (2011). "Chronology". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 20–30. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 113. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011d, p. 32. Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN978-0-85667-701-4. OCLC800599710.
Edwards 2011, p. 97. Edwards, Jason (2011). "Queer and Now: On Etty's 'Autobiography' (1849) and 'Male Nude with Arms Up-Stretched' (c. 1830)". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 91–100. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011c, p. 212. Burnage, Sarah (2011c). "The Life Class". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 198–227. ISBN978-0-85667-701-4. OCLC800599710.
Edwards 2011, p. 91. Edwards, Jason (2011). "Queer and Now: On Etty's 'Autobiography' (1849) and 'Male Nude with Arms Up-Stretched' (c. 1830)". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 91–100. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 118. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Turner 2011b, p. 77. Turner, Sarah Victoria (2011b). "Intimacy and Distance: Physicality, Race and Paint in Etty's 'The Wrestlers'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 75–90. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011c, p. 207. Burnage, Sarah (2011c). "The Life Class". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 198–227. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 122. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 127. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 128. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011d, p. 33. Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011d, p. 36. Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011d, p. 37. Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 131. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011c, p. 220. Burnage, Sarah (2011c). "The Life Class". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 198–227. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011d, p. 39. Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011d, p. 41. Burnage, Sarah (2011d). "Painting the Nude and 'Inflicting Divine Vengeance on the Wicked'". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 31–46. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 147. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage & Bertram 2011, p. 24. Burnage, Sarah; Bertram, Beatrice (2011). "Chronology". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 20–30. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011e, p. 239. Burnage, Sarah (2011e). "Portraiture". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 228–50. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011e, p. 229. Burnage, Sarah (2011e). "Portraiture". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 228–50. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011e, p. 241. Burnage, Sarah (2011e). "Portraiture". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 228–50. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 136. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage & Bertram 2011, p. 25. Burnage, Sarah; Bertram, Beatrice (2011). "Chronology". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 20–30. ISBN978-0-85667-701-4. OCLC800599710.
Burnage & Bertram 2011, p. 26. Burnage, Sarah; Bertram, Beatrice (2011). "Chronology". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 20–30. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 149. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011b, p. 148. Burnage, Sarah (2011b). "History Painting and the Critics". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 106–54. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011e, p. 243. Burnage, Sarah (2011e). "Portraiture". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 228–50. ISBN978-0-85667-701-4. OCLC800599710.
Burnage & Hallett 2011, p. 12. Burnage, Sarah; Hallett, Mark (2011). "Introduction". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 12–16. ISBN978-0-85667-701-4. OCLC800599710.
Burnage 2011c, p. 222. Burnage, Sarah (2011c). "The Life Class". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 198–227. ISBN978-0-85667-701-4. OCLC800599710.
Turner 2011a, p. 9. Turner, Laura (2011a). "Introduction". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 9–10. ISBN978-0-85667-701-4. OCLC800599710.
Turner 2011a, p. 10. Turner, Laura (2011a). "Introduction". In Burnage, Sarah; Hallett, Mark; Turner, Laura (eds.). William Etty: Art & Controversy. London: Philip Wilson Publishers. pp. 9–10. ISBN978-0-85667-701-4. OCLC800599710.