Works by Andrei Tarkovsky (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Works by Andrei Tarkovsky" in English language version.

refsWebsite

Global rank English rank

29web.archive.org

1^st place

5nytimes.com

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5theguardian.com

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3mubi.com

2,524^th place

1,531^st place

3letterboxd.com

3,726^th place

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2chicagoreader.com

1,536^th place

869^th place

2criterion.com

1,921^st place

1,112^th place

2festival-cannes.com

603^rd place

514^th place

2doi.org

2^nd place

2semanticscholar.org

11^th place

8^th place

2rottentomatoes.com

29^th place

1bfi.org.uk

150^th place

107^th place

1newyorker.com

146^th place

110^th place

1openculture.com

6,746^th place

4,803^rd place

1faroutmagazine.co.uk

2,248^th place

1,286^th place

1nd.edu

2,387^th place

1,479^th place

1latimes.com

22^nd place

19^th place

1siff.com

low place

1jstor.org

26^th place

20^th place

1rogerebert.com

133^rd place

102^nd place

bfi.org.uk

Gray, Carmen (27 October 2015). "Where to begin with Andrei Tarkovsky". British Film Institute. Archived from the original on 31 March 2022. Retrieved 25 December 2022.

chicagoreader.com

Jones, J.R. (30 July 2015). "How one Hemingway short story became three different movies". Chicago Reader. Archived from the original on 9 August 2020. Retrieved 11 January 2021.
Rosenbaum, Jonathan (1 September 2002). "One Day in the Life of Andre Arsenevich". Chicago Reader. Archived from the original on 22 September 2008. Retrieved 1 September 2008.

criterion.com

"Return to Childhood". Criterion. Archived from the original on 26 December 2022. Retrieved 26 December 2022.
Le Fanu, Mark (18 July 2017). "Stalker: Meaning and Making". The Criterion Collection. Archived from the original on 9 October 2020. Retrieved 1 December 2020.

doi.org

Sushytska (2014), p. 41. Sushytska, Julia (Spring 2015). "Tarkovsky's Nostalghia: A Journey to the Home That Never". The Journal of Aesthetic Education. 49 (1): 36–43. doi:10.5406/jaesteduc.49.1.0036. JSTOR 10.5406/jaesteduc.49.1.0036. S2CID 190401817.
Riley (2007), p. 24. Riley, John A. (2017). "Hauntology, Ruins, and the Failure of the Future in Andrei Tarkovsky's Stalker". Journal of Film and Video. 69 (1). University of Illinois Press: 18–26. doi:10.5406/jfilmvideo.69.1.0018. S2CID 194435428.

faroutmagazine.co.uk

Bose, Swapnil Dhruv (30 October 2020). "The reason why Stanisław Lem was furious about Andrei Tarkovsky's adaptation of his novel 'Solaris'". Far Out Magazine. Archived from the original on 17 May 2023. Retrieved 16 May 2023.

festival-cannes.com

"Solaris". Festival de Cannes. Archived from the original on 26 December 2022. Retrieved 25 December 2022.
"Tempo Di Viaggo". Festival de Cannes. Archived from the original on 24 August 2019. Retrieved 11 January 2021.

jstor.org

Sushytska (2014), p. 41. Sushytska, Julia (Spring 2015). "Tarkovsky's Nostalghia: A Journey to the Home That Never". The Journal of Aesthetic Education. 49 (1): 36–43. doi:10.5406/jaesteduc.49.1.0036. JSTOR 10.5406/jaesteduc.49.1.0036. S2CID 190401817.

latimes.com

Robinson, Harlow (19 July 1987). "Sculpting in Time: Reflections on the Cinema". Los Angeles Times. Archived from the original on 18 May 2015. Retrieved 25 December 2022.

letterboxd.com

"Sergey Lazo". Letterboxd. Archived from the original on 25 December 2022. Retrieved 25 December 2022.
"The Fierce One". Letterboxd. Archived from the original on 26 December 2022. Retrieved 25 December 2022.
"Sour Grape". Letterboxd. Archived from the original on 26 December 2022. Retrieved 25 December 2022.

mubi.com

"Stalker: Awards and Festivals". MUBI. Retrieved 21 May 2023.
"There Will Be No Leave Today". MUBI. Retrieved 30 June 2023.
"The End of Ataman". MUBI. Retrieved 3 July 2023.

nd.edu

archivesspace.library.nd.edu

"Katya Kompaneyets and Tengiz Mirzashvili sketches for Andrey Tarkovsky's Hamlet". Hesburgh Libraries. University of Notre Dame. Archived from the original on 26 December 2022. Retrieved 25 December 2022.

newyorker.com

Ross, Alex (8 February 2021). "The Drenching Richness of Andrei Tarkovsky". The New Yorker. Archived from the original on 25 November 2022. Retrieved 25 December 2022.

nytimes.com

Goodman, Walter (30 December 1986). "Andrei Tarkovsky, Director and Soviet Emigre, Dies at 54". The New York Times. Archived from the original on 16 November 2020. Retrieved 11 January 2021.
Hoberman, J. (24 January 2014). "Andrei Tarkovsky's 'Nostalghia' on Blu-ray". The New York Times. Archived from the original on 4 March 2016. Retrieved 18 June 2023.
Hoberman, J. (30 July 2015). "Facing Death With a Shrug in Two Versions of 'The Killers'". The New York Times. Archived from the original on 8 January 2021. Retrieved 11 January 2021.
Goodman, Walter (22 April 1988). "'Steamroller and Violin,' Tarkovsky's Earliest". The New York Times. Archived from the original on 11 January 2021. Retrieved 11 January 2021.
Hoberman, J. (24 January 2014). "A Man Without a Nation, in Italy". The New York Times. Archived from the original on 4 March 2016. Retrieved 11 January 2021.

openculture.com

"Andrei Tarkovsky's Very First Films: Three Student Films, 1956-1960". Open Culture. 7 June 2012. Archived from the original on 7 February 2023. Retrieved 18 June 2023.

rogerebert.com

Ebert, Roger (21 November 1986). "The Sacrifice". RogerEbert.com. Archived from the original on 11 January 2021. Retrieved 11 January 2021.

rottentomatoes.com

"The Mirror". Rotten Tomatoes. Archived from the original on 12 November 2020. Retrieved 1 December 2020.
"Nostalgia". Rotten Tomatoes. Archived from the original on 11 January 2021. Retrieved 11 January 2021.

semanticscholar.org

api.semanticscholar.org

Sushytska (2014), p. 41. Sushytska, Julia (Spring 2015). "Tarkovsky's Nostalghia: A Journey to the Home That Never". The Journal of Aesthetic Education. 49 (1): 36–43. doi:10.5406/jaesteduc.49.1.0036. JSTOR 10.5406/jaesteduc.49.1.0036. S2CID 190401817.
Riley (2007), p. 24. Riley, John A. (2017). "Hauntology, Ruins, and the Failure of the Future in Andrei Tarkovsky's Stalker". Journal of Film and Video. 69 (1). University of Illinois Press: 18–26. doi:10.5406/jfilmvideo.69.1.0018. S2CID 194435428.

siff.com

"All Masterpieces of Andrei Tarkovsky will be Shown at the SIFF". Shanghai International Film Festival. 29 March 2016. Archived from the original on 26 December 2022. Retrieved 25 December 2022.

theguardian.com

Bradshaw, Peter; Hans, Simran; Bray, Catherine; Leigh, Danny (9 July 2022). "If you watch only one film … the greatest movies by the greatest directors". The Guardian. Archived from the original on 24 December 2022. Retrieved 25 December 2022.
Shave, Nick (1 May 2020). "I've never seen … Solaris". The Guardian. Archived from the original on 7 July 2020. Retrieved 1 December 2020.
Bradshaw, Peter (19 May 2016). "Ivan's Childhood review – audacious, coldly lucid postwar Russian classic". The Guardian. Archived from the original on 11 January 2021. Retrieved 11 January 2021.
Rose, Steve (20 October 2010). "Andrei Rublev: the best arthouse film of all time". The Guardian. Archived from the original on 7 January 2021. Retrieved 11 January 2021.
Dyer, Geoff (5 February 2009). "Danger! High-radiation arthouse!". The Guardian. Archived from the original on 7 September 2020. Retrieved 1 December 2020.

web.archive.org

Goodman, Walter (30 December 1986). "Andrei Tarkovsky, Director and Soviet Emigre, Dies at 54". The New York Times. Archived from the original on 16 November 2020. Retrieved 11 January 2021.
Bradshaw, Peter; Hans, Simran; Bray, Catherine; Leigh, Danny (9 July 2022). "If you watch only one film … the greatest movies by the greatest directors". The Guardian. Archived from the original on 24 December 2022. Retrieved 25 December 2022.
Gray, Carmen (27 October 2015). "Where to begin with Andrei Tarkovsky". British Film Institute. Archived from the original on 31 March 2022. Retrieved 25 December 2022.
Ross, Alex (8 February 2021). "The Drenching Richness of Andrei Tarkovsky". The New Yorker. Archived from the original on 25 November 2022. Retrieved 25 December 2022.
"Andrei Tarkovsky's Very First Films: Three Student Films, 1956-1960". Open Culture. 7 June 2012. Archived from the original on 7 February 2023. Retrieved 18 June 2023.
Jones, J.R. (30 July 2015). "How one Hemingway short story became three different movies". Chicago Reader. Archived from the original on 9 August 2020. Retrieved 11 January 2021.
Rosenbaum, Jonathan (1 September 2002). "One Day in the Life of Andre Arsenevich". Chicago Reader. Archived from the original on 22 September 2008. Retrieved 1 September 2008.
"Return to Childhood". Criterion. Archived from the original on 26 December 2022. Retrieved 26 December 2022.
Shave, Nick (1 May 2020). "I've never seen … Solaris". The Guardian. Archived from the original on 7 July 2020. Retrieved 1 December 2020.
Bose, Swapnil Dhruv (30 October 2020). "The reason why Stanisław Lem was furious about Andrei Tarkovsky's adaptation of his novel 'Solaris'". Far Out Magazine. Archived from the original on 17 May 2023. Retrieved 16 May 2023.
"Solaris". Festival de Cannes. Archived from the original on 26 December 2022. Retrieved 25 December 2022.
"Katya Kompaneyets and Tengiz Mirzashvili sketches for Andrey Tarkovsky's Hamlet". Hesburgh Libraries. University of Notre Dame. Archived from the original on 26 December 2022. Retrieved 25 December 2022.
Hoberman, J. (24 January 2014). "Andrei Tarkovsky's 'Nostalghia' on Blu-ray". The New York Times. Archived from the original on 4 March 2016. Retrieved 18 June 2023.
Robinson, Harlow (19 July 1987). "Sculpting in Time: Reflections on the Cinema". Los Angeles Times. Archived from the original on 18 May 2015. Retrieved 25 December 2022.
"All Masterpieces of Andrei Tarkovsky will be Shown at the SIFF". Shanghai International Film Festival. 29 March 2016. Archived from the original on 26 December 2022. Retrieved 25 December 2022.
Hoberman, J. (30 July 2015). "Facing Death With a Shrug in Two Versions of 'The Killers'". The New York Times. Archived from the original on 8 January 2021. Retrieved 11 January 2021.
Goodman, Walter (22 April 1988). "'Steamroller and Violin,' Tarkovsky's Earliest". The New York Times. Archived from the original on 11 January 2021. Retrieved 11 January 2021.
Bradshaw, Peter (19 May 2016). "Ivan's Childhood review – audacious, coldly lucid postwar Russian classic". The Guardian. Archived from the original on 11 January 2021. Retrieved 11 January 2021.
Rose, Steve (20 October 2010). "Andrei Rublev: the best arthouse film of all time". The Guardian. Archived from the original on 7 January 2021. Retrieved 11 January 2021.
"Sergey Lazo". Letterboxd. Archived from the original on 25 December 2022. Retrieved 25 December 2022.
"The Fierce One". Letterboxd. Archived from the original on 26 December 2022. Retrieved 25 December 2022.
"Sour Grape". Letterboxd. Archived from the original on 26 December 2022. Retrieved 25 December 2022.
"The Mirror". Rotten Tomatoes. Archived from the original on 12 November 2020. Retrieved 1 December 2020.
Le Fanu, Mark (18 July 2017). "Stalker: Meaning and Making". The Criterion Collection. Archived from the original on 9 October 2020. Retrieved 1 December 2020.
Dyer, Geoff (5 February 2009). "Danger! High-radiation arthouse!". The Guardian. Archived from the original on 7 September 2020. Retrieved 1 December 2020.
"Nostalgia". Rotten Tomatoes. Archived from the original on 11 January 2021. Retrieved 11 January 2021.
Hoberman, J. (24 January 2014). "A Man Without a Nation, in Italy". The New York Times. Archived from the original on 4 March 2016. Retrieved 11 January 2021.
"Tempo Di Viaggo". Festival de Cannes. Archived from the original on 24 August 2019. Retrieved 11 January 2021.
Ebert, Roger (21 November 1986). "The Sacrifice". RogerEbert.com. Archived from the original on 11 January 2021. Retrieved 11 January 2021.