Bourget, Carine (2016). "Claiming integration, performing exclusion: Yamina Benguigui's documentaries". French Cultural Studies. 27 (2): 178–189. doi:10.1177/0957155815616591. S2CID148518211.
Kealhofer, Leslie (2011). "Veiled Voices in the Films of Yamina Benguigui". Studies in French Cinema. 11 (3): 207–221. doi:10.1386/sfc.11.3.207_1. S2CID147683300.
Hollis, Isabel (December 2012). "Gendered Spaces and Wounded Bodies: Yamina Benguigui's Inch'Allah dimanche". International Journal of Francophone Studies. 15 (2): 197–213. doi:10.1386/ijfs.15.2.197_1.
Fauvel, Maryse (2004). "Yamina Benguigui's Inch'Allah dimanche: unveiling hybrid identities". Studies in French Cinema. IV (2): 147–157. doi:10.1386/sfci.4.2.147/0. S2CID143510322.
Bourget, Carine (2016). "Claiming integration, performing exclusion: Yamina Benguigui's documentaries". French Cultural Studies. 27 (2): 178–189. doi:10.1177/0957155815616591. S2CID148518211.
Kealhofer, Leslie (2011). "Veiled Voices in the Films of Yamina Benguigui". Studies in French Cinema. 11 (3): 207–221. doi:10.1386/sfc.11.3.207_1. S2CID147683300.
Fauvel, Maryse (2004). "Yamina Benguigui's Inch'Allah dimanche: unveiling hybrid identities". Studies in French Cinema. IV (2): 147–157. doi:10.1386/sfci.4.2.147/0. S2CID143510322.