James Martin Harding (1997) Adorno and "A writing of the ruins": essays on modern aesthetics and Anglo-American literature and culture, p.143 citaĵo: "The mechanisms of this ideological affinity between Baraka and Wagner can be seen in a short critique of Wagner that Adorno wrote directly after the Second World War—at a time when Adorno was perhaps his most direct in singling out the proto-fascist tendencies in Wagner's corpus and character. Adorno criticizes Wagner's having bated his conductor Herman Levi so that he would seem to bear the responsibility for Wagner's subsequent insulting dismissal of him. This, for Adorno, is a classic example of blaming the victim. The anti-Semitic sub-text to the dismissal, viz., that as a Jew Levi supposedly desired and brought the dismissal upon himself, "bears witness to the existence of one of the most sinister features of the Fascist character even in Wagner's time: the paranoid tendency of projecting upon others one's own violent aggressiveness and then indicting, on the basis of this projection, those whom one endows with pernicious qualities" (Adorno "Wagner, Nietzsche and Hitler" 158)."
Bieneck, S.; B. Krahe (2010). “Blaming the Victim and Exonerating the Perpetrator in Cases of Rape and Robbery: Is There a Double Standard?”, Journal of Interpersonal Violence26 (9), p. 1785–97. doi:10.1177/0886260510372945.
