Araldo Cossutta (Spanish Wikipedia)

Analysis of information sources in references of the Wikipedia article "Araldo Cossutta" in Spanish language version.

refsWebsite
Global rank Spanish rank
1st place
1st place
3rd place
7th place
low place
9,577th place
low place
low place
7th place
15th place
6th place
5th place
5th place
10th place
310th place
560th place
672nd place
2,833rd place
low place
low place
low place
low place
low place
low place
low place
low place
92nd place
235th place
6,521st place
6,659th place
low place
low place
6,835th place
low place
low place
low place
low place
low place

aia.org

architectmagazine.com

  • «Cossutta Church Saved». Architect Magazine. January 2008. Archivado desde el original el 3 de febrero de 2008. 
  • Hala, Katherine (17 de noviembre de 2010). «In Praise of the Hard: I.M. Pei's Christian Science Church Complex Threatened». Architect Magazine. «It is hardscape at its hardest. It is this very quality that makes the ensemble so great It is heroic, speaking of the ideals of order and the belief in something that surpasses the quotidian. Whether or not you are sympathetic to the Church’s beliefs, and I am not, you cannot help but be impressed by its willingness and ability to create something that is so "other," so beyond urban reason, that it offers a clear alternative to the messiness and confusion of daily life.»  Reprinting of an essay from Sacred Destinations. Cossutta's role goes unmentioned.
  • Kubo, Michael; Pasnik, Mark; Grimley, Chris (April 2010). «Tough Love: In Defense of Brutalism». Architect (American Institute of Architects (AIA)).  In the original version of this article, Cossutta's role in designing the Christian Science Center went unmentioned; the error was later corrected.
  • «https://www.architectmagazine.com/design/tough-love-in-defense-of-brutalism_o». www.architectmagazine.com. Consultado el 21 de noviembre de 2018. 

archive.org

  • Kohler, Sue A.; Carson, Jeffrey R. (1988). «Third Church of Christ, Scientist». Sixteenth Street Architecture 2. Washington: Commission of Fine Arts. pp. 106-119. OCLC 5847373. «In addition, three features, sensitive in comparison to the basic design, were emphasized as foil to the realities of concrete. The features included the belfry which projects toward Sixteenth Street and required a zoning variance, the herringbone brick paving, and the plaza lawn with its towering, carefully asymmetrical trees. The Third Church of Christ, Scientist is a tour de force 
  • Kousoulas, Claudia D.; Kousoulas, George W. (1995). Contemporary Architecture in Washington, D.C.. John Wiley & Sons. p. 212. ISBN 047114374-X. «Their articulated forms and textured concrete possess a warmth found in few other brutalist buildings. In contrast with the east and west buildings, by Vlastimil Koubek, the refinement of their detail and color is evident.» 

archpaper.com

books.google.com

  • Flowers, Benjamin (2011). «Brutalism». The Grove Encyclopedia of American Art 1. Oxford University. pp. 356-357. ISBN 9780195335798. 
  • Gallagher, Dennis Joseph (2006). Getting to Know Denver: Five Fabulous Walking Tours. Francis J. Pierson (photography). Charlotte Square Press. p. 148. ISBN 9780914449201. «The Hilton was a close collaboration between I. M. Pei and chief designer Araldo Cossutta, who produced one of the better International Style buildings west of the Mississippi. The influence of the famed architect, Le Corbusier, is immediately apparent in the deep-set windows and articulate grill work on the lower floors. ... Few modern buildings have achieved the dramatic intensity that this soaring palisade affords.» 
  • Moeller Jr., G. Martin (2012). Feldblyum, Boris, ed. AIA Guide to the Architecture of Washington,, Part 3. JHU Press. p. 51. ISBN 9781421402703. «L'Enfant Plaza. 1968 — I. M. Pei & Partners (Araldo Cossutta, partner in charge of design for office buildings).»  After noting the credits for the individual structures in L'Enfant Plaza, Moeller describes L'Enfant Plaza as a "hopelessly sterile precinct and, ironically, a blatant violation of L'Enfant's plan in its disregard for the street pattern that he so thoughtfully devised." Referring to the buildings by Cossutta and Koubek, he writes "For what it's worth, the individual buildings in L'Enfant Plaza, though bombastic, are generally well composed and constructed."
  • The New Paradigm in Architecture: The Language of Post-modernism. Yale University Press. 2002. p. 16. ISBN 9780300095135. «I. M. PEI: Christian Science Church Center, Boston, 1973. Very hard edge Le Corbusier - in fact, Chandigarh done with precision concrete.» 
  • American Architecture: 1860-1976. MIT Press. 1983. p. 421. ISBN 9780262730709. 

boston.com

boston.com

archive.boston.com

cityofboston.gov

  • The Colonnade Building is now known as 101 Belvedere. See «Christian Science Center Complex: Boston Landmarks Commission Study Report». 25 de enero de 2011. Archivado desde el original el 22 de abril de 2013. «The Modernist-era Christian Science Plaza is a major example of the firm of I.M. Pei and Partners and of the lead design architect, Araldo Cossutta, and a singular achievement of civic design in the Modernist period. The Pei/Cossutta plan made the Christian Science Center one of the most monumental – and successful – public spaces in Boston.» 

dc.gov

planning.dc.gov

dcist.com

docomomo-us.org

legacy.com

npr.org

nytimes.com

pcf-p.com

spectator.org

state.il.us

gis.hpa.state.il.us

thirdchurchfreedom.org

web.archive.org

worldcat.org

  • Kohler, Sue A.; Carson, Jeffrey R. (1988). «Third Church of Christ, Scientist». Sixteenth Street Architecture 2. Washington: Commission of Fine Arts. pp. 106-119. OCLC 5847373. «In addition, three features, sensitive in comparison to the basic design, were emphasized as foil to the realities of concrete. The features included the belfry which projects toward Sixteenth Street and required a zoning variance, the herringbone brick paving, and the plaza lawn with its towering, carefully asymmetrical trees. The Third Church of Christ, Scientist is a tour de force 
  • M., Marter, Joan (2011). The Grove encyclopedia of American art. Oxford University Press. ISBN 9780195335798. OCLC 540108954. Consultado el 21 de noviembre de 2018.