Aleksandar Kadijević 2016: Between Artistic Nostalgia and Civilisational Utopia: Byzantine Reminiscences in Serbian Architecture of the 20th Century. Lidija Merenik, Vladimir Simić, Igor Borozan (Hrsg.) 2016: IMAGINING THE PAST THE RECEPTION OF THE MIDDLE AGES IN SERBIAN ART FROM THE 18TH TO THE 21ST CENTURY. Ljubomir Maksimovic & Jelena Trivan (Hrsg.) 2016: BYZANTINE HERITAGE AND SERBIAN ART I–III. The Serbian National Committee of Byzantine Studies, P.E. Službeni glasnik, Institute for Byzantine Studies, Serbian Academy of Sciences and Arts. Hier S. 177 (Academia:PDF)
Kulić, Vladimir (2012). «An Avant-Garde Architecture for an Avant-Garde Socialism: Yugoslavia at EXPO '58». Journal of Contemporary History47 (1): 161-184. ISSN0022-0094. JSTOR23248986. doi:10.1177/0022009411422367.
Farago, Jason (19 de julio de 2018). «The Cement Mixer as Muse». The New York Times(en inglés estadounidense). ISSN0362-4331. Consultado el 31 de enero de 2019.
Kulić, Vladimir (2012). «An Avant-Garde Architecture for an Avant-Garde Socialism: Yugoslavia at EXPO '58». Journal of Contemporary History47 (1): 161-184. ISSN0022-0094. JSTOR23248986. doi:10.1177/0022009411422367.
jstor.org
Kulić, Vladimir (2012). «An Avant-Garde Architecture for an Avant-Garde Socialism: Yugoslavia at EXPO '58». Journal of Contemporary History47 (1): 161-184. ISSN0022-0094. JSTOR23248986. doi:10.1177/0022009411422367.
Farago, Jason (19 de julio de 2018). «The Cement Mixer as Muse». The New York Times(en inglés estadounidense). ISSN0362-4331. Consultado el 31 de enero de 2019.