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Decorum (Spanish Wikipedia)

Analysis of information sources in references of the Wikipedia article "Decorum" in Spanish language version.

Last modified:

Ref.Un. Ref.Website
Global rank Spanish rank
22web.archive.org
1st place
1st place
11efn.org
low place
low place
11vallenajerilla.com
low place
3,217th place
11rae.es
632nd place
35th place
11traduccionliteraria.org
low place
low place
11thelatinlibrary.com
3,589th place
3,242nd place
11books.google.es
245th place
9th place
11bbc.co.uk
11th place
19th place
11juanmuro52.wordpress.com
low place
low place
11nga.gov
3,083rd place
3,891st place

bbc.co.uk (Global: 11th place; Spanish: 19th place)

books.google.es (Global: 245th place; Spanish: 9th place)

efn.org (Global: low place; Spanish: low place)

members.efn.org

juanmuro52.wordpress.com (Global: low place; Spanish: low place)

  • Il Brabhettone. Compárense la copia completa de Venusti con el estado actual del fresco de la Capilla Sixtina:

nga.gov (Global: 3,083rd place; Spanish: 3,891st place)

  • National Gallery of Art (fuente citada en Grand Manner):
    Eighteenth-century British artists and patrons used the terms "Grand Manner" or "Great Style" to describe paintings that utilized visual metaphors. By extension, the Grand Manner came to include portraiture—especially at full length and in life size—accompanied by settings and accessories that conveyed the dignified status of the sitters. Classical architecture, for instance, signified one's civilized demeanor, whole woodland glens implied natural sincerity.

    The postures and gestures in Grand Manner portraits were often derived from ancient Roman sculpture or Italian Renaissance paintings. Another major precedent was early seventeenth-century English court portraiture by the two Flemish masters knighted by King Charles I, Sir Peter Paul Rubens and Sir Anthony van Dyck. The connoisseur was expected to appreciate these artistic sources and their subtle references, just as educated readers were assumed to recognize authors' quotations form earlier literature.

    At its annual exhibitions, London's Royal Academy of art permitted a few entries from students, independent artists, and foreigners. Life membership, however, was limited to no more than forty painters, sculptors, and architects. Such a small group of full academicians generated intense jealousy. English society, for instance, relished the rivalry between Sir Joshua Reynolds, knighted as the official court artist, and Thomas Gainsborough, whom all the royal family preferred to paint their portraits. Regardless of their different techniques and attitudes, both Reynolds and Gainsborough incorporated into their Grand Manner portraits the social symbolism expected by their clientele.

rae.es (Global: 632nd place; Spanish: 35th place)

dle.rae.es

  • Real Academia Española. «decoro». Diccionario de la lengua española (23.ª edición).

thelatinlibrary.com (Global: 3,589th place; Spanish: 3,242nd place)

  • Traducción castellana de Tomás de Iriarte (Biblioteca de traductores). Texto latino de los versos 89-107 (Latin Library):
    Versibus exponi tragicis res comica non uult;

    indignatur item priuatis ac prope socco

    dignis carminibus narrari cena Thyestae.

    Singula quaeque locum teneant sortita decentem.

    Interdum tamen et uocem comoedia tollit,

    iratusque Chremes tumido delitigat ore;

    et tragicus plerumque dolet sermone pedestri

    Telephus et Peleus, cum pauper et exul uterque

    proicit ampullas et sesquipedalia uerba,

    si curat cor spectantis tetigisse querella.

    Non satis est pulchra esse poemata; dulcia sunto

    et, quocumque uolent, animum auditoris agunto.

    Vt ridentibus adrident, ita flentibus adsunt

    humani uoltus; si uis me flere, dolendum est

    primum ipsi tibi; tum tua me infortunia laedent,

    Telephe uel Peleu; male si mandata loqueris,

    aut dormitabo aut ridebo. Tristia maestum

    uoltum uerba decent, iratum plena minarum,

    ludentem lasciua, seuerum seria dictu.

traduccionliteraria.org (Global: low place; Spanish: low place)

  • Traducción castellana de Tomás de Iriarte (Biblioteca de traductores). Texto latino de los versos 89-107 (Latin Library):
    Versibus exponi tragicis res comica non uult;

    indignatur item priuatis ac prope socco

    dignis carminibus narrari cena Thyestae.

    Singula quaeque locum teneant sortita decentem.

    Interdum tamen et uocem comoedia tollit,

    iratusque Chremes tumido delitigat ore;

    et tragicus plerumque dolet sermone pedestri

    Telephus et Peleus, cum pauper et exul uterque

    proicit ampullas et sesquipedalia uerba,

    si curat cor spectantis tetigisse querella.

    Non satis est pulchra esse poemata; dulcia sunto

    et, quocumque uolent, animum auditoris agunto.

    Vt ridentibus adrident, ita flentibus adsunt

    humani uoltus; si uis me flere, dolendum est

    primum ipsi tibi; tum tua me infortunia laedent,

    Telephe uel Peleu; male si mandata loqueris,

    aut dormitabo aut ridebo. Tristia maestum

    uoltum uerba decent, iratum plena minarum,

    ludentem lasciua, seuerum seria dictu.

vallenajerilla.com (Global: low place; Spanish: 3,217th place)

  • Emilio del Río, Quintiliano y su idea del decorum: estilo, ética y retórica:
    El decorum, que se asocia sobre todo, pero no exclusivamente a la selección estilística, a la elocutio, se perfila como la categoría central a la hora de tomar decisiones dentro de las posibilidades que ofrece el sistema retórico. Al tratarse de una categoría no técnica, externa al sistema de categorías que configuran y organizan la producción retórica, su elevación a criterio decisivo subraya aún más la dimensión moral de la que, incluso en cuestiones estilísticas, Quintiliano desea dotar a la retórica.

web.archive.org (Global: 1st place; Spanish: 1st place)