Imitadores de Madonna (Spanish Wikipedia)

Analysis of information sources in references of the Wikipedia article "Imitadores de Madonna" in Spanish language version.

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  • García Oseguera, Astrid (28 de agosto de 2017). «Los más imitados». Algarabía.com. Archivado desde el original el 20 de abril de 2020. Consultado el 29 de febrero de 2020. 

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  • Cochrane, Lauren (2016). «Madonna | 1984». Fifty Women's Fashion Icons that Changed the World (en inglés) (Hachette). p. 72. ISBN 978-1840917475. Consultado el 13 de junio de 2020. «The Madonna to launch a million imitators. Inspired the singer's growing fanbase to dress exactly like her. It was an impulse that they acted on for many decades.» 
  • «Madonna Revolutionizes Popular Fashion». Great Events from History II, Arts and Culture Series (en inglés) (Salem Press). 1993. p. 2451. ISBN 978-0893568078. Consultado el 19 de junio de 2020. «Many women, especially young ones, wanted to emulate Madonna, in large part because she projected an image of independence and of being unafraid to ask for what she wanted. Many men, of course, appreciated her open displays of sexuality and her "bad girl" image.» 
  • Blackwood, Nina; Goodman, Mark; Hunter, Alan; Quinn, Martha (2019). «VJ: The Unplugged Adventures of MTV's First Wave» (en inglés). Simon and Schuster. p. 169. ISBN 978-1451678130. Consultado el 14 de junio de 2020. 
  • Fouz-Hernandez, Santiago (2004). Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, 1983-2003 (en inglés). Routledge. p. visualización en línea. ISBN 978-1351559539. Consultado el 19 de junio de 2020. «Fortunately for Madonna's emulators, still wannabes after all these years there was a rodamap of designers, boutiques, stylists and personal shoppers, all to guide one's quest to become the new Madonna. Sparking a veritable retail frenzy evocative of the energy of Macy's early 1980s boutiques, the list drew a map that any Madonna impersonator, from a professional drag perfomer to someone merely dressing for a social engagement, could follow.» 
  • Thorne, Tony (2014). clone, n (en inglés). Bloomsbury Publishing. pp. 100—101. ISBN 978-1408181812. Consultado el 19 de junio de 2020. «Any fashion-follower or imitator who is indistuinguishable from others, or is blindly conformist to a dress code- A derogatory term since the late 1970s, often added to a prefix to form such epithets as Madonna-clone, Michael Jackson-clone.» 
  • Samovar, Larry A.; Porter, Richard E.; McDaniel, Edwin R.; Roy, Carolyn Sexton (2014). Intercultural Communication: A Reader (en inglés). Cengage. p. 197. ISBN 978-1285077390. Consultado el 13 de junio de 2020. «Let's say that both drag queen and a female impersonator are portraying actress and pop star Madonna. The female impersonator will attempt to look and sound as much like Madonna as possible, to create the ilussion of Madonna as a tribute to her talent. The drag queen, on the other hand, will portray an exaggerated version of Madonna, playing with her persona to distort it in humorous or ironic ways.» 
  • Ching, Frank (1994). «A Male Madonna». China in Transition (en inglés) (Review Publishing Company). p. 47. ISBN 978-9627010562. Consultado el 19 de junio de 2020. «A male Madonna impersonator wouldn't go over very well in most of China, but in Haikou, capital of Hainan province, the 25-year-old singer is on the cutting edge. "Rich people are bored,” he enthuses. "They love to see weird stuff these days.» 
  • «BUSINESS ECONOMIES». Far Eastern Economic Review (en inglés) (Hong Kong). 1994. p. 50. ISSN 0014-7591. Consultado el 19 de junio de 2020. «A male Madonna impersonator wouldn't go over very well in most of China, but in Haikou, capital of Hainan province, the 25-year-old singer is on the cutting edge. "Rich people are bored,” he enthuses. "They love to see weird stuff these days.» 
  • Mamonova, Tatyana; Folsom, Chandra Niles (1994). «RUSSIAN WOMEN SPEAK OUT». En Ulyana Bostwick, ed. Women's Glasnost Vs. Naglost: Stopping Russian Backlash (en inglés) (ABC-CLIO). pp. 75—76. ISBN 978-0897893404. Consultado el 19 de junio de 2020. «Medea is a 23-year old Latvian lesbian... Her artistic idol is Madonna. She has performed lyp sync as a Madonna impoersonator across the USSR and has been reviewed in many foreign and Soviet newspapers. Madonna is her idol because she likes "extravagant sexuality and bright individuality in a woman". Even her appearance as a Madonna impersonator causes problems, for she doesn't dress like the "normal" Soviet woman.» 
  • «Material Girl: Madonna». Nevada (en inglés). State of Nevada, Department of Economic Development. 1995. p. E-27. Consultado el 22 de junio de 2020. «Material Girl: Madonna impersonator Johni Ray has joined the cast of “American Superstars" at the Flamingo Hilton Reno. Ray has performed her tribute to the controversial pop star for eight years and in 15 countries.» 
  • Alterman, Glenn (1995). «Horse's Mouth». The Job Book: 100 Acting Jobs for Actors (en inglés) (Smith and Kraus). p. 166. ISBN 978-1880399811. Consultado el 19 de junio de 2020. «An actress who does not want to be identified: "did Madonna for years, even before she got big, and for a while it was a fun gig. But once in a while there'd be the jerks, usually drunks, who didn't know real from make believe, and would start hitting on me, treating me like I was a tramp. It got crazy.» 
  • Davisson, Amber L. (2013). «Lady Gaga and the Remaking of Celebrity Culture» (en inglés). McFarland & Company. p. 96. ISBN 978-1476603766. Consultado el 14 de junio de 2020. «“She's Not Me,” is a song about Madonna being emulated by another woman.» 

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  • «David Fraser: Oral Sex in the age of deconstruction». Australasian gay & lesbian law journal (en inglés). 3—5. 1993. p. 13. Consultado el 28 de febrero de 2020. «A current practice within parts of the gay male community has seen the arrival of Madonna impersonators whose practice is to (re)appropriate Madonna's (prior) appropriation of other aspects of gay culture.» 

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  • «MADONNA» (en inglés). Canadá: Jimmy Moore. Archivado desde el original el 21 de junio de 2020. Consultado el 21 de junio de 2020. 

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