Baldry, Edd (11 de febrero de 2003). «AFI». Rancid News (Last Hours) (1). Archivado desde el original el 28 de noviembre de 2017. Consultado el 28 de noviembre de 2017. «Davey Havok: [...] But Refused were a great band. I mean when ‘Songs to fan the Flames’ came out that was… I mean ‘Shut Your Mouth Open Your Eyes’ wouldn’t have been the same if it hadn’t been for Refused (laughs) they were hugely inspirational. It was very cool being able to play with them!»
Syrjala, Marko (15 de noviembre de 2010). «PAPA ROACH – guitarist Jerry Horton». Metal Rules. Helsinki, Finland (publicado el 27 de diciembre de 2010). Archivado desde el original el 28 de noviembre de 2017. Consultado el 28 de noviembre de 2017.
Turnbull, Faye (2 de abril de 2012). «Interviews: Letlive.». Punknews.org. Newcastle, United Kingdom. Archivado desde el original el 4 de noviembre de 2013. Consultado el 28 de noviembre de 2017.
Arold (24 de diciembre de 2008). «The (International) Noise Conspiracy: music mixed with politics». Asice.net. Archivado desde el original el 25 de diciembre de 2008. Consultado el 28 de noviembre de 2017. «Dennis Lyxzén: [...] it wasn’t till I found out about Born Against and most importantly ManLiftingBanner that I really became more political myself. Especially ManLiftingBanner was a big influence to Refused, most people don’t seem to know that. But to hear of a European straight edge band with communist ideas, that was so inspiring to us. That really fuelled me and the other guys to do a band as well.»
di Perna, Alan (Diciembre de 2004). «Sum 41: Blow Up». Guitar World (13 de noviembre de 2008). Archivado desde el original el 27 de octubre de 2018. Consultado el 2 de marzo de 2019.
Baldry, Edd (11 de febrero de 2003). «AFI». Rancid News (Last Hours) (1). Archivado desde el original el 28 de noviembre de 2017. Consultado el 28 de noviembre de 2017. «Davey Havok: [...] But Refused were a great band. I mean when ‘Songs to fan the Flames’ came out that was… I mean ‘Shut Your Mouth Open Your Eyes’ wouldn’t have been the same if it hadn’t been for Refused (laughs) they were hugely inspirational. It was very cool being able to play with them!»
Wehkamp, Siegfried (27 de marzo de 2008). «Interview: THE OCEAN». Mega-metal.de(en alemán). Osnabrück, Germany. Archivado desde el original el 19 de agosto de 2016. Consultado el 6 de marzo de 2018.
Syrjala, Marko (15 de noviembre de 2010). «PAPA ROACH – guitarist Jerry Horton». Metal Rules. Helsinki, Finland (publicado el 27 de diciembre de 2010). Archivado desde el original el 28 de noviembre de 2017. Consultado el 28 de noviembre de 2017.
Jamieson, Sarah (2 de septiembre de 2007). «Organised-Sound interview with Paramore». Organised-sound.com. Wolverhampton, West Midlands, England. Archivado desde el original el 11 de enero de 2009. Consultado el 2 de diciembre de 2017.
Turnbull, Faye (2 de abril de 2012). «Interviews: Letlive.». Punknews.org. Newcastle, United Kingdom. Archivado desde el original el 4 de noviembre de 2013. Consultado el 28 de noviembre de 2017.
Barnard, Luke (10 de octubre de 2017). «Interview: Enter Shikari». Archivado desde el original el 6 de marzo de 2018. Consultado el 6 de marzo de 2018.
«Q&A: Jonathan Boulet». Theorangepress.net. 4 de agosto de 2011. Archivado desde el original el 24 de agosto de 2011. Consultado el 6 de marzo de 2018.
McKagan, Duff (5 de octubre de 2012). «Under the Influence: Duff McKagan». The Skinny. Archivado desde el original el 28 de marzo de 2016. Consultado el 2 de diciembre de 2017. «Duff McKagan: [...] If you listen to the first Velvet Revolver record, all we were listening to was The Shape of Punk to Come. We have this song called Illegal Eye and that riff at the beginning came about after cranking Refused in rehearsal.»
Ozzi, Dan (31 de marzo de 2017). «‘Progression Through Unlearning,’ Snapcase’s Timeless Hardcore Classic, Turns 20». Noisey.vice.com. Vice. Consultado el 28 de noviembre de 2017. «Earlier in the 90s, Tim [Redmond] really set the standard for how high you could tune a snare drum. A lot of drummers got piccolo snares and tortured those tension rods until the drumhead was about to pop," says Refused drummer David Sandström, who toured with Snapcase in '96. "There was a certain stability and propulsion to Tim's beats that really influenced me. He was indefatigable. Felt like he could punch his way through a brick wall.»
Murphy, Tom (18 de octubre de 2011). «Scott Ian of Anthrax on Worship Music, comic books, Doctor Who, VH1 and interviewing Ozzy». Westword. Archivado desde el original el 5 de junio de 2016. Consultado el 2 de diciembre de 2017. «Scott Ian: [...] It's a song ["New Noise"] we've been playing, a band we love, something that's just fun for us to do. Asking what it is about the Refused I like is like asking "What is it about the food that you like?" I don't know -- I listen to their music, and they move me in a way that any music that I like moves me. I can't tell you specifically; it's just that I think they're a great band. I break music into two categories: music that moves me and music that doesn't. Genres don't mean anything to me, and the Refused makes me happy when I listen to it.»
Arold (24 de diciembre de 2008). «The (International) Noise Conspiracy: music mixed with politics». Asice.net. Archivado desde el original el 25 de diciembre de 2008. Consultado el 28 de noviembre de 2017. «Dennis Lyxzén: [...] it wasn’t till I found out about Born Against and most importantly ManLiftingBanner that I really became more political myself. Especially ManLiftingBanner was a big influence to Refused, most people don’t seem to know that. But to hear of a European straight edge band with communist ideas, that was so inspiring to us. That really fuelled me and the other guys to do a band as well.»
McKagan, Duff (5 de octubre de 2012). «Under the Influence: Duff McKagan». The Skinny. Archivado desde el original el 28 de marzo de 2016. Consultado el 2 de diciembre de 2017. «Duff McKagan: [...] If you listen to the first Velvet Revolver record, all we were listening to was The Shape of Punk to Come. We have this song called Illegal Eye and that riff at the beginning came about after cranking Refused in rehearsal.»
di Perna, Alan (Diciembre de 2004). «Sum 41: Blow Up». Guitar World (13 de noviembre de 2008). Archivado desde el original el 27 de octubre de 2018. Consultado el 2 de marzo de 2019.
Barnard, Luke (10 de octubre de 2017). «Interview: Enter Shikari». Archivado desde el original el 6 de marzo de 2018. Consultado el 6 de marzo de 2018.
Wehkamp, Siegfried (27 de marzo de 2008). «Interview: THE OCEAN». Mega-metal.de(en alemán). Osnabrück, Germany. Archivado desde el original el 19 de agosto de 2016. Consultado el 6 de marzo de 2018.
«Q&A: Jonathan Boulet». Theorangepress.net. 4 de agosto de 2011. Archivado desde el original el 24 de agosto de 2011. Consultado el 6 de marzo de 2018.
Jamieson, Sarah (2 de septiembre de 2007). «Organised-Sound interview with Paramore». Organised-sound.com. Wolverhampton, West Midlands, England. Archivado desde el original el 11 de enero de 2009. Consultado el 2 de diciembre de 2017.
Refused Official page. «The bassplayer»(en inglés). Archivado desde el original el 29 de noviembre de 2014. Consultado el 21 de julio de 2020.
Murphy, Tom (18 de octubre de 2011). «Scott Ian of Anthrax on Worship Music, comic books, Doctor Who, VH1 and interviewing Ozzy». Westword. Archivado desde el original el 5 de junio de 2016. Consultado el 2 de diciembre de 2017. «Scott Ian: [...] It's a song ["New Noise"] we've been playing, a band we love, something that's just fun for us to do. Asking what it is about the Refused I like is like asking "What is it about the food that you like?" I don't know -- I listen to their music, and they move me in a way that any music that I like moves me. I can't tell you specifically; it's just that I think they're a great band. I break music into two categories: music that moves me and music that doesn't. Genres don't mean anything to me, and the Refused makes me happy when I listen to it.»