Pausanias, Periegesis vi.25.1; Aphrodite Pandemos was represented in the same temple riding on a goat, symbol of purely carnal rut: "The meaning of the tortoise and of the he-goat I leave to those who care to guess," Pausanias remarks. The image was taken up again after the Renaissance: see Andrea Alciato, Emblemata / Les emblemes (1584).
West 2000, pp. 134–38. West, M. L. (2000), "The Name of Aphrodite", Glotta, Göttingen, Germany: Vandenhoeck & Ruprecht (GmbH & Co. KG), 76 (1./2. H): 134–38, JSTOR40267103
West 2000, pp. 134–36. West, M. L. (2000), "The Name of Aphrodite", Glotta, Göttingen, Germany: Vandenhoeck & Ruprecht (GmbH & Co. KG), 76 (1./2. H): 134–38, JSTOR40267103
West 2000, pp. 137–38. West, M. L. (2000), "The Name of Aphrodite", Glotta, Göttingen, Germany: Vandenhoeck & Ruprecht (GmbH & Co. KG), 76 (1./2. H): 134–38, JSTOR40267103
Witczak 1993, pp. 115–23. Witczak, Krzysztof Tomasz (1993), Lambert Isebaert (ed.), "Greek Aphrodite and her Indo-European origins", Miscellanea Linguistica Graeco-Latina, Namur: Société des études classiques: 115–23[بدون شابک]