Kerman 1994, p. 166. Kerman, Joseph (1994). "Mozart's Piano Concertos and Their Audience". In James M. Morris (ed.). On Mozart. Cambridge: Cambridge University Press. ISBN0521476615.
Kerman 1994, pp. 164–165. Kerman, Joseph (1994). "Mozart's Piano Concertos and Their Audience". In James M. Morris (ed.). On Mozart. Cambridge: Cambridge University Press. ISBN0521476615.
(Wen 1990، ص. 107); the quote is Wen's translation from the work of Richard Heuberger, Erinnerungen an Johannes Brahms, Tutzing, 1971, p. 93. According to Heuberger, Brahms' original statement in German was: "ein Wunderwerk der Kunst und voll genialer Einfälle". Wen, Eric (1990). "Enharmonic transformation in the first movement of Mozart's Piano Concerto in C minor, K. 491". In Hedi Siegel (ed.). Schenker Studies: Symposium: Papers. New York: Cambridge University Press. ISBN0521360382.
Blume 1956, p. 231. Blume, Friedrich (1956). "The Concertos: (1) Their Sources". In H. C. Robbins Landon; Donald Mitchell (eds.). The Mozart Companion. New York: Oxford University Press. OCLC2048847.
King 1952, p. 99. King, A. Hyatt (1952). "Wolfgang Amadeus Mozart (1756–1791)". In Ralph Hill (ed.). The Concerto. Melbourne: Penguin Books. OCLC899058745.
King 1952, p. 95. King, A. Hyatt (1952). "Wolfgang Amadeus Mozart (1756–1791)". In Ralph Hill (ed.). The Concerto. Melbourne: Penguin Books. OCLC899058745.