"The knights in chain-mail armour have analogies in the Khalchayan reliefs depicting a battle of the Yuezhi against a Saka tribe (probably the Sakaraules). Apart from the chain-mail armour worn by the heavy cavalry of the enemies of the Yuezhi, the other characteristic sign of these warriors is long side-whiskers (...) We think it is possible to identify all these grotesque personages with long side-whiskers as enemies of the Yuezhi and relate them to the Sakaraules (...) Indeed these expressive figures with side-whiskers differ greatly from the tranquil and majestic faces and poses of the Yuezhi depictions."(en) Abdullaev, « Nomad Migration in Central Asia (in After Alexander: Central Asia before Islam) », Proceedings of the British Academy, vol. 133, , p. 89 (lire en ligne).
(en) Boris Marshak et Frantz Grenet, « Une peinture kouchane sur toile », Comptes-rendus des Séances de L Année - Académie des Inscriptions et Belles-lettres, vol. 150, no 2, , p. 947–963 (ISSN0065-0536, DOI10.3406/crai.2006.87101, lire en ligne).
(en) Juhyung Rhi, Identifying Several Visual Types of Gandharan Buddha Images. Archives of Asian Art 58 (2008)., 53–56 p. (lire en ligne).
archive.org
(en) Marilyn Stokstad et Michael W. Cothren, Art History (5th Edition) Chapter 10 : Art Of South And Southeast Asia Before 1200, Pearson, , 306–308 (ISBN978-0-205-87348-7, lire en ligne).
(en) Marilyn Stokstad et Michael W. Cothren, Art History 5th Edition CH 10 Art Of South And Southeast Asia Before 1200, Pearson, , 306–308 (ISBN978-0-205-87347-0, lire en ligne).
University of Oxford The Classical Art Research Centre, Problems of Chronology in Gandhāran Art : Proceedings of the First International Workshop of the Gandhāra Connections Project, University of Oxford, 23rd-24th March, 2017, Archaeopress, (lire en ligne), 45, notes 28, 29.
Robert Bracey, Problems of Chronology in Gandhāran Art. "Is it appropriate to ask a celestial lady's age?", Archaeopress. The Classical Art Research Centre. University of Oxford, , 135–138 (lire en ligne).
Ludwig Bachhofer, Early Indian sculpture vol.2, (lire en ligne), Notice 97.
Pratapaditya Pal, Indian sculpture, Volume 1, (lire en ligne), 199.
University of Oxford The Classical Art Research Centre, Problems of Chronology in Gandhāran Art : Proceedings of the First International Workshop of the Gandhāra Connections Project, University of Oxford, 23rd-24th March, 2017, Archaeopress, , 43–44 (lire en ligne).
Gupta inscriptions using the term "Dinara" for money: No 5-9, 62, 64, in John Faithfull Fleet, Inscriptions Of The Early Gupta Kings And Their Successors, (lire en ligne).
Claudine Bautze-Picron, « A neglected Aspect of the Iconography of Viṣṇu and other Gods and Goddesses », Journal of the Indian Society of Oriental Arts, vol. XXVIII-XXIX, , p. 81–92 (lire en ligne).
(en) Balkrishna Govind Gokhale, Ancient India : History and Culture, Popular Prakashan, , 171–173 p. (ISBN978-81-7154-694-7, lire en ligne).
(en) Tom Lowenstein, The Civilization of Ancient India and Southeast Asia, The Rosen Publishing Group, Inc, , 232 p. (ISBN978-1-4488-8507-7, lire en ligne), p. 53.
(en) Baij Nath Puri, India under the Kushāṇas, Bharatiya Vidya Bhavan, (lire en ligne).
(en) Sonya Rhie Quintanilla, History of Early Stone Sculpture at Mathura : Ca. 150 BCE - 100 CE, Leiden, BRILL, , 199–206 p. (ISBN978-90-04-15537-4, lire en ligne).
"The Buddhist Triad, from Haryana or Mathura, Year 4 of Kaniska (ad 82). Kimbell Art Museum, Fort Worth." in (en) Asian Civilisations Museum (Singapore) et Gauri Parimoo Krishnan, The Divine Within : Art & Living Culture of India & South Asia, World Scientific Pub, , 288 p. (ISBN978-981-05-6705-7, lire en ligne), p. 113.
(en) Kurt A. Behrendt, The Art of Gandhara in the Metropolitan Museum of Art, New York/New Haven (Conn.), Metropolitan Museum of Art, , 115 p. (ISBN978-1-58839-224-4, lire en ligne), p. 48, Fig. 18.
(en) Gauranga Nath Banerjee, Hellenism in Ancient India (lire en ligne), p. 96-98.
(en) Upinder Singh, A History of Ancient and Early Medieval India : From the Stone Age to the 12th Century, Pearson Education India, , 677 p. (ISBN978-81-317-1677-9, lire en ligne), p. 439.
"Naigamesa was a popular deity in the Kushana period and we have at least eight figures of this god from Mathura assignable to c. 1st to 3rd century A.D. (GMM., E. 1, 15.909, 15, 1001, 15. 1046, 15. 1115, 34.2402, 34. 2547, SML., J 626, etc)" in (en) Nilakanth Purushottam Joshi, Mātr̥kās, Mothers in Kuṣāṇa Art, Kanak Publications, (lire en ligne), p. 41.
"Known by the term Dinars in early Gupta inscriptions, their gold coinage was based on the weight standard of the Kushans i.e. 8 gms/120 grains. It was replaced in the time of Skandagupta by a standard of 80 ratis or 144 grains" (en) R. Vanaja, Indian Coinage, National Museum, (lire en ligne).
Boris Marshak et Frantz Grenet, « Une peinture kouchane sur toile », Comptes rendus des séances de l'Académie des Inscriptions et Belles-Lettres, vol. 150, no 2, , p. 257 (DOI10.3406/crai.2006.87101).
(en) Boris Marshak et Frantz Grenet, « Une peinture kouchane sur toile », Comptes-rendus des Séances de L Année - Académie des Inscriptions et Belles-lettres, vol. 150, no 2, , p. 947–963 (ISSN0065-0536, DOI10.3406/crai.2006.87101, lire en ligne).
Close-up image of the inscription of the Kimbell Buddha in Gérard Fussman, « Documents épigraphiques kouchans (V). Buddha et Bodhisattva dans l'art de Mathura : deux Bodhisattvas inscrits de l'an 4 et l'an 8 », Bulletin de l'École Française d'Extrême-Orient, vol. 77, , p. 27, planche 2 (DOI10.3406/befeo.1988.1739).
Prudence R. Myer, « Bodhisattvas and Buddhas: Early Buddhist Images from Mathurā », Artibus Asiae, vol. 47, no 2, , p. 107–142 (ISSN0004-3648, DOI10.2307/3249969, JSTOR3249969).
For English summary, see page 80 Schmid, « Les Vaikuṇṭha gupta de Mathura : Viṣṇu ou Kṛṣṇa? », Arts Asiatiques, vol. 52, , p. 60–88 (DOI10.3406/arasi.1997.1401).
issn.org
portal.issn.org
Rowland, « Graeco-Bactrian Art and Gandhāra: Khalchayan and the Gandhāra Bodhisattvas », Archives of Asian Art, vol. 25, , p. 29–35 (ISSN0066-6637, JSTOR20111029).
(en) Boris Marshak et Frantz Grenet, « Une peinture kouchane sur toile », Comptes-rendus des Séances de L Année - Académie des Inscriptions et Belles-lettres, vol. 150, no 2, , p. 947–963 (ISSN0065-0536, DOI10.3406/crai.2006.87101, lire en ligne).
Prudence R. Myer, « Bodhisattvas and Buddhas: Early Buddhist Images from Mathurā », Artibus Asiae, vol. 47, no 2, , p. 107–142 (ISSN0004-3648, DOI10.2307/3249969, JSTOR3249969).
Pran Gopal Paul et Debjani Paul, « Brahmanical Imagery in the Kuṣāṇa Art of Mathurā: Tradition and Innovations », East and West, vol. 39, nos 1/4, , p. 132–136, for the photograph p.138 (ISSN0012-8376, JSTOR29756891).
Doris Srinivasan, « Early Vaiṣṇava Imagery: Caturvyūha and Variant Forms », Archives of Asian Art, vol. 32, , p. 39–40 (ISSN0066-6637, JSTOR20111096).
Pran Gopal Paul et Debjani Paul, « Brahmanical Imagery in the Kuṣāṇa Art of Mathurā: Tradition and Innovations », East and West, vol. 39, nos 1/4, , p. 136 [26] (ISSN0012-8376, JSTOR29756891).
Paul et Paul, « Brahmanical Imagery in the Kuṣāṇa Art of Mathurā: Tradition and Innovations », East and West, vol. 39, nos 1/4, , p. 125 (ISSN0012-8376, JSTOR29756891).
Pran Gopal Paul et Debjani Paul, « Brahmanical Imagery in the Kuṣāṇa Art of Mathurā: Tradition and Innovations », East and West, vol. 39, nos 1/4, , p. 111–143 (ISSN0012-8376, JSTOR29756891).
Pran Gopal Paul et Debjani Paul, « Brahmanical Imagery in the Kuṣāṇa Art of Mathurā: Tradition and Innovations », East and West, vol. 39, nos 1/4, , p. 128 (ISSN0012-8376, JSTOR29756891).
jstor.org
Rowland, « Graeco-Bactrian Art and Gandhāra: Khalchayan and the Gandhāra Bodhisattvas », Archives of Asian Art, vol. 25, , p. 29–35 (ISSN0066-6637, JSTOR20111029).
Prudence R. Myer, « Bodhisattvas and Buddhas: Early Buddhist Images from Mathurā », Artibus Asiae, vol. 47, no 2, , p. 107–142 (ISSN0004-3648, DOI10.2307/3249969, JSTOR3249969).
Pran Gopal Paul et Debjani Paul, « Brahmanical Imagery in the Kuṣāṇa Art of Mathurā: Tradition and Innovations », East and West, vol. 39, nos 1/4, , p. 132–136, for the photograph p.138 (ISSN0012-8376, JSTOR29756891).
Doris Srinivasan, « Early Vaiṣṇava Imagery: Caturvyūha and Variant Forms », Archives of Asian Art, vol. 32, , p. 39–40 (ISSN0066-6637, JSTOR20111096).
Pran Gopal Paul et Debjani Paul, « Brahmanical Imagery in the Kuṣāṇa Art of Mathurā: Tradition and Innovations », East and West, vol. 39, nos 1/4, , p. 136 [26] (ISSN0012-8376, JSTOR29756891).
Paul et Paul, « Brahmanical Imagery in the Kuṣāṇa Art of Mathurā: Tradition and Innovations », East and West, vol. 39, nos 1/4, , p. 125 (ISSN0012-8376, JSTOR29756891).
Pran Gopal Paul et Debjani Paul, « Brahmanical Imagery in the Kuṣāṇa Art of Mathurā: Tradition and Innovations », East and West, vol. 39, nos 1/4, , p. 111–143 (ISSN0012-8376, JSTOR29756891).
Pran Gopal Paul et Debjani Paul, « Brahmanical Imagery in the Kuṣāṇa Art of Mathurā: Tradition and Innovations », East and West, vol. 39, nos 1/4, , p. 128 (ISSN0012-8376, JSTOR29756891).
kimbellart.org
Seated Buddha with inscription starting with 𑁕 Maharajasya Kanishkasya Sam 4 "Year 4 of the Great King Kanishka" in (en) « Seated Buddha with Two Attendants », sur www.kimbellart.org, Kimbell Art Museum.
Juhyung Rhi, Problems of Chronology in Gandharan Art, Archaeopress Archaeology, , 40–41 p. (lire en ligne).
Juhyung Rhi, Problems of Chronology in Gandharan. Positionning Gandharan Buddhas in Chronology, Oxford, Archaeopress Archaeology, , 35–51 p. (lire en ligne).