Assassin's Creed Origins (French Wikipedia)

Analysis of information sources in references of the Wikipedia article "Assassin's Creed Origins" in French language version.

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academia.edu

  • (en) Tara Sewell-Lasater, « Eternally Maligned as the Power-hungry Femme Fatale: Kleopatra VII in Assassin’s Creed Origins and Other Video Games », dans How Pharaohs Became Media Stars, (lire en ligne)

akamaihd.net

ubistatic19-a.akamaihd.net

clubic.com

digitaltrends.com

doi.org

dx.doi.org

  • (en) Nelson Bondioli, Marcio Texeira-Bastos et Luciano C. Carneiro, « History, design and archaeology: The reception of Julius Caesar and the representation of gender and agency in Assassin’s Creed Origins », In die Skriflig / In Luce Verbi, vol. 53, no 2,‎ (ISSN 2305-0853 et 1018-6441, DOI 10.4102/ids.v53i2.2431, lire en ligne, consulté le )
  • (en) Bryan Banker, « Black Egyptians and White Greeks?: Historical Speculation and Racecraft in the Video Game Assassin’s Creed: Origins », Humanities, vol. 9, no 4,‎ , p. 145 (ISSN 2076-0787, DOI 10.3390/h9040145, lire en ligne, consulté le )
  • (en) Katrina HB Keefer, « Becoming Bayek: Blackness, Egypt, and Identity in Assassin's Creed: Origins », Games and Culture, vol. 18, no 7,‎ , p. 940–958 (ISSN 1555-4120 et 1555-4139, DOI 10.1177/15554120231152755, lire en ligne, consulté le ) :

    « has implicit tropes which differentiate sub-Saharan Africans in ways which perpetuate colonial stereotypes and stigmatize Blackness in complex ways. »

  • (es) Roberto Dalmo Varallo Lima de Oliveira, Vinícius Gurski Ferraz, João Roberto Rátis Tenório da Silva et Mayara Soares de Melo, « O JOGO DIGITAL “ASSASSIN’S CREED ORIGINS” COMO UM ESPAÇO DE DESCOLONIZAÇÃO DA CIÊNCIA: uma análise do modo turismo à luz do entendimento de química ancestral africana », Revista Eletrônica Ludus Scientiae, vol. 4, no 2,‎ (ISSN 2527-2624, DOI 10.30691/relus.v4i2.2559, lire en ligne, consulté le )

gameblog.fr

gamekult.com

gamespot.com

generation-game.com

ign.com

ign.com

fr.ign.com

indieskriflig.org.za

  • (en) Nelson Bondioli, Marcio Texeira-Bastos et Luciano C. Carneiro, « History, design and archaeology: The reception of Julius Caesar and the representation of gender and agency in Assassin’s Creed Origins », In die Skriflig / In Luce Verbi, vol. 53, no 2,‎ (ISSN 2305-0853 et 1018-6441, DOI 10.4102/ids.v53i2.2431, lire en ligne, consulté le )

issn.org

portal.issn.org

  • (en) Nelson Bondioli, Marcio Texeira-Bastos et Luciano C. Carneiro, « History, design and archaeology: The reception of Julius Caesar and the representation of gender and agency in Assassin’s Creed Origins », In die Skriflig / In Luce Verbi, vol. 53, no 2,‎ (ISSN 2305-0853 et 1018-6441, DOI 10.4102/ids.v53i2.2431, lire en ligne, consulté le )
  • (en) Bryan Banker, « Black Egyptians and White Greeks?: Historical Speculation and Racecraft in the Video Game Assassin’s Creed: Origins », Humanities, vol. 9, no 4,‎ , p. 145 (ISSN 2076-0787, DOI 10.3390/h9040145, lire en ligne, consulté le )
  • (en) Katrina HB Keefer, « Becoming Bayek: Blackness, Egypt, and Identity in Assassin's Creed: Origins », Games and Culture, vol. 18, no 7,‎ , p. 940–958 (ISSN 1555-4120 et 1555-4139, DOI 10.1177/15554120231152755, lire en ligne, consulté le ) :

    « has implicit tropes which differentiate sub-Saharan Africans in ways which perpetuate colonial stereotypes and stigmatize Blackness in complex ways. »

  • (es) Roberto Dalmo Varallo Lima de Oliveira, Vinícius Gurski Ferraz, João Roberto Rátis Tenório da Silva et Mayara Soares de Melo, « O JOGO DIGITAL “ASSASSIN’S CREED ORIGINS” COMO UM ESPAÇO DE DESCOLONIZAÇÃO DA CIÊNCIA: uma análise do modo turismo à luz do entendimento de química ancestral africana », Revista Eletrônica Ludus Scientiae, vol. 4, no 2,‎ (ISSN 2527-2624, DOI 10.30691/relus.v4i2.2559, lire en ligne, consulté le )

jeuxvideo.com

kotaku.com

mdpi.com

  • (en) Bryan Banker, « Black Egyptians and White Greeks?: Historical Speculation and Racecraft in the Video Game Assassin’s Creed: Origins », Humanities, vol. 9, no 4,‎ , p. 145 (ISSN 2076-0787, DOI 10.3390/h9040145, lire en ligne, consulté le )

metacritic.com

numerama.com

sagepub.com

journals.sagepub.com

  • (en) Katrina HB Keefer, « Becoming Bayek: Blackness, Egypt, and Identity in Assassin's Creed: Origins », Games and Culture, vol. 18, no 7,‎ , p. 940–958 (ISSN 1555-4120 et 1555-4139, DOI 10.1177/15554120231152755, lire en ligne, consulté le ) :

    « has implicit tropes which differentiate sub-Saharan Africans in ways which perpetuate colonial stereotypes and stigmatize Blackness in complex ways. »

ubi.com

blog.ubi.com

ubisoft.com

discussions.ubisoft.com

unila.edu.br

revistas.unila.edu.br

  • (es) Roberto Dalmo Varallo Lima de Oliveira, Vinícius Gurski Ferraz, João Roberto Rátis Tenório da Silva et Mayara Soares de Melo, « O JOGO DIGITAL “ASSASSIN’S CREED ORIGINS” COMO UM ESPAÇO DE DESCOLONIZAÇÃO DA CIÊNCIA: uma análise do modo turismo à luz do entendimento de química ancestral africana », Revista Eletrônica Ludus Scientiae, vol. 4, no 2,‎ (ISSN 2527-2624, DOI 10.30691/relus.v4i2.2559, lire en ligne, consulté le )

uwasa.fi

osuva.uwasa.fi

  • Mona Khattab, Tanja Sihvonen et Sabine Harrer, Playing at Knowing Ancient Egypt. The Tourist Gaze in Assassin’s Creed: Origins, Edition Donau-Universität Krems, (ISBN 978-3-903150-73-7, lire en ligne) :

    « Whose ‘pure education’ does the discovery tour facilitate in rendering its version of ancient Egypt? Who or what is actually being ‘discovered’ by players? Addressing such questions would expose the power dimensions baked into the Orientalist design decisions, including an analysis of who is entitled to ‘discover’ (White western audiences) and who is being discovered (the imagined ‘Orient’) in the game. »