(en) Jeffrey Sconce(en), chap. 6 « Spectacles of Death : Identification, Reflexivity, and Contemporary Horror », dans Jim Collins (dir.), Hilary Radner(en) (dir.) et Ava Preacher Collins (dir.), Film Theory Goes to the Movies, New York, Routledge, coll. « AFI Film Readers », , VIII-297 p. (ISBN0-415-90575-3 et 0-415-90576-1), p. 105 [lire en ligne].
(en) Wes D. Gehring, Parody as Film Genre : "Never Give a Saga an Even Break", Westport (Connecticut), Greenwood Press, coll. « Contributions to the Study of Popular Culture » (no 69), , XXII-223 p. (ISBN0-313-26186-5), p. 183–184 [lire en ligne].
(en) Barry Shank, « Fears of the White Unconscious : Music, Race, and Identification in the Censorship of "Cop Killer" », Radical History Review, no 66 « Popular Culture or Hoax-Proof History », , p. 124–145 (ISSN0163-6545 et 1534-1453, DOI10.1215/01636545-1996-66-124) : « In fact, there is an entire genre of films that are referred to as ”Body Count” movies because of the large number of grisly murders that occur in them ».
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(en) Barry Shank, « Fears of the White Unconscious : Music, Race, and Identification in the Censorship of "Cop Killer" », Radical History Review, no 66 « Popular Culture or Hoax-Proof History », , p. 124–145 (ISSN0163-6545 et 1534-1453, DOI10.1215/01636545-1996-66-124) : « In fact, there is an entire genre of films that are referred to as ”Body Count” movies because of the large number of grisly murders that occur in them ».
(en) Jeffrey Sconce(en), chap. 6 « Spectacles of Death : Identification, Reflexivity, and Contemporary Horror », dans Jim Collins (dir.), Hilary Radner(en) (dir.) et Ava Preacher Collins (dir.), Film Theory Goes to the Movies, New York, Routledge, coll. « AFI Film Readers », , VIII-297 p. (ISBN0-415-90575-3 et 0-415-90576-1), p. 105 [lire en ligne].
