(en-US) Roger Catlin, «Debbie Allen uses her creative talents to address violence in America», Washington Post, (ISSN0190-8286, lire en ligne, consulté le )
(en-US) John S. Wilson, «`Here Musical Bow to Fats Waller», The New York Times, (ISSN0362-4331, lire en ligne, consulté le )
(en-US) Thomas Morgan, «Debbie Allen's 'Charity': Coached by the Original», The New York Times, (ISSN0362-4331, lire en ligne, consulté le )
(en-US) Frank Rich, «Review/Theater; The Telekinetic 'Carrie,' With Music», The New York Times, (ISSN0362-4331, lire en ligne, consulté le )
(en-GB) Michael Billington, «Theatre review | Cat On a Hot Tin Roof | Novello, London», The Guardian, (ISSN0261-3077, lire en ligne, consulté le )
(en-US) Ben Brantley, «Yet Another Life for Maggie the Cat», The New York Times, (ISSN0362-4331, lire en ligne, consulté le )
(en-US) Chester J. Fontenot, Jr, «Reviewed Work: Black Misery, White Guilt and Amistad by Debbie Allen, Stephen Spielberg, David Franzoni», MELUS, Vol. 24, No. 1,, , p.235-243 (lire en ligne)
(en-US) Michael E. Hill, «DEBBIE ALLEN SHE MADE 'DIFFERENT' A BETTER 'WORLD'», Washington Post, (lire en ligne)
(en-US) Bethonie Butler, «How ‘A Different World’ dealt with the L.A. riots and set the stage for a more political TV», Washington Post, (lire en ligne)
(en-US) Roger Catlin, «Debbie Allen uses her creative talents to address violence in America», Washington Post, (ISSN0190-8286, lire en ligne, consulté le )