Emmett G. Price, III, Tammy Kernodle et Horace Maxille, Encyclopedia of African American Music, ABC-CLIO, , 1116 p. (ISBN978-0-313-34199-1, lire en ligne), p. 405.
(en) The audience of gay males (esp. gay African American and Latino males). Pour en savoir plus : David A. Generalist, Routledge International Encyclopedia of Queer Culture, Routledge, , 784 p. (ISBN978-1-136-76181-2, lire en ligne), p. 153.
(en) Shapiro, Peter. Turn the Beat Around: The Rise and Fall of Disco, Macmillan, 2006. page 204–206 : 'Broadly speaking, the typical New York discotheque DJ is young (between 18 and 30), Italian, and gay,' journalist Vince Lettie declared in 1975...Remarkably, almost all of the important early DJ were of Italian extraction...Italian Americans have played a significant role in America's dance music culture...While Italian Americans mostly from Brooklyn largely created disco from scratch...[1].
issn.org
portal.issn.org
Gilles Médioni, « Le disco enfièvre la France », L'Express, no 3449, , p. 84 à 86 (ISSN0014-5270).
Maye, Warren L. (2019). "You Will Survive". SAConnects. Retrieved 16 September 2021
spectator.co.uk
blogs.spectator.co.uk
(en) Warde-Aldam, Digby (2014): House music is great music – or can be. The Spectator. Press Holdings. "I suspect the following statement may piss off dance nerds, but it’s fair to say that Knuckles had as much claim as anyone to having ‘invented’ house music thirty odd years ago. Essentially, he took the kitsch out of disco and turned it into a synthesiser-heavy global brand. Was it worth the effort, though?" ; 8 avril 2014, consulté le 4 mai 2014.
(en) Disco Double Take by The Village Voice : "And the scene's combination of overwhelming sound, trippy lighting, and hallucinogens was indebted to the late-60s psychedelic culture.", consulté le 29 novembre 2008.
